The Theme and Effective Factors in the Transformation and Development of «Swastika» Motif in Iranian Art from Ancient to Seljuk Period by Mohamad Motevalli, Khashayar Ghazizadeh, Morteza Afshari

“…In the early period, this motif symbolized the God and Goddesses of the Sun and was gradually associated with the ritual symbols of Mithraism and Zoroastrianism in works of art. In the Islamic period, this motif underwent metamorphosis and was used as a symbol of God and Islamic holy persons.…”
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Un manifeste patrimonial pour la gastronomie by Marie-Hélène Bénetière, Isabelle Chave, Julie Faure, Michaël Vottero

“…., at the national, regional or local level, through inventories, legal protection, collection of archives and works of art or scientific, didactic and educational projects.…”
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The Battle of Žalgiris / Grunwald: Unanswered Questions by Alfredas Bumblauskas

“…This, as well as gaps in critical science of history on the whole, determine the fact that images of the collective memory, which were much stronger influenced by and still are under the influence of works of art of the undisciplined imagination, have not been significantly affected. …”
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Unveiling the Original Polychromy of Archaic Architecture: The Gigantomachy on the West Pediment of the Temple of Apollo at Delphi (6th c. B.C.) by Giasemi G. Frantzi, Georgios P. Mastrotheodoros, Panayiotis Theoulakis, Sotiria Kogou, Athanasia Psalti, Hariclia Brecoulaki

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Changes of Narrative: Osvald Sirén’s Photographic Modeling of Modern Research on Chinese Garden by Jiuwen GU, Yuanfeng SHI, Shan JIA

“…Osvald Sirén clearly solved these technical problems skilfully, and this is what distinguishes his works as valuable works of art from common garden photography. He applied a concept very similar to the area exposure method, generating images with personal characteristics. …”
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Epistemic Roots, Universal Routes and Ontological Roofs of African “Ritual Archives”: Disciplinary Formations in African Thought by Oluwatoyin Vincent Adepoju

“…The third unit, “Falola’s Image Theory and Praxis, Image as Archive, Image as Initiator”, demonstrates Falola’s dramatization of the cognitive possibilities of works of art as inspirers of theory, exemplified by a figurine of the Yoruba origin òrìṣà cosmology, the deity Esu. …”
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EEG-based multivariate and univariate analyses reveal the mechanisms underlying the recognition-based production effect: evidence from mixed-list design by Bohua Zhang, Bohua Zhang, Alhassan Abdullah, Minmin Yan, Yongqing Hou, Antao Chen, Helen McLaren

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