Intericonicity in Disguise in Madame Yevonde’s Goddesses series and Cindy Sherman’s History Portraits/Old Masters by Julie MORÈRE

“…Many of Yevonde’s contemporary and exuberant studio portraits have a unique timelessness and modernity to them, in the sense that issues of gender and identity which she dealt with years ago have since found new expression in the work of various artists such as American photographer Cindy Sherman. …”
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The tree of life: symbol of center by Azadeh pashootanizadeh

“…The archetype of the tree of life, described in the religious literature, has been specially imparted in the minds and works of the arts of various artists from the classical and romantic style to the postmodern. …”
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Avatars de Napalm Girl, June 8, 1972 (Nick Ut) : variations autour d’une icône de la Guerre du Vietnam by Anne LESME

“…From the moment the picture reappeared in the mid-1980s, a compulsive repetition occurred through various artistic media. While the The damages caused by the United States and represented by the child victim remain constant, the initial anti-war message has been transformed into an anti-imperialistic one, closely related to the American consumer society. …”
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A Practical Approach for Identity-Embodied 3D Artistic Face Modeling by Tanasai Sucontphunt

“…This approach can enable a novice user to interactively generate various artistic faces quickly using a slider control. …”
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Ukrainian Social Elite in Pylyp Orlyk’s Lliterary Works by Larysa Lytvyn

“…On the foundation of the executed analysis, the summary stands thus: the research of the phenomenon of  Ukrainian elites within the period from the 17th century to the 18th century took place, the circle of people, representing the Ukrainian elite of that period, who became the object of literary interest from Pylyp Orlyk (they are Ivan Mazepa, Ivan Obydovskyi, Stephan Yavorskyi and Danylo Apostol) took place, and the pattern of usage of various artistic means of various baroque registers, which are beneficial for creating the necessary images, was researched. …”
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