Showing 61 - 80 results of 81 for search '"Victor Hugo"', query time: 0.04s Refine Results
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    Grotescul geniului şi geniul grotesc by Aluniţa Cofan

    Published 2011-12-01
    “…The following pages contain a hermeneutical analysis of the grotesque into Eugen Ionescu’s biographical study “Tragic and grotesque life of Victor Hugo”. We have here two points of view of the grotesque: the first one has a theoretical significance and the second one refers to an inside presence in narrative scenes. …”
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  8. 68

    Flaubert lecteur de romans historiques by Bernard Gendrel

    Published 2009-12-01
    “…Flaubert’s reading notes in his correspondence allow us to identify two types of historical novels: the novel with an ancient subject, which, to be plausible, must keep characters at a distance and limit psychological explanations, and the novel with a contemporary subject which, on the contrary, both keeps aloof from historical or social questions and draws nearer to psychological questions. Victor Hugo excelled in the first but not in the second posture. …”
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  9. 69

    Grotescul geniului şi geniul grotesc by Alunița Cofan

    Published 2015-12-01
    “…The pages of this article contain a hermeneutical analysis of the grotesque into Eugen Ionescu’s biographical study Tragic and Grotesque Life of Victor Hugo. We have two points of view of grotesque here: the first one is a theoretical significance and the second one is an inside presence in narrative scenes. …”
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  10. 70

    Dissection et maïeutique du corps dansant: naissance et mort textuelles de la danse by Lucas Sérol

    Published 2024-12-01
    “…Through images of the autopsy and midwifery, we will analyze texts by Victor Hugo, Colette, Ruth Saint Denis, Isadora Duncan and Serge Lifar in order to question the idea that dance scenes in literature would cause disappointment. …”
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  11. 71

    De la rage métaphysique au calme scientifique : religion et sciences naturelles chez Flaubert by Juliette Azoulai

    Published 2015-06-01
    “…Thus it offers an experience that belongs to the sacred, so that the natural sciences, far from being opposed to Metaphysics, lead to the understanding of an “immanent surnaturalism”, to use one of Victor Hugo’s expressions, which is a combination of grotesque irrationality and sublime wisdom.…”
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  12. 72

    El Prólogo de Cromwell y el juego interlocutivo de la recepción teatral by Amon Paul Ndri

    Published 2019-01-01
    “…Con base en los postulados de Victor Hugo y Lope de Vega, se analiza el carácter lúdico del teatro, arte espectacular que vincula el texto dramático con el lector/espectador, lo que da paso a una vivencia colectiva. …”
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  13. 73

    ‘Diaphaneitè’ Pater’s Enigmatic Term by Morito Uemura

    Published 2008-12-01
    “…This paper asserts that Pater’s essay title, ‘Diaphaneitè’, a modified version of the French word, enables one to trace the possible presence of Victor Hugo in Pater’s earliest essay. In the opening chapter of Les Misérables, Hugo describes the pure nature of a deeply religious elderly lady. …”
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  14. 74

    L’Amleto d’Arrigo Boito : deux versions énigmatiques avec Ducis et Dumas en dialogue by Costantino Maeder

    Published 2013-04-01
    “…Arrigo Boito’s Amleto dialogues in a rather astonishing and surprisingly modern way with the Dumas version of Hamlet, taking into account the more recent translations by François-Victor Hugo and Paul Meurice. As a result, the tragedy of the Danish prince is completely rewritten and deconstructed. …”
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  15. 75

    Contribution à la connaissance de la topographie d’un centre paroissial en milieu rural : le cas de Joué-lès-Tours (Indre-et-Loire) by Pierre Papin, Jérôme Livet, Camille Vanhove, Françoise Yvernault

    Published 2015-12-01
    “…The rescue excavation of Victor Hugo and François Mitterrand squares in the municipality of Joué-lès-Tours, France, conducted in 2011 and 2012 before the construction of the first tramway line of the urban area of Tours, provided the opportunity to document archeologically a rural ecclesial pole of a significant size. …”
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  16. 76

    Les sonnets de Shakespeare revus et corrigés par le XIXe siècle français by Isabelle Schwartz-Gastine

    Published 2009-03-01
    “…Prose was used as a Romantic gesture of defiance against the established rules (Amédée Pichot, 1821 and François-René de Chateaubriand, 1836); but verse was also used, although the original pattern was discarded in favour of the Italian or French one (i.e. two quatrains and two tercets), and the lines were alexandrines (Léon de Wailly, 1834 and Ernest Lafond, 1856). In 1857, François-Victor Hugo announced his volume as the first translation of the whole sequence. …”
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  17. 77

    Le récit sur l’enfance, l’impossible déconstruction post-moderne by Alain Vergnioux

    Published 2007-01-01
    “…Par prétérition, on évoquera l’existence d’un récit héroïque de l’enfance – exemplairement chez Victor Hugo, avec le personnage de Gavroche, ou dans le récit de Vallès, mais ces figures ne conviennent pas, trop marquées par un romantisme rebelle, et Gavroche n’a guère été à l’école.…”
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  18. 78

    Redes delictivas y formas de crimen organizado en las ciudades de la Europa atlántica durante el Antiguo Régimen by Julia Benito de la Gala, Tomás A. Mantecón Movellán

    Published 2010-12-01
    “…Desde Cervantes hasta Victor Hugo y Dickens, la narrativa europea ha caracterizado estos bajos fondos de la sociedad urbana como dotados de capacidad para construir organizaciones criminales. …”
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  19. 79

    The Spartan King Leonidas I: History and modern times by E.A. Tchiglintsev, N.A. Shadrina

    Published 2017-08-01
    “…The European Romantic poets of the first half of the 19th century were inspired by the image of Leonidas I because of their sympathy to the struggle for freedom of the Greeks (Michel Pichat, Lord Byron, and Alexander Pushkin in Russia). Victor Hugo raises the conflict of the Greeks and the Persians to the mythological level describing it as a civilizations confrontation. …”
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  20. 80

    Il luogo e il senso: creazione e significazione degli spazi nel mondo globale by Gambardella, Fabiana, Amodio, Paolo

    Published 2024-12-01
    “…These are the sober word that Victor Hugo makes the priest pronounce when, at the down of modern age, he looked on with prophetic dismay at the advent of printing with movable type, a revolution that would completely transform not only the face and features of the human being, but even the stones, the physical and material space of signification, the dimension of belonging and the sacred, that an “emancipated humanity” would change with the use of reason, undermining every form of dogmatic authority and its symbol. …”
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