Une exposition à l’échelle de la ville by Laurence Brogniez, Tatiana Debroux

“…The ‘Salon d’art’ adopting the scenography of the private salon and the latter hosting exhibitions, a new relationship with the work of art and a new aesthetic experience emerge in the wake of the XX.…”
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La Madonna della Clemenza, l’incidence de la réintégration picturale sur le maintien des fonctions portées par l’œuvre restaurée by Stéphanie Ricordeau

“…Starting from the basic premise that we cannot think of the restoration of works of art, particularly of religious works, without taking into account their functions and their use value, it is necessary to question how the religious function is affected or not by the choice of pictorial reintegration.This imperative requires the identification of significant elements of the work of art, what make sense for the believer, since it’s their readability that will maintain the religious function. …”
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Polychrome sculptures in Romeo and Juliet and The Winter’s Tale by Olivia COULOMB

“…In their reactions when confronted with the coloured “statues” of their beloved, Romeo and Leontes indeed raise several questions as to the role played by the work of art.This article, will first focus on the ambivalence of colour in early modern England so as to analyze the significance of polychrome statues, before turning to the ‘statue scenes’ in both plays in order to highlight their various functions. …”
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The Mountain Sublime of Philip James de Loutherbourg and Joseph Mallord William Turner by Aurélie Tremblet

“…This comparative study comes with an analysis of the discourse on saliency as Turner had joined a poem to his pictorial work of art. We will thus study the way both artists have looked upon the Alps: as individuals unfamiliar with mountain relief, and depicting a similar natural disaster —an avalanche—, did they merely focus on the inaccessible and dangerous nature of such places?…”
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Du Sublime de la montagne chez Philip James de Loutherbourg et Joseph Mallord William Turner by Aurélie Tremblet

“…This comparative study comes with an analysis of the discourse on saliency as Turner had joined a poem to his pictorial work of art. We will thus study the way both artists have looked upon the Alps: as individuals unfamiliar with mountain relief, and depicting a similar natural disaster —an avalanche—, did they merely focus on the inaccessible and dangerous nature of such places?…”
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The Book Azf Ala Vatar el-Nas ol-Sheri from a Critical Point of View by Fatemeh Ghaderi

“…By definition, criticism is the task of examining the validity of a work of art or literature. Like other disciplines, it is based on specific rules and regulations. …”
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Preconditions and Peculiarities of Implementing the Meta-Disciplinary Technologies in Primary School Teaching by Y. Y. Khan

“…The process of simultane- ous addressing the piece of literature and work of art creates the associative edu- cational environment raising the collective creativity and resulting in the joint intel- lectual and esthetic experience of students and teaches. …”
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И. Тургенев как протомодернист. Пьеса „Месяц в деревне” в контексте цикла эссе К. Гринберга „Защита модернизма”. Предвестие нового художественного стиля... by Beata Waligórska-Olejniczak

“…The interpretation of Turgenev's play in the view of global artistic tendencies shows the uniqueness of his work of art. The comparative method of the analysis helps to discover the encoded features which will influence modernist way of thinking, eliminating the differences between the word and other ways of artistic expression.…”
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L’art sacré en lumière by Viviana Gobbato

“…These strategies are based on demonstrative functions (showing the space and of the work of art, visual restoration), on cognitive ones (construction of meaning, narration) and aesthetic ones (stimulation of states of sensitivity and contemplation). …”
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La représentation des paysages d’exil dans les arts visuels contemporains : l’exemple du film Parmi nous de Clément Cogitore by Ann Epoudry

“…This article seeks to examine how a contemporary work of art can show the impact of migration on the landscape by the reintegration of another lived-in landscape within an existing, socially and politically controlled landscape. …”
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Ekphrastic Moral Mirrors in New Spain: Sor Juana’s Neptuno Alegórico and Sigüenza’s Theatro de Virtudes Políticas by Sergio Armando Gallegos-Ordorica

“…Ekphrastic moral mirrors, which constitute a subset of the traditional speculum principis, are characterized by offering moral instruction to a prince indirectly, by means of an elaborate ekphrasis of a work of art (which, in the case of the Neptuno and the Theatro, were the two arches that they were paired with). …”
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Proserpine upon the Coin: Melville’s Quest for Greek Beauty in “Syra” by Bruno Monfort

“…The past is thus reconstructed as pure aesthetic enjoyment of life materialized by a coin engraved with the head of Proserpine, a hint at Winckelmann’s conception of what beauty was like when experienced by the Ancient Greeks. Not a work of art proper, such a coin was a sign that the common run of commerce could be attended by aesthetic value emerging from the freedom inherent in playful, carefree lives uncommitted to the earnestness of business transactions.…”
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Ars Demones *2022* Manifesto by Agnieszka Anna Wołodźko

“…For Stiegler, the knowledge of mystagogy, because of its risky and excessive character, enables to learn and practice care, and it is through the work of art that we can experience of what degrees of care such an excess of another plane need. …”
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L’Observatoire photographique du paysage du PNR des Vosges du Nord : de l’œuvre à l’action by Raphaële Bertho, Frédéric Pousin

“…The analysis of these transformations makes it possible to identify three paradigms which coexisted over the years due to the flexibility offered by the photographic medium, which is a document as well as a work of art, and the different meanings attributed to the notion of the landscape. …”
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Photographie et maquette chez Le Corbusier. Dialogues entre la création et la diffusion. by Miguel-Angel de La Cova

“…At the same time, the object itself emerges as a work of art, creating a dialogue that goes beyond simulation boundaries and that delves into artistic discourse.…”
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An Attempt to Understand Islamic Arts with Deconstruction by Yaşar Özrili

“…It can also be considered as a kind of self-criticism towards the work of art, which is deconstructed to create paradoxical situations and reconstruct it. …”
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APRESIASI SENI GALERI VIRTUAL PENCIPTAAN SENI RUPA DAN DESAIN MELALUI TEMA GRES by Handriyotopo Handriyotopo

“…Appreciation of a work of art, whether in two-dimensional or three-dimensional form, is currently widespread enough to carry out exhibitions in public spaces or exhibitions in the form of conventional spaces and virtual spaces. …”
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Aesthetic Aspects of the novel "Decline of Colonel" by Khodabakhsh Asadollahi, Leila Azarnivar

“…Based on his understanding of beauty and art, the author finds a relationship with his imaginative power that makes the truth and essence of art and beauty the source of his work of art. In fact, recognizing the aesthetic qualities resulting from the search for sufficient beauty conditions, shows with what qualities the work evokes beautiful and sublime feelings in us. …”
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Subject and Object in the Space of the Word: Roman Ingarden and Cognitive Linguistics by Elżbieta Tabakowska

“…And yet many of fundamental principles that underlie cognitivist theories of language and grammar can be found in Ingarden’s writings, notably in his The Cognition of the Literary Work of Art, first published in 1937 – exactly half a century before the year 1987, the annus mirabilis of Cognitive Linguistics, when its founding fathers published their groundbreaking monographs. …”
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A comparative study of rhetorical imagery in the story of Bahram Gur in Ferdowsi's Shahnameh and Nezami's Haft-Peykar by Fatemeh Shahmoradi, Jamileh Akhyani, Farideh Vejdani

“…Imagery is considered as one of the most important artistic aspects in the literariness of any work of art. This becomes more important in narrative poetry because, if depicted properly, it will encourage the audience and create an emotional response in him to hear the rest of the narration. …”
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