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  1. 261
    Élyse Dupras, Diables et Saints. Rôle des diables dans les mystères hagiographiques français

    Élyse Dupras, Diables et Saints. Rôle des diables dans les mystères hagiographiques français by Jean-Pierre Bordier

    Published 2012-09-01
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  2. 262
    Madame de Genlis on the Victorian Stage

    Madame de Genlis on the Victorian Stage by Juan Manuel Ibeas Altamira

    Published 2017-11-01
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  3. 263
    Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897)

    Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897) by Violaine Heyraud

    Published 2017-11-01
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  4. 264
    Performing Grief Inconsolable: Land, Lament and Love in Marina Carr’s Portia Coughlan

    Performing Grief Inconsolable: Land, Lament and Love in Marina Carr’s Portia Coughlan by Vicky ANGELAKI

    Published 2024-12-01
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  5. 265
    IMPORTANCE-PERFORMANCE ANALYSIS FOR MODELLING MAINTENANCE PRIORITISATION IN HIGHER INSTITUTIONS

    IMPORTANCE-PERFORMANCE ANALYSIS FOR MODELLING MAINTENANCE PRIORITISATION IN HIGHER INSTITUTIONS by Fredrick SIMPEH, Zainu MOHAMED, Andreas HARTMANN

    Published 2014-12-01
    Subjects: “…Building performance, Importance-performance analysis, Lecture theatre, Maintenance, Student.…”
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  6. 266
    Gender and Generic Clashes in The Years Between (Compton Bennett, 1946)

    Gender and Generic Clashes in The Years Between (Compton Bennett, 1946) by Nicole Cloarec

    Published 2021-11-01
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  7. 267
    Jacobean Morality and Moral Performativity in Volpone and Women Beware Women

    Jacobean Morality and Moral Performativity in Volpone and Women Beware Women by Gül Kurtuluş

    Published 2021-04-01
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  8. 268
    Mesurer Merce Cunningham

    Mesurer Merce Cunningham by Clarisse Bardiot

    Published 2020-01-01
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  9. 269
    Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988)

    Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

    Published 2013-06-01
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  10. 270
    Constitution is not identity: On equivalence relations in translation of performance and translation for performance