The actress was not on the balcony: testing the Pseudorelative-First Hypothesis in Spanish by Marta De Pedis, Adam Zawiszewski, Itziar Laka

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Contemplations Over the Book Panorama of the Stage Fates of Five Actresses by Podmaková Dagmar

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Lucille Ball, the Queen of Show Business versus Lucy Ricardo, the Failed Actress by Aurélie Blot

“…This might be because Lucille Ball refused to be considered as a businesswoman; she wanted to be seen as an actress above all. In this article, I will analyze how Lucille Ball became a businesswoman in spite of herself and how her success as an actress contributed to her success as a businesswoman.…”
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Ideal yet Actual: Actresses Posing as Antique Heroines in Late-Victorian “Classical” Portraits by Anne-Florence Gillard-Estrada

“…The late-Victorian neoclassical artists George Frederic Watts, Frederic Leighton and Edward Poynter posed three famous actresses, Ellen Terry, Dorothy Dene and Lillie Langtry, in paintings whose subjects were drawn from Antiquity. …”
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Gösteri Dünyasında Kadın Oyunculara Yönelik Cinsiyetçi Yaklaşım ve Bir Örnek Olay: Fat Actress by N.Aysun Yüksel

“…Bu noktadan hareketle,  anılan ayrımcılığa ilişkin Kirstie Alley'in ironik bir yaklaşıma sahip, otobiyografik özellikler de taşıyan yedi bölümlük dizisi Fat Actress ele alınmakta ve feminist bir bakış açısıyla değerlendirilmektedir. …”
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‘Wisdom is a gift given to the Wise’: Florence Farr (1860–1917): New Woman, Actress and Pagan Priestess by Muriel Pécastaing-Boissière

“…To Yeats, Florence Farr was less an actress and a composer than a priestess and a bard. …”
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Actress Felicità von Vestvali and her role of a travesty on stage and in life (1828-1880). Part I by Keller Andrei Victorovich

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L’actrice, du cinéma aux arts plastiques et au roman : genre et représentation by Thibaut Casagrande

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Ansambl aktorski by MAREK HENDRYKOWSKI

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The Suffrage Pageant Play: Making and Performing Women’s History in Cicely Hamilton’s A Pageant of Great Women (1909) and Christopher St. John’s The First Actress (1911) by Eleanor Stewart

“…Cet article aborde deux pièces suffragistes, A Pageant of Great Women (1909) de Cicely Hamilton et The First Actress (1911) de Christopher St. John, qui ne défendent pas l’émancipation féminine par le biais d’intrigues « suffragistes » mais en représentant scéniquement l’histoire des femmes. …”
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Il costume fuori scena: testimonianze e documenti del progetto creativo di Adelaide Ristori by Bruna Niccoli

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«Une grande danseuse»: corpo e movimento nella ‘Medea’ di Adelaide Ristori by Giulia Taddeo

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Generazioni di attori. Il carteggio di Adelaide con Maddalena Ristori e gli affanni della capocomica by Francesca Simoncini

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En pos de la Reina. Los personajes femeninos y sus actrices en las funciones de jura y proclamación de 1833 by Montserrat Ribao Pereira

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Le signore della festa a veglia e a corte by Marzia Pieri

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‘Essere, o non essere’ in scena. Sull’orma creativa di Adelaide Ristori by Teresa Megale

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La intersección de categorías marginadas en el teatro español del siglo XVIII: actrices y dramaturgas by María del Carmen Amaya Macías

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‘Laugh a defiance, Laugh in hope’: Suffrage Comedy and Humour as Political Protest by Eleanor Stewart

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Le ‘maestre’ di Adelaide Ristori: tracce di una trasmissione generazionale del mestiere by Giulia Bravi

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La comédienne dell’arte et son public au XVIIe siècle : un modèle dramaturgique et sa réception by Cécile Berger

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