Intrathecal Clonidine versus Dexmedetomidine as Adjuvants to Hyperbaric Ropivacaine in Lower Limb Orthopaedic Surgeries: A Randomised Clinical Study by Priya Kishnani, Aiman Monaf, Kalpesh Pati, Jatin Patel, Sara Mary Thomas

“…Materials and Methods: This randomised clinical study was conducted in a teritary care facility at the Operation Theatre (OT) complex in the Department of Anaesthesiology at Dhiraj Hospital, Smt. …”
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Emergency volunteering willingness and participation: a cross-sectional survey of residents in northern China by Hong Sun, Chaojie Liu, Wei Xu, Ye Li, Qunhong Wu, Lijun Gao, Zheng Kang, Yanhua Hao, Ning Ning, Mingli Jiao, Libo Liang, Yu Cui, Mengli Shi, Chao Liang, Xiaowen Zhao, Jie Fei, Qiuyu Wei, Ming Yi

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Efficacy of 5 µg and 10 µg Dexmedetomidine as Adjuvants to 3 mL 0.5% Hyperbaric Bupivacaine in Pelvic and Lower Limb Orthopaedic Surgeries: A Randomised Clinical Study by Jigisha Bharatbhai Mehta, Shreya Jatin Patel, Nilesh Vrajmohan Shah, Dinesh K Chauhan, Sara Mary Thomas

“…Materials and Methods: This randomised clinical and single-blind study study was conducted at the Operation Theatre (OT) complex of Dheeraj Hospital, SBKS, and MIRC, Sumandeep Vidyapeeth, Vadodara, Gujarat, India in the Department of Anaesthesia over a period of 18 months, from September 2022 to March 2024 and total of 82 patients scheduled for lower limb and pelvic orthopaedic surgery who were to receive spinal anaesthesia were divided into Group D1 and D2. …”
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Quais et ouvrages portuaires romains de Rouen/Rotomagus (Seine-Maritime) by Marie-Clotilde Lequoy

“…In the northern part of the Théâtre des Arts metro station, 20 m north of the palisade, a well was discovered. …”
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Les Immatériaux de Lyotard (1985) : un programme figural by Jean-Louis Déotte

“…Une fois posée la question de la destination humaine, dès le vestibule d’entrée, avec un bas-relief égyptien (la déesse offrant le signe de la vie au roi Nectanébo II, un fragment de paroi du temple de Karnak Nord), le spectateur se retrouvait dans le Théâtre du non-corps où s’ouvraient cinq parcours différents organisant tous les sites de l’exposition. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Both Basọrun Gáà (to be hereafter referred to as Gáà) and Ṣawo Ṣẹgbẹ ̀ rì ̀ were first staged in the second phase of Fálétí’s development as a theatre practitioner. In addition to being staged in the theater, Gáà and Ṣawo Ṣẹgbẹ ̀ rì̀ were produced for tele[1]vision audiences as dramatic thrillers and became household favourites in the ‘70s and ‘80s at the time of his career as a radio/television broadcaster. …”
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'Contrafacta': le chant, les timbres, la romance et les conditions de la poésie au tournant des Lumières by Martin Wåhlberg

“…Le roman et, plus récemment, le théâtre ont figuré au centre des études sur les Lumières françaises, tandis que la production poétique massive de cette période n’a attiré qu’assez récemment une attention sérieuse. …”
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Les chanteuses à la barre by Mélanie Traversier

“…Singing for opere buffe or opere serie, the female opera singers hired by the Neapolitan public theatres play an important role in promoting the musical prestige of the city. …”
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La peur du prolétaire et les paradoxes du socialisme shavien dans Widowers’ Houses by Stéphane Guy

“…Beyond the fear that is represented throughout and the dread of capitalism that it seeks to bring about among the Victorian public, the play builds up a dramaturgy of threat, breaking with the fashionable theatres of late nineteenth century London and paradoxically making the proletarian into both a victim and symptom of capitalist immorality.…”
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Cattle Uterus: A Novel Animal Laboratory Model for Advanced Hysteroscopic Surgery Training by Ayman A. A. Ewies, Zahid R. Khan

