William Faulkner : le père du texte by Astrid Maes

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Richard Godden, William Faulkner, An Economy of Complex Words by Frédérique Spill

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Jacques Pothier. William Faulkner. Essayer de tout dire. by André Bleikasten

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Southerners in the North. Destabilized Identities in William Faulkner's The Sound and the Fury by Aurélie Guillain

“…Matthews sur l'œuvre de William Faulkner, cet article se propose de souligner le caractère dynamique de l'identité régionale et ethnique des jeunes blancs du Sud telle que le romancier l'a représentée dans The Sound and the Fury. …”
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Benjy’s Howl: From Symptom to Sinthome in William Faulkner’s The Sound and the Fury by Maurice EBILEENI

“…This article employs Jacques Lacan’s concept of the sinthome to discuss the consequences of William Faulkner’s experimental employment of the stream-of-consciousness narrative mode in writing The Sound and the Fury. …”
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Ahmed Honeini, William Faulkner and Mortality: A Fine Dead Sound by Solveig Dunkel

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De William Faulkner à James Hadley Chase : appropriation et mutation du genre policier by Christophe GELLY

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‘A Decent Respect to the Opinions of Mankind’ by Jacques Pothier

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An Intimate Relationship. The City, the River, and their Wor(l)ds. Echoes from New Orleans and Vicinity by Mario Maffi

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New Orleans Sketches et la Nouvelle-Orléans de Faulkner : promenades littéraires et premiers pas dans la fiction by Frédérique SPILL

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Hiérarchies by Pierre COTTE

“…It is also concerned with the relation between sentence meaning and interpretation.The study is based on the analysis of the opening sentence of Sanctuary by William Faulkner.…”
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Telling About Southern Fluctuations: Elizabeth Spencer at the Back Door by Gérald PRÉHER

“…The novel, reminiscent of William Faulkner’s Intruder in the Dust (1948), stages the search for a culprit after the murder of a white man. …”
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A Stiff Man-Child Walking: Derrida’s Economy of Secrecy and Faulkner’s “Barn Burning” by Michael Wainwright

“…Working from Jacques Derrida’s contentions about secrecy and authorial responsibility, and paying brief but specific attention to Charles Baudelaire’s “La fausse monnaie” (1869), as suggested by Derridean concerns over capitalist economics, this article studies the manner in which the inviolable and conditional secrets of William Faulkner’s “Barn Burning” (1938) reveal the poststructural tendencies avant la lettre of this leading American modernist.  …”
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LIGHT IN AUGUST’DAKİ YABANCILAR / ALIENS IN LIGHT IN AUGUST by Srebren DIZDAR, Alpaslan TOKER

“…Yabancılaşma sorununu kıskacına alan çağdaş yazarlar arasında, William Faulkner’ın eserlerindeki yirminci yüzyıl insanının kendini arayışını tasvir eden etkili beyanları yabancılaşmış olma duygusunun korkunç yönlerini okuyucunun gözleri önüne sermektedir. …”
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ALIENS IN LIGHT IN AUGUST / LIGHT IN AUGUST’DAKİ YABANCILAR by Srebren DIZDAR, Alpaslan TOKER

“…Yabancılaşma sorununu kıskacına alan çağdaş yazarlar arasında, William Faulkner’ın eserlerindeki yirminci yüzyıl insanının kendini arayışını tasvir eden etkili beyanları yabancılaşmış olma duygusunun korkunç yönlerini okuyucunun gözleri önüne sermektedir. …”
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The Rise of the “We” Narrator in Modern American Fiction by Ruth Maxey

“…In this essay, I will attempt to answer such questions, examining how US writers from William Faulkner to Jeffrey Eugenides, and Kate Walbert to Julie Otsuka have used the collective narrator in short stories and longer fiction and finally reflecting upon the use of “we” in recent American political discourse.…”
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Reading from the Guts: of Text and Disgust by Solveig Dunkel

“…The founder of the Saturday Review of Literature, Henry Seidel Canby, had strong opinions about William Faulkner’s novels, to say the least. Sanctuary, especially, ignited his ire. …”
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