Making the Past Audible: The Childlike Element and Renewal of Existence in Benjamin and Woolf by Anne-Marie Smith-Di Biasio

“…This paper reads Virginia Woolf’s writing through Walter Benjamin’s thinking of “the childlike element” as a paradigm of renewal, whereby, through the prism of memory, the recall of a remainder sealed in the old world will reignite the promise of hope crystallized in childhood. …”
Get full text

From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy by Elena Gualtieri

“…M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the same time, the emergence of the new relationship between art and politics on which Fascism was built.…”
Get full text

Denying the Dichotomy: Word Images in The Waves by Bernadette McCarthy

“…Roger Fry’s introduction to Britain of the works of Post-impressionist painters was to impact significantly on the artistic development of writers including Virginia Woolf. Out of this convergence of visual and verbal thought, The Waves emerged; a literary work deeply implicated in visual convention. …”
Get full text

Art and the ‘Second Darkness’ by Catherine Lanone

“…He describes the Bloomsbury legacy in terms of aesthetic change, such as Virginia Woolf’s rhythmical sensuous prose or Lytton Strachey’s ironic, revolutionary biographies. …”
Get full text

Economic and Symbolic Transmissions in Women’s Novels: Frances Burney, Jane Austen, Elizabeth Gaskell by Marie-Laure Massei-Chamayou

“…In A Room of One’s Own (1929), Virginia Woolf traces a fascinating genealogy of women writers from Aphra Behn to George Eliot, including Frances Burney and Jane Austen among others, to emphasize the power of influence in relation to their engagement with both fiction and economics. …”
Get full text

Can Literature Know Itself and Not Become Philosophy? by Ralph M. Berry

“…With the example of Virginia Woolf’s To the Lighthouse, the article concludes that there might be no intrinsic knowledge of our (aesthetic) concepts outside examples.…”
Get full text

Analyse des Werturteils – Analysen, wer urteilt?. ›Qualität‹ und Qualitätsmaßstäbe in der Musikforschung by Nina Noeske

“…The article pleads for a considered reintroduction of a subjective perspective (including value judgement) into analysis and music historiography, especially where gender issues are concerned – in full awareness that there is no absolute value standard in art, that music cannot be weighed “like sugar and butter,” to quote Virginia Woolf.…”
Get full text

Le promeneur londonien au xixe siècle : une excursion dans l’obscur by Max Duperray

“…From Charles Lamb and De Quincey to Arthur Machen and even (a little later) Virginia Woolf, among others, the figure of the invisible bohemian recalls Baudelaire’s flâneur and the fictional character writing fiction. …”
Get full text

Chambres en souffrance : révéler la parole des artistes et des femmes victimes de violences à travers l’espace intime by Adélie Le Guen

“…The bedroom, an open stage, is a favourite venue in the reconstruction of traumatic events, experienced by the artists themselves or by women they feel close to. Virginia Woolf discussed this enclosed space, which, like their own bodies, women could not freely avail themselves of; this room – in which they lacked the freedom to love in accordance with their choices, to create as they wished, or just to be alone – represents subordination, abuse, wounds. …”
Get full text

Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908) by Laurent Mellet

“…We know the terms in which Virginia Woolf dismissed Edwardian writers for relying exclusively on materialism. …”
Get full text

Excès et sacré dans la littérature victorienne et édouardienne by Annie Escuret

“…Some writers (like Dickens or Virginia Woolf) do insist on the importance of immanent forms of the sacred whereas Hardy and Conrad insist mainly on the absence of any form of sacredness. …”
Get full text

Victorian Arts and the Challenge of Modernity: Analogy, the Grid, and Chemical Transformations by Francesca Orestano

“…Eliot, James Joyce, Virginia Woolf, Roger Fry, who variously responded to the drawings of Magdalenian artists, or to the art of Homer, while having recourse to modern science, chemistry especially, in order to explain literary phenomena. …”
Get full text

Idea občana – válečníka a „moderní“ maskulinní identita: modelová studie z dějin Spojených států by Jiří Hutečka

“…Although it is not very surprising considering the “state of the art” in both fields here, it must be surprising in any other way, because there is a hardly any more “gendered” human endeavor than warfare – a fact generally acknowledged by theorists and thinkers from Bourdieu to Virginia Woolfe. This article is an effort to present a case study of connection between these two fields. …”
Get full text