The Non-Linear Dynamics of Virginia Woolf's London: from Elation to Street Haunting by Catherine Lanone

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“This loose, drifting material of life:” Virginia Woolf’s Diaries and memoirs as Private Epitexts by Annalisa FEDERICI

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To belong or not to belong : variations autour du mythe associatif chez Virginia Woolf by Stéphanie Ravez

“…Despite her personal and political involvement in many societies and circles, Virginia Woolf surprisingly displays a fairly ambivalent, if not critical, attitude towards them in her fiction. …”
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“Reduced to a Whirlpool”: War, Sigmund Freud and Virginia Woolf’s (Late) Non-fiction by Paolo BUGLIANI

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La constellation comme pratique créatrice chez Virginia Woolf et Annie Ernaux by Suzel Meyer

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How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses by Caroline Marie

“…Virginia Woolf reflects on her own medium in relation to the notion of personality. …”
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Virginia Woolf’un “Kendine Ait Bir Oda” Eserindeki Kadın ve Kütüphane Algısı by Demet Soylu, Tunç D. Medeni

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Anne-Marie Smith-Di Biasio. Virginia Woolf : la hantise de l’écriture by Claire DAVISON-PÉGON

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Virginia Woolf’s “New School of Biographies” and Eighteenth-century Life-Writing: a Sense of Kinship by Maryam Thirriard

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Reviving/Revising “Lycidas”: Virginia Woolf’s Elegy to Unborn Poets in A Room of One’s Own by Marie Laniel

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A Comparative Analysis of Existentialism and Mysticism in Line with Jungian Individuation in Virginia Woolf’s and Iris Murdoch’s Selected Works by Aleyna Durmus

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Frédérique Amselle. Virginia Woolf et les écritures du moi : le journal et l’autobiographie by Claire PÉGON

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Women and Spirituality in 20th-Century Writing: an Exploration into the Fiction of Virginia Woolf, Michèle Roberts, Sara Maitland, Gail Godwin and Toni Morrison by Claire SORIN, Laurence LUX-STERRITT

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Talking Back to Virginia Woolf in Her Own Words: Gendered, Racial, and Literary Passing as Forms of Counter-Interpellation in Kabe Wilson’s “Dreadlock Hoax” by Valérie Favre

“…On 19 May 2014, British multimedia artist Kabe Wilson presented the result of a five-year-long creative endeavour, as he displayed for the first time his literary and artistic recycling of A Room of One’s Own, Virginia Woolf’s landmark 1929 feminist essay. Yet, more than a mere exhibition, Wilson staged a performance art piece entitled “The Dreadlock Hoax” during which the artist, dressed up as Virginia Woolf, proclaimed a speech which questioned our ability to appropriate and negotiate past literary texts and authors. …”
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Modernist Disavowal by Stephen ROSS

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Writing Out of Place: Wordsworth and Woolf in London by Laurent Folliot, Juliana Lopoukhine

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Le discours rapporté à l’épreuve de la représentation de la pensée dans Night and Day de Virginia Woolf : degré de vraisemblance by Alexandra PEDINIELLI-FÉRON

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Philip C. Kolin. Williams : A Streetcar Named Desire. Stephen J. Bottoms. Albee : Who’s Afraid of Virginia Woolf ? Christopher Bigsby. Contemporary American Playwrights. by Liliane Kerjan

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Clarissa Dalloway’s itinerary: narrative identity across texts by Monica LATHAM

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We Are Already Ghosts: Reflections on Composition by Kit Dobson

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