Du même à l’autre : la problématique du portrait chez Oscar Wilde by Pascal Aquien

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Giles Whiteley, Oscar Wilde and the Simulacrum. The Truth of Masks by Xavier Giudicelli

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Kathleen Riley, Alastair J. L. Blanshard, and Iarla Manny, eds. Oscar Wilde and Classical Antiquity by Xavier Giudicelli

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Emily Eells, dir., Wilde in Earnest by Nathalie Saudo-Welby

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Pascal Aquien and Xavier Giudicelli, dir., The Importance of Being Earnest d’Oscar Wilde by Marianne Drugeon

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‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé by Erin Dunbar

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Xavier Giudicelli, Portraits de Dorian Gray. Le texte, le livre, l’image. Préface de Pascal Aquien by Anne-Florence Gillard-Estrada

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Oscar Wilde and la critique impressionniste by Richard Hibbitt

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As Camp as a Row of Pink Tents: Stephen’s Portrait of Mr W. S. by Samuel Slote

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All Roads Lead to Rome?: Decadence, Paganism, Catholicism and the Later Life of Oscar Wilde by Shushma Malik

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Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

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« Leprous literature » : le modèle de la transmission contesté par les théories esthétiques d’Oscar Wilde by Carole Delhorme

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Autonomy in the Dock: Oscar Wilde’s First Trial by Bénédicte Coste

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Lire/voir The Ballad of Reading Gaol d’Oscar Wilde à la lumière de l’expressionnisme by Xavier Giudicelli

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The Triptych of Dorian Gray (1890–91): Reading Wilde’s Novel as Three Print Objects by Brett Beasley

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“Consummate Too Too”: On the Logic of Iconotexts Satirizing the “Aesthetic Movement” by Anne-Florence Gillard-Estrada

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Clash of Past and Present: Production of Historical and Representational Spaces in Oscar Wilde’s Poetry by Emre Çakar

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Lounging Men, Standing Women: Pose and Posture in the Aesthetic Interior by Richard W. Hayes

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Embracing and Rejecting the Ruskinian Heritage in Wilde’s Aesthetic Theories by Carole Delhorme

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Feral Swine Trapping: Techniques and Designs by Bethany Rose Wight, Raoul Keith Boughton

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