Les bonobos se rappellent-ils la voix de leurs anciens partenaires ? by Florence Levréro, Sumir Keenan, Nicolas Mathevon, Jeroen MG Stevens, Jean Pascal Guéry, Klaus Zuberbühler

Subjects: “…vocal recognition…”
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Caractéristiques rythmiques du chant de l'indri et nouvelles perspectives pour une évaluation comparative du rythme chez les primates non humains by Marco Gamba, Valeria Torti, Chiara De Gregorio, Teresa Raimondi, Longondraza Miaretsoa, Filippo Carugati, Walter Cristiano, Rose M. Randrianarison, Giovanna Bonadonna, Anna Zanoli, Olivier Friard, Daria Valente, Andrea Ravignani, Cristina Giacoma

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Friedrich Jaecker, Kontrapunkt – Grundlagen und zweistimmiger Satz, Bergheim: Edition Cinquecento 2019 by Lutz Felbick

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Klasik Türk Müziğinde Doğaçlama by Ubeydullah Sezikli, Ahmet Erdogdular

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Reconnaissance auditive intergroupe chez les mâles de singes hurleurs noirs (Alouatta pigra) sauvages by Margarita Briseño‑Jaramillo, Alejandro Medina Estrada, Alban Lemasson

Subjects: “…Reconnaissance vocale…”
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Considérations ontogénétiques et phylogénétiques concernant l’origine de la parole by Louis-Jean Boë, Jean Granat, Jean-Louis Heim, Jean-Luc Schwartz, Pierre Badin, Guillaume Barbier, Guillaume Captier, Antoine Serrurier, Nicolas Kielwasser

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Characterization of soundscapes with acoustic indices and clustering reveals phenology patterns in a subtropical rainforest by Yan-Tin Lai, Sheng-Shan Lu, Ming-Tang Shiao

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Competência na comunicação e perfil de participação em atividades vocais de professores do Distrito Federal com e sem desvantagem vocal by Dayane Cardoso de Melo, Fabiana Zambon, Mara Behlau

“…O protocolo Índice de Desvantagem Vocal 10, com nota de corte de 7,5, foi utilizado para classificar os professores em dois grupos: grupo com desvantagem e grupo sem desvantagem vocal. …”
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Social context affects sequence modification learning in birdsong by Lioba Fortkord, Lena Veit

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Communication, latéralité et cerveau chez les primates humains et non humains : vers une origine gestuelle ou multimodale du langage ? by Adrien Meguerditchian, Hélène Cochet, Catherine Wallez, Jacques Vauclair

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A quantitative amplitude of vagus nerve obtained by intraoperative neuromonitoring predicts postoperative vocal cord paralysis among patients in thyroid/parathyroid surgery as a second option by Hiroshi Katoh, MD, FACS, Riku Okamoto, MD, Kanako Naito, MD, Tomoya Mitsuma, MD, Mariko Kikuchi, MD, Takaaki Tokito, MD, Takeshi Naitoh, MD, FACS, Naoki Hiki, MD, Yusuke Kumamoto, MD, Takafumi Sangai, MD

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Mutual coordination of behaviors in human–chimpanzee interactions: A case study in a laboratory setting by Akira Takada

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Protocole pour l’entraînement des compétences de communication orale des enseignants dans un objectif de prévention vocale : Description du programme VirtuVox by Angélique Remacle, Valérie Ancion, Dominique Morsomme

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Determining correct tracheal tube insertion depth by measuring distance between endotracheal tube cuff and vocal cords by ultrasound in Chinese adults: a prospective case-control study by Xuanling Chen, Wenwen Zhai, Zhuoying Yu, Jiao Geng, Min Li

“…The distance between the upper edge of the saline-inflated cuff and the vocal cords was measured by ultrasound; the ideal distance was considered to be 1.9–4.1 cm.Results Among the 105 cases, two cuffs were too close to the vocal cords and one too far away from the vocal cords. …”
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Mécanismes neuronaux pour la communication chez les primates by Julia Sliwa, Daniel Y Takahashi, Stephen V Shepherd

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Percepción de la voz en función del uso de mascarillas por la covid19 by Nuria Polo, Filipa M.B.LÃ

Subjects: “…autopercepción de síntomas vocales…”
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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

Subjects: “…vocal ecclesiastical music…”
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Effects of early local administration of high-dose bFGF on a recurrent laryngeal nerve injury model by Takao Goto, Rumi Ueha, Taku Sato, Tatsuya Yamasoba

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Exploring horses’ (Equus caballus) gaze and asymmetric ear position in relation to human attentional cues by Gabriela Barrera, Anna Albiach-Serrano, Federico Guillén-Salazar

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THE COMPLEXITY AND CHARACTERISTICS OF CHORAL ART by Luminiţa GUŢANU

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