HAROLD PINTER: FROM POETICS TO POLITICS by Dilek İNAN

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Kirsten E. Shepherd-Barr. Theatre and Evolution from Ibsen to Beckett by Adeline Arniac

Subjects: “…Theatre…”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

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L’Art contre le peuple ? Sociohistoire d’une rupture : l’exemple du théâtre public en France depuis 1945 by Marjorie Glas

Subjects: “…Public theatre…”
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How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses by Caroline Marie

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‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893) by Ignacio Ramos Gay

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Punchdrunk’s Immersive Theatre: From the End to the Edge by Deborah Prudhon

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« Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine by Nathalie Coutelet

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Relaciones hipertextuales en la primera etapa de Rodolf Sirera (1969–1977) by Ramon X. Rosselló

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Autour de Brecht et Buenaventura by Cristian Bedoya

Subjects: “…théâtre…”
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Frames of violence and recent history in Simon Stephens' Motortown by Marion Coste

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La matière féerique dans Salammbô by Gesine Hindemith

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La pittura nel film (traduzione di Luca Bernardini) by Karol Irzykowski

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An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre by Bei Hu

Subjects: “…theatre translation…”
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Yeats et le mélange des genres : du texte à la scène by Pierre Longuenesse

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« O Paradiso » : voix parlée, voix chantée dans The Gigli Concert (1983) de Tom Murphy by Alexandra Poulain

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A Brief Survey of Gender Parity in the Theatre Industry by Yeliz Biber Vangölü, Florentina Gümüş

Subjects: “…national theatre at home…”
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Teaching as a performative art by James Godfrey

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La nuit entre histoire et littérature by Alain Cabantous

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‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World by Hélène Lecossois

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