Maureen Moran. Catholic Sensationalism and Victorian Literature by Annie Escuret

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Galia Ofek, Representations of Hair in Victorian Literature and Culture by Laurence Roussillon-Constanty

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Stephano Evangelista and Catherine Maxwell eds., The Yearbook of English Studies: The Arts in Victorian Literature by Laurence Roussillon-Constanty

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Catherine Maxwell and Stefano Evangelista (eds), Algernon Charles Swinburne, Unofficial Laureate by Sébastien Scarpa

Subjects: “…Victorian literature…”
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Deborah Denenholz Morse, Martin A. Danahay (eds). Victorian Animal Dreams: Representations of Animals in Victorian Literature and Culture by Laurence Talairach-Vielmas

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The Narrator as Mediator and Explicator in Victorian and Edwardian Retellings of Shakespeare for Children by Laura Tosi

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Transgression et « mauvais genre » dans cinq romans de George Meredith (1828-1909) by Marina Poisson

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Deborah Denenholz Morse and Martin A. Danahay (eds). Victorian Animal Dreams : Representations of Animals in Victorian Literature and Culture/The Nineteenth Century Series by Annie Escuret

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Avian Ecopedagogies: Women Ornithologists and Environmental Education in Late Nineteenth-Century America by Clara Contreras Ameduri

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« The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » by Laurence Estanove

“…Through a series of embedded effects, Hardy's dramatic monologues thus become « theatres of the voice » (Henri Meschonnic), showing that Hardy's poetry truly signals the transition from Victorian literature to Modernism.…”
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From Text, to Myth, to Meme: Penny Dreadful and Adaptation by Alison Lee, Frederick D. King

“…Challenging linear and genetic models of adaptation, Penny Dreadful transforms Mary Shelley’s Frankenstein (1818, 1831), Oscar Wilde’s The Picture of Dorian Gray (1890, 1891), and Bram Stoker’s Dracula (1897) into vehicles of cultural transmission: memes that have come to redefine the viewer’s relationship to Victorian literature and culture as a myth of modernity.…”
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From Dog Alterity to Canine Sublime: A Cross-Century Reading of Victorian Fiction by Georges Letissier

“…Reversing Monica Flegel’s stance in Pets and Domesticity in Victorian Literature and Culture. Animality, Queer Relations and the Victorian Family, in which pet animals are studied through their relationship with the family institution, this paper considers dogs through their radical otherness. …”
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‘How the guineas shone as they came pouring out of the dark leather mouths!’: Shades of Gold in George Eliot’s Silas Marner (1861) by Marie-Laure Massei-Chamayou

“…Far from the common representation of money in Victorian literature, with its many references to the expanding world of finance, credit and speculation, George Eliot’s Silas Marner (1861) depicts money mainly as gold coins, at the crossroads between realism and symbolism, the profane and the sacred. …”
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„Dark medicine” w wydaniu popkulturowym. Recenzja: Agnieszka Trześniewska-Nowak, „W kleszczach lęku. Thriller medyczny w literaturze i kulturze popularnej”, Wydawnictwo Uniwersytet... by Adam Mazurkiewicz

“…The researcher assumes that the 19th-century experience of medicalization and medical-maladic discourse present in Victorian literature is fundamental for contemporary stories. …”
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Le texte victorien à l’âge postmoderne : jouvence ou sénescence ? Fingersmith de Sarah Waters et le mélodrame victorien by Georges Letissier

“…But what do these updated versions of 19th century fictions tell us about the legacy of Victorian literature in the 21st century ? Do they bear witness to its obsolescence ? …”
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London’s Great Starfish: The Construction of Mid-Victorian Suburban Fiction by Tamara Silvia Wagner

“…The centrality of changing urban space in Victorian literature and culture has spawned some of the best interdisciplinary research, but precisely this concentration on the city has elided suburbia's significance. …”
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