Emil Utitz et la « science générale de l’art » by Lara Bonneau

“…Against what he regarded as an aesthetic subjectivism—be it the aesthetics of the judgement of taste, the Hegelian science of beauty or the psychophysiological aesthetics—Utitz developped an ontology of the work of art based on its “objectality”. The article attempts to retrace the key elements of this systematisation project.…”
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L’objet de l’art : Cassirer et Fiedler by Rémi Mermet

“…While both thinkers do share a vision of art as a way to shape (and not simply to imitate) reality, I suggest that they have very different conceptions of artistic objectivity: Cassirer emphasises the symbolic (and therefore cultural) nature of the work of art; Fiedler focuses on the creative process itself, conceived of as an endless elucidation of visibility. …”
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Cançó en llengua minoritzada i revitalització by Eric Fraj

“…Indeed, we should not fall into the illusion that the work of art can do everything. Despite its undeniable advances, especially on the symbolic level, the song is insufficient in terms of the effective revitalization of a minority language. …”
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RALPH WALDO EMERSON’S PRINCIPLE ON ENVIRONMENTAL ETHICS by Fuad Hasyim

“…So, the writer built explored conception (environmental ethics) before coming into a work of art. The main result displayed six environmental ethics: respecting nature, cosmic solidarity, love and caring for nature, no harm, simplicity and harmony life with nature, and moral integrity. …”
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Les natures du jardin d’installation by Nicole Valois

“…As to knowing whether we are in the presence of a garden or a work of art, considering that, theoretically, each is examined differently, there is much to cover on the subject. …”
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Humanizing the robot: Kaliningrad’s House of Soviets and the state of decay by Michael Amundsen

“…This paper avers that the changing form of the House of Soviets in its state of decay promotes its appreciation as a work of art as it falls apart. Decrepitude and pillage, vandalism and littering are reclaiming the space as it promotes sensory imagination and engagement with “the terror of time”. …”
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Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) by Assia Quesnel

“…While it was not clear at first for a museum to include reportage photography, all of the departments of the Centre Pompidou sought to increase the status of the practice by making it part of the establishment’s cultural programming from 1977 to 1997, whatever the status imparted (document, work of art, cultural object). The Centre Pompidou thus appears as a place for the consecration of photo-reportage and the media. …”
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Articuler les logiques intrinsèques du médiateur culturel et du jeune public en situation de visite muséale by Dounia Lahoual, Anne Bationo-Tillon, Françoise Decortis

“…By comparing the guide’s and the young visitors’ point of views about the activity, we show the moments, throughout the tour, when these viewpoints both bumped into each other and converged and how they contributed to the encounter with a work of art. A systemic analysis of the activity allowed us to identify several criteria to consider so as to insure a successful museum visit. …”
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“Tratado” e Exercício de ser criança: a infância entre versos, rimas e tintas by Penha Lucilda de Souza Silvestre, Alice Áurea Penteado Martha

“…The work of art, in general, consists of a significant event, considering the reader can experience different fictional worlds, as well as retrieve and articulate the intertextual networks in the act of reading. …”
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The Instrumentalization of Metaphors in the Management Field: Reflections from the use of the Book “The Art of War” on Business by Luiz Gustavo Lara, Fabio Vizeu, Elizeu Barroso Alves

“…We illustrate our argument by recurring use of the work “The Art of War” as a metaphor for managerial practice.…”
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Sergei Eisenstein’s System Thinking: Influences and Inspirations by Bulgakowa Oksana

“…In the very first notes, he defines a goal that seems to be similar to Aleksandr Bogdanov’s tektology: to find a basic structure – an isomorph – for a work of art but also for the growth of plants and bones, for human society and the organization of bees and ants. …”
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Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) by Johanna Hartmann

“…In 2016, Beyoncé published Lemonade, a work of art that exists in various manifestations: as a music album that includes twelve songs, as live performances (including her world tour and her appearance at the Superbowl halftime show), and as a “visual album,” an art film that consists of the music video clips for each individual song and visually and auditorily complex “chapters” which feature the poetry by Warsan Shire. …”
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Some Remarks on The Crafts in The Manuscript ‘Bayanu’s-Sına‘a’ by Ahmet Caycı, İbrahim Kunt

“…The piece of art and craft groups in need of raw material is obtained from the ways in which their experiences are put forward.Expression information is owned, directly beyond the creation of a work of art, in general, to obtain the raw material is defined. …”
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De la « Great Exhibition » à l’Esthétisme : entre production et poïétique by Charlotte Ribeyrol

“…In spite of its official aim to celebrate British industrial power, the Exhibition also brought together many works of art, including objects from Antiquity which were apparently remote from the preoccupations of modern Victorian Britain. …”
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Des modes d’existence de l’œuvre littéraire médiévale : Genette peut-il aider les philologues ? by Florent Coste

“…The ontology of art is interested in the modes of existence of the work of art. With L’Œuvre de l’art, Gérard Genette came up with a fascinating and seminal contribution to this type of philosophy. …”
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L’œuvre en devenir by Jean-Paul Fourmentraux

“…This article proposes a description of these relational modes between the artist and his/her audience in a context where the creation of the work of art appears to be indistinguishable from the act of reception of content which is hitherto characterized by its modularity and openness. …”
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Le ‘Gouffre du Colorado’ de Thomas Moran : Carrefour d’influences ou centre de diffusion ? by Wendy Harding, Jacky Martin

“…A work of art can be seen as a crossroads at which various historical movements converge, but it is also in motion, tracing its own trajectory. …”
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La mise en tourisme du patrimoine paysager de la Vallée des peintres entre Berry et Limousin : un levier de développement rural ? by Edwige Garnier, Frédéric Serre

“…This profusion of artistic creativity focusing on the landscapes of the valley then fell into oblivion before the work of art historians exhumed this key period of local cultural history. …”
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What is a doctorate concerning landscape ?  by Catherine Chomarat-Ruiz

“…It indicates that these ways of conceiving research, the part played by this activity in professional schools, its social role, the field it covers and the disciplines that support it, are often all structured around three oppositions : art/science, usefulness/disinterestedness, creation of a work of art/furthering of knowledge. Lastly, it exposes assumptions concerning the scope of a Doctorate with majors in landscape design, in landscape art criticism and in landscape sciences. …”
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Somatic Montage for Immersive Cinema by Chamier-Waite Clea von

“…We propose somatic montage as a model for developing new poetic structures in time-based works that inhabit a three-dimensional, architectonic space – a space of embodiment, motion, perception, and participation in the reception of a work of art. In this paper, we consider cinema as a four-dimensional artwork conceptually engendered by the principles of hyper-dimensions, the outgrowth of scientific discoveries made at the turn of the twentieth century. …”
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