“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker by Eléonore Obis

“…This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. …”
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From Sensationalism to Sensation: Brian Evenson’s Affecting Texts by Nawelle Lechevalier-Bekadar

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A monstrificação dos irlandeses na imaginação geográfica de Giraldus Cambrensis by Raimundo Sousa

“…By assigning the Irish, under the sign of abjection, all sorts of gender anomalies based on the representation of repertoires offered by medieval Teratology, Cambrensis characterized Ireland as a hotbed of monstrous sexualities and thus tries to naturalize colonization as a necessary civilizing process.…”
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‘The Dung-heap and the Flower’: Gissing’s Nether World by Nigel Messenger

“…Using the concept of ‘abjection’ as theorised by Julia Kristeva in Powers of Horror, the paper goes on to discuss some of the language, social settings and characters of The Nether World, and concludes by suggesting that Gissing’s novel anticipates some aspects of twentieth-century Modernism.…”
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Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles by Catherine Lanone

“…Whereas Talbothays still offers a pastoral community, Flintcomb Ash is a cold place of abjection where both the land and the women are ruthlessly exploited. …”
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CYBERPUNK – GAME – POETRY: Rostislav Amelin’s “SimStab” by Daniil Leiderman, Mark Lipovetsky

“…Both the poem, game and their shared text embody spaces of utopia reliant on repressed sites of formless abjection, which paradoxically become a source of anarchic freedom. …”
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Frontières de l’humain et technologies de genre monstrueux by Kevin Lambert

“…The monster who narrates the novel is built at the intersection of socially prohibited economic, racial and criminal behaviors and sexual desires, which compose his fictional abjection. The novel therefore testifies to some important changes in the contemporary imagination surrounding the monster. …”
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Women, Power and Conflict: The Gothic heroine and "Chocolate-box Gothic" by Avril Horner

“…On y observera la manière dont les auteurs féminins ont utilisé l’inquiétante étrangeté et l’abjection afin de soulever des problèmes concernant l’égalité des droits et d’interroger les constructions culturelles du corps de la femme et de ses désirs. …”
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Cross-Gendering the Racial Memory by Marlon B. Ross

“…Du Bois, Walter White, and Wallace Thurman—Gaines erects Miss Jane as a she/male icon who prophesies the integrated, interracial, harmonious United States nation that emerges ironically out of black folk’s capacity to endure and transcend an entrenched history of state-endorsed racial violence and abjection. Gaines chooses a woman as his medium/subject both to envelope the image of the gigantic black feminine as black nationalist icon and to counter that image in favor of a conscientious black nation within a bloody white nation, the black (wo)man as the purifying conscience of the historically compromised American nation-state. …”
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Les Dynastes de Thomas Hardy : une poétique spectrale à l’œuvre contre la guerre by Annie Escuret

“…The living-dead, the phantom, the spectre appear in Derrida’s Specters of Marx (1993) but these concepts also appear in Freud’s notion of « The Uncanny », Foucault’s categories of silence and unspeakability or Kristeva’s definition of the abject. In The Dynasts, Hardy wrote an epic of human automatism or impulsion, an account of human action in spite of human knowledge which is a most violent indictment of war showing that Hardy heralds modern pacifists like Michel Serres or René Girard.…”
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Un roman néo-gothique : The Three Impostors d’Arthur Machen (1895) by Claire Wrobel

“…Moreover, he breaks the original systematic association of « Gothic » and « barbaric » with « medieval » in order to include the refined cruelties and mysteries of pagan rites in his abject visions. In a final twist, he sets a barbaric scene in a decaying mansion meant to embody the eighteenth century, thus « gothicizing » the age of enlightenment and urbanity.…”
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The ambiguous other. Engaging with far right and other uncomfortable subjectivities by Katerina Hatzikidi

“…Abstract: This article explores anthropological hesitation in engaging with “abject” or otherwise “uncomfortable” subjectivities, identifying some of the main concerns and challenges behind it. …”
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Gendered Cartographies in Melissa Scott’s Science Fiction: Queering Shadow Man (1995) by Beatriz Hermida Ramos

“…I analyse how the economic relations between both spaces, Hara and the Concord worlds, shape the understanding of gender and sexuality, and I focus on how the friction between the two systems highlights the power of the nation-state to mark certain bodies as foreign, undesirable and abjected. Finally, I conclude that Scott’s depiction of ‘the wry-abled’ and ‘the odd-bodied’ offers nuanced opportunities to interact with the sex-gender system through speculation while emphasizing how these categories are artificial social constructions.…”
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Normalizar: discurso, legislación y educación sexual by Germán Torres

“…Such instances simultaneously and necessarily produced exclusion, defining an abject space for those identities and bodies which are opposed to the heteronormative.…”
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THE CONSEQUENCES OF KIDNAPPING ON THE COMMUNITY: A CASE STUDY OF ZURMI, ZAMFARA STATE by FAISAL MUHAMMAD

“…The data revealed majority of the respondents believe that the consequences of kidnapping on Zurmi community are enormous including: emotional depression, anxiety, psychological trauma, and an experience of economic hardship, joblessness after victims’ release, abject poverty, anxiety, depression and trauma. The research adopted the Rational Choice Theory (RCT) as its theoretical frame of reference to explain the menace of kidnapping and its consequences on the community. …”
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