Walt Whitman, passant moderne by Eric Athenot

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Walt Whitman, Leaves of Grass by Frédéric Ache, Michel Imbert, Lucas Person, Alexandra Tsovma

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NATIONAL ROMANTICISM IN WALT WHITMAN POEMS by Tomi Arianto

“…This study took data from three Walt Whitman poems; Patriotic, War Democracy, and Poem of America. …”
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TEI, the Walt Whitman Archive, and the Test of Time by Brett Barney

“…My experiences in attempting to apply these provisions to Walt Whitman manuscripts led me to conclude that chapter 11 of the TEI Guidelines should be significantly revised and that the basic dichotomy it introduces between and deserves renewed scrutiny. …”
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W.S. Merwin’s Search for Walt Whitman, Whoever He Was by Ed Folsom

Subjects: “…Walt Whitman…”
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Isabelle Alfandary. E.E. Cummings. Eric Athenot. Walt Whitman. by Alain Suberchicot

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BİR EDEBİYAT DERSİNDE BİR ŞİİRİ ÇEVİRİLERİYLE OKUMAK: WALT WHITMAN’IN O CAPTAIN! MY CAPTAIN! BAŞLIKLI ŞİİRİ İLE FRANSIZCA VE TÜRKÇE ÇEVİRİLERİ / READING A POEM WITH ITS TRANSLATIONS IN THE LITERATURE CLASS: WALT WHITMAN’S O CAPTAIN!... by Didem TUNA

“…<p>1819-1892 yılları arasında yaşamış olan Walt Whitman,  Amerika’nın en etkili  şairlerinden biri olarak kabul edilmektedir.  …”
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Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman by Delphine Louis-Dimitrov

“…This article deals with the image of the natural monument and considers its function in 19th-century representations of the West, especially in three travel narratives—A Tour on the Prairies by Washington Irving, Roughing It by Mark Twain and Specimen Days by Walt Whitman. An emblem of the old European nations, the monument is paradoxically omnipresent in the representations of the Western wilderness and appears as a structuring paradigm. …”
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A New American “Physical Morality”: Martha Graham and the Revaluation of the Body in Letter to the World by Adeline Chevrier-Bosseau

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A Southern Shakespeare? by Michèle Vignaux

“…Among the causes of this ambivalence is the underlying tension between the democratic ideal of the United States and the association of Shakespeare with the old European feudal order, itself associated by Walt Whitman with slavery in the old South. Hence the idea to explore the North/South dichotomy in the nineteenth-century. …”
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The Open Boat and the Shipwreck of the Singular: American Poetry and the Democratic Ideal by Elizabeth Willis

“…Works by Gertrude Stein, George Oppen, and Walt Whitman are considered in relation to the competing pressures of idiolectical invention and public address, of literary making and unmaking.…”
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Louis H. Sullivan: that Object He Became by Dan Snyder

“…Through a close reading of his writings with particular attention paid to his often-encrypted references to Walt Whitman, together with a close reading of selected sources from his library, this essay interrogates his understanding. …”
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“This Land Is Your Land”: A Note on America as a Nation of “Varied Carols” by Heinrich Detering

“… Modern American literature starts with the sound of voices singing: “I hear America singing, the varied carols I hear”. It is Walt Whitman who begins one of his most popular poems with this line, referring to the voices of people from all generations, classes and ethnic backgrounds who are about to form a new type of nation, a nation beyond ethnicity based on the principles of democracy and diversity alone. …”
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A arte como refúgio: intertextualidade, espaço e (imagi)nação em “Aqueles dois”, de Caio Fernando Abreu by Jacob Brown

“…Además de pintura, las referencias a la poesía de Walt Whitman, a los boleros y a las películas de Hollywood no solamente intensifican la temática homoafectiva del cuento, sino que también representan un refugio adonde los protagonistas se fugan de la represión de la sociedad brasileña, aunque sólo a través del arte y de la imaginación. …”
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