“Nowadays the house would be called a stately home”: Pastoral Relocations in Tom Stoppard’s Arcadia by John Bull

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A Division of Character: From Fernando de Rojas’s Celestina to Shakespearean Protagonists by Bogdan Groza

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«Ya llegan, me dan sudores». El miedo al Moro en la comedia de magia española (siglos XVIII-XIX): reflexión sobre el imaginario colectivo by Lise Jankovic

Subjects: “…Magical Theatre…”
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La scène traumatique de Sarah Kane by Élisabeth Angel-Perez

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L’art du théâtre de Howard Barker : la scène et la page en conflit by Vanasay Khamphommala

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La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques by Adeline Chainais

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Parody, Controversy, Commercial Opportunity: Samuel Foote’s The Minor (1760) and Its Reception by Pierre Labrune

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Antonia Baehr’s My Dog is my Piano and Abecedarium Bestiarium: Theatre of the Bestiary, Bestiaries of Theatre by Esther Köhring

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Social trauma and the theatre: a study of the formation of a non-conformist identity by Vitalija Truskauskaite

Subjects: “…pantomime theatre…”
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Angel in “the Cartesian theatre” – Aquinas and the mind-body problem by Tomasz Stępień

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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

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There Will Be More d’Edward Bond : pour un autre théâtre politique by Eléonore Obis

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Vaincre l’enfer sur scène. Les diableries dans le Mystère des Actes des apôtres by Mathilde Cornu

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Lieux et milieux dans le Théâtre de Béziers (XVIIe siècle) by Jean-François Courouau

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The French Actor on the London Stage: Charles Fechter by Catherine Quirk

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Comedy’s Double Negation of Meaning in Post-war European Theater by Anna Street

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Trans/forming the Greek theatrescape: Translation for performance as representation by Vasiliki Misiou

Subjects: “…Theatre translation…”
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Cultural Formation and Transference Processes of Ancient Greek Theatre by Haluk EMİR, R. Eser KORTANOĞLU

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A Robot who could not dance: Generating performative presence among performer, text, and audience through exploring and performing stories by children by Linda Lorenza, Persephone Sextou

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La Grève des forgerons de François Coppée, un arma antihuelga en los escenarios españoles (1890-1923) by Gérard Brey

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