Virginia Woolf and Vanessa Bell: Memoirs of Julian by S. P. Rosenbaum

“…This article publishes and comments on the memoirs of Julian Bell that Virginia Woolf and Vanessa Bell wrote shortly after he was killed in the Spanish Civil War. …”
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Virginia Woolf, Journal intégral 1915-1941 by Bénédicte Coste

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‘Solving the problem of reality’ in Virginia Woolf’s Flush by Pauline Macadré

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The Roaring Streets: Dickensian London in the Pages of Virginia Woolf by Francesca Orestano

“…Virginia Woolf was a keen preserver of some Victorian values, and among these the art of Charles Dickens, with his representation of London, its voices, sounds, music and noises. …”
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Christine Reynier, Virginia Woolf’s Ethics of the Short Story by Christine Froula

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Modernism’s Zoo (Pet and Pen in Virginia Woolf’s Flush) by Frédéric Regard

“…The paper begins with registering the renewal of critical interest in Virginia Woolf’s Flush, a fictional biography of Elizabeth Barrett Browning’s dog. …”
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Vanessa Bell and Virginia Woolf: an Artist and a Critic? by Liliane Louvel

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Dallying along the Way: Virginia Woolf at the Crossroads of Cinema and Literary Creation by Adèle Cassigneul

“…Cet article analyse en quoi, dans l’œuvre de Virginia Woolf, le cinéma a contribué à nourrir une réflexion sur la création littéraire. …”
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Virginia Woolf’s “Modernist Renaissance” in “Anon”: A Singular Counter-History by Anne Besnault

“…Virginia Woolf’s relationship with her early-modern predecessors is now a well-established field of study. …”
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The Non-Linear Dynamics of Virginia Woolf's London: from Elation to Street Haunting by Catherine Lanone

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To belong or not to belong : variations autour du mythe associatif chez Virginia Woolf by Stéphanie Ravez

“…Despite her personal and political involvement in many societies and circles, Virginia Woolf surprisingly displays a fairly ambivalent, if not critical, attitude towards them in her fiction. …”
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La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux by Suzel Meyer

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How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses by Caroline Marie

“…Virginia Woolf reflects on her own medium in relation to the notion of personality. …”
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Virginia Woolf’un “Kendine Ait Bir Oda” Eserindeki Kadın ve Kütüphane Algısı by Demet Soylu, Tunç D. Medeni

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Virginia Woolf’s “New School of Biographies” and Eighteenth-century Life-Writing: a Sense of Kinship by Maryam Thirriard

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Reviving/Revising “Lycidas”: Virginia Woolf’s Elegy to Unborn Poets in A Room of One’s Own by Marie Laniel

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Talking Back to Virginia Woolf in Her Own Words: Gendered, Racial, and Literary Passing as Forms of Counter-Interpellation in Kabe Wilson’s “Dreadlock Hoax” by Valérie Favre

“…On 19 May 2014, British multimedia artist Kabe Wilson presented the result of a five-year-long creative endeavour, as he displayed for the first time his literary and artistic recycling of A Room of One’s Own, Virginia Woolf’s landmark 1929 feminist essay. Yet, more than a mere exhibition, Wilson staged a performance art piece entitled “The Dreadlock Hoax” during which the artist, dressed up as Virginia Woolf, proclaimed a speech which questioned our ability to appropriate and negotiate past literary texts and authors. …”
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Writing Out of Place: Wordsworth and Woolf in London by Laurent Folliot, Juliana Lopoukhine

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Philip C. Kolin. Williams : A Streetcar Named Desire. Stephen J. Bottoms. Albee : Who’s Afraid of Virginia Woolf ? Christopher Bigsby. Contemporary American Playwrights. by Liliane Kerjan

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We Are Already Ghosts: Reflections on Composition by Kit Dobson

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