Ruptures, renaissances et continuités. Modes de construction de l’histoire de l’art maghrébin by Annabelle Boissier, Fanny Gillet

“…By drawing on texts produced in the wake of Algerian and Tunisian independence (e.g. exhibition catalogues published in-country or abroad, monographs and essays on art history) we aim at analysing the shaping and evolution of discourses regarding art within two culturally close countries. …”
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