INTERNATIONAL THEATRICAL EDUCATIONAL PROGRAM: 25 YEARS OF EXPERIENCE IN MOSCOW ART THEATRE SCHOOL by E. V. Burdenko, I. I. Artsis, N. S. Il'yushchenko

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To Come Out or Not to Come Out: Queer Coming Out in Nine Lives by Zodwa Nyoni by Emre Ozmen

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Use of participatory forum theatre to explore HIV/AIDS issues in the workplace by Emma Durden, Dominique Nduhura

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Aleksandr Bogdanov’s Podbor and Proletkult: An Adaptive Systems Perspective by Dudley Peter

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La staffetta delle arti. Un gorilla in un negozio di antiquariato (traduzione di Chiara Rampazzo) by Sergej Obrazcov

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Madame de Genlis on the Victorian Stage by Juan Manuel Ibeas Altamira

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Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897) by Violaine Heyraud

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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams by Sophie Maruéjouls-Koch

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Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

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Constitution is not identity: On equivalence relations in translation of performance and translation for performance by Sarah Maitland

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Voix soufflées, voix volées, voix intervocales by Helga Finter

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Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage by Vicky Angelaki

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Créer des formes, inventer des faires by Fabienne Wateau

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Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain by Edward Alexander

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Du « je » au « nous ». Le Théâtre de l’opprimé comme grammaire d’une parole collective by Sophie Coudray

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Le théâtre baroque du corps démembré dans The Duchess of Malfi by Line Cottegnies

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On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell by Emeline Jouve

Subjects: “…théâtre américain…”
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Shakespeare During Covid-19: Expanding Our Theatrical Horizons by Méline Dumot

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Mechanisms of co-presence in repetitive drama studio performances by Željka Flegar, Grozdana Lajić Horvat

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Dramaturgies of Contagion in Contemporary British Speculative Theatre by June Xuandung Pham

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