“…Despite the merits of Virtual Reality Simulators, they are far from representing the real challenges encountered in theatres. We introduce the “Cattle Uterus Model” in the hope that it will be adopted in training courses as a low cost and easy-to-set-up tool. …”
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GIUSEPPE VERDI IN VICTORIAN LONDON by Massimo ZICARI

“…A review of such periodicals as The Times, The Musical Times, The Athenaeum has drawn attention to two particular aspects of relevance; Verdi’s first operas impinged upon the model represented by Rossini’s light-spirited melodiousness and provoked a sense of general bewilderment; even when opera-goers began to show clear signs of appreciation and to crowd the theatres where Verdi’s operas were performed, critics continued to object to their value and to ascribe their success to the singers’ new vocal and dramatic skills. …”
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« L'État de tous les spectateurs » by Irina Tcherneva

“…The authorities justify these new political axes by spectators’ denunciation of the aesthetic and economic ineffectiveness of the Soviet cinema of the late Stalinist period. The movie theatres’ and the studios’ financial plans are based on the absolute number of spectators and screenings. …”
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Shipwreck Architecture by Simon Weir, Sara Rich

“…This trajectory of ideas is then projected into a creative project: a speculative history of shipwreck architecture where the cutting edge of biological research is projected into a technological future when the distant aims of today’s technology are ancient history: when the first generations of grown buildings are preserved as ruins, when giant decommissioned carbon-capture factories drift like ghost ships across lakes of their inky waste, when people remember when shipwrecks caused by the hazards of rising sea levels were later exposed by sinking sea levels and converted into hotels and theatres, and finally, when these theatrical memories provoke such nostalgia that shipwreck architecture would be replicated and fabricated. …”
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Concurrence et affirmation des réputations dans le milieu musical romain au xviiie siècle by Élodie Oriol

“…The intensification of professional rivalries over the course of the century, considered here within the context of Roman musical chapels and public theatres, can be explained in part by the precariousness and instability of working conditions, as well as the constant need for musicians to seek support in order to promote themselves and establish a career. …”
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La Tentation de saint Antoine de Flaubert et Uspud d’Erik Satie : affinités secrètes et résonances en filigrane by Bruna Donatelli

“…In the wake of other adaptations of La Tentation de saint Antoine, performed in the Chat Noir and L’Auberge du Clou shadow theatres, Satie composed Uspud, ballet chrétien en trois actes, of which, together with Contamine de Latour, he also wrote the booklet. …”
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Pomiędzy queerową subwersją a „middle-class mainstreaming”. O twórczości drag queen Mony Lizak by Magdalena Stoch

“…The article presents the historical and cultural contexts of drag, from amateur underground theatres to the contemporary commercialized queer scene, and emphasizes how Mona Lizak’s work reflects the tensions between subversive ideology and mainstream trends. …”
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Evaluating the Potential of Cultural Tourism for Community Development in South Western Uganda: A Case Study of Kisoro District. by Niyigaba, Ishmael

“…The findings identified a variety of cultural tourism resources, such as cultural values and lifestyles, architectural landmarks, museums, theatres, indigenous communities, art crafts (20%), cultural differences (18%), local resistance (12%), and conflicts arising from interactions between locals and tourists (13%). …”
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The economics of the performing arts before and during the COVID-19 pandemic. Part 1: cost-output-profit analysis on the example of a performance by D. L. Morozova

“…The novelty of the study lies in fact that different methods of calculating production costs for theatres have been summarised and a methodology for checking the break-even points existence for organising entertainment events in the long and short term has been presented.…”
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Khabarovsk State Institute of Culture as a School for Formation of a Creative Personality by S. N. Skorinov

“…The students are involved in creative activities of chairs, museums, theatres, Houses of culture, Philharmonics. Such practice-oriented education enables to prepare qualified, highly competitive graduates required by market. …”
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De la mise au silence à la prise de parole : la voix féminine de Martin Crimp à Sarah Kane by Solange Ayache

“…Dramatic experiments with the voice in the theatres of Martin Crimp (Attempts on Her Life, 1997; Fewer Emergencies, 2005) and Sarah Kane (Crave, 1998; 4.48 Psychosis, 2000) fall within the scope of a post-Beckettian quest for new formal constraints for the text and the stage. …”
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