Attraverso il corpo. Donne di una bidonville di Haiti e doni dello sviluppo by Pia Maria Koller

“…Some counteract their despair with works of art, reproducing the beauty of what in their memory remains "the pearl of the Antilles": Haiti.   …”
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Equipment Significance and Obsolescence in Diana Thater’s The Bad Infinite by Brian Castriota

“…The meanings of technology-based works of art are often constructed and communicated through variable equipment components that deteriorate physically and mechanically over time. …”
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SPACES OF ART CULTURE ORGANIZATION CREATED BY WOMEN INTELLECTUALS OF THE 17TH CENTURY by Violetta S. Trofimova

“…The closed spaces for the organization of women's intellectual culture were monastery and female academy, where works of art were created within the framework of tradition. …”
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The Theme of Displacement in Contemporary Art by John POTTS

“…This essay considers images and ideas of displacement in recent works of art. The theme of displacement is examined in the context of the globalist aspect of contemporary art, itself a reflection of globalisation. …”
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Non-fungible token: a promising digital tool for business by N. A. Kashevarova, I. S. Starikova

“…The current state and socio-cultural sources of the NFT market related to works of art and media objects are analysed. The technological and legal problems preventing the wide spread of NFT in the business environment are identified. …”
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« À l’identique ». Quelques remarques sur la notion d'authenticité en art chinois by Françoise Lauwaert

“…It will shed a new light on the context of the debates on the restoration and forging of works of art in the People’s Republic of China.…”
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La constitution des collections du Muséum par l’appropriation : du rassemblement du mobilier de la Couronne dans la Grande Galerie aux saisies en Europe, à travers les actions d’He... by Gianmarco Raffaelli

“…After having played an important role in the founding of the Muséum central des Arts as a deputy of the Legislative Assembly, Henri Reboul (1763–1839) took part in the confiscations carried out by the Napoleonic armies in Rome, while nevertheless paying attention to the conservation of the works of art. While the analysis of the acts of a little-known figure such as Reboul allows light to be shed on new aspects of the history of the Louvre, it is at the same time the opportunity to be interested in the conceptual implications of the arrival, in the first national museum, of the artistic creations having belonged to the kings of France and of those that were confiscated in Europe, the physical appropriation of these objects being accompanied by an intellectual appropriation.…”
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D’un « regard-pilote » à l’écart. L’impact de Dubuffet sur les collectes de l’association L’Aracine by Déborah Couette

“…In 1982 the association L’Aracine was founded ; its aim was to bring together works of art brut in France to make up for the loss of Jean Dubuffet’s Collection de l’Art Brut, transferred from Paris to Lausanne in 1975. …”
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Exposer la sculpture dans l’Albertinum de Dresde : passé, présent et futur by Astrid Nielsen

“…With a completely new layout of the sculpture collection and the gallery of new masters of the Dresden state collections, the building exhibits works of art from the Romantic period to the present. …”
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Des séries de mouvements aux images du temps dans les séries, ou l’art d’analyser les fictions audiovisuelles by Jean-Pierre Esquenazi, Stéfany Boisvert

“…The discussion on TV series as an “art of time” also leads Esquenazi to reflect on the importance of adopting a normative approach when analysing series, and therefore to define them as works of art, in a context where the legitimacy of TV studies is still highly debated in academic circles.…”
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D’un musée de collectionneur à un musée historico-artistique, la collection et la muséographie du Museo Napoleonico de Rome de 1927 à nos jours by Lena-Maria Perfettini

“…Born in 1927 of the bringing together of the collections of Napoleonic works of art and objects belonging to the brothers Giuseppe and Luigi Primoli, the Museo Napoleonico has had a rich and eventful history: extensions of its premises, expansion of its collection and changes in management. …”
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„Trwały tańce długo w noc” – w poszukiwaniu opisów tańca w diariuszu Stefana Paca. XVII-wieczne pamiętnikarstwo wobec problemu opisu rzeczywistości niematerialnej by Agnieszka Zgraja

“…The presented research focuses on issues related to the depiction of intangible works of art in Old Polish literature. The discussion centres on 17th-century memoir writing, exploring both its possibilities and its genre-specific limitations. …”
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Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

“…Despite of the substantial temporal-spatial distance between these two women, the comparison of the works of art is something possible and high-yielding.…”
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Le Musée du Barreau de Paris, histoire et avenir by Basile Ader, Cindy Geraci

“…Heirs to the lawyers of the Paris Parliament, the Parisian lawyers have built up a significant heritage, consisting of books, works of art, paintings, sculptures, engravings, medals, manuscripts, etc., enriched over the centuries. …”
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Sexualitet, samtycke och relationer i grundskolans bildämne by Elisabeth Lisa Öhman

“…Results also show how the notions of sexuality, consent and relationships are transformed in the open-ended process of working with Arts education as a material-discursive entanglement.…”
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The Seventh Ecumenical Council and the veneration of icons in Orthodoxy by A. Nicolaides

“… In the Orthodox Christian tradition, icons are not regarded as works of art; they are rather a visual gospel and windows into the spiritual realm. …”
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Sexual Transgression Space In Fujoshi Texts On X by Ellysa Lutfia Rahma, Dien Vidia Rosa, Hery Prasetyo

“…Now, fujoshi have created a transgressive space through text and works of art on social media, especially those uploaded on X. …”
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A Critique of the Methodology on the Book Introduction to Iranian Crafts Workshops by Samira Arab, Seyyed Abdul Majid Sharifzade

“…The Sassanid era is one of the most important periods in Iranian history, with remarkable works of art from this period. The decorative elements in the artworks of this period indicate the connection of beliefs and beliefs in human thought. …”
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Le Musée imaginaire de Jean Dubuffet ? Réflexions sur la documentation photographique dans les archives de la Collection de l’Art Brut by Baptiste Brun

“…But the global and inclusive aims of Malraux, who made the abstract notion of “style” the common denominator of humanity’s works of art, were replaced by Dubuffet with the specificity of an “art brut” that positioned itself in part against the museum and whose definition he refined through a vast undertaking of exploration and documentation. …”
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Communicative-visual value of environmental art festival by Antonella Violano, Julio Cesar Perez-Hernandez

“…The role of artistic installations in historical contexts is related to the impermanence between necessity and pleasure, showing how works of art become a necessity not only for the artist but above all for the urban spaces that welcome them and for the people who live there. …”
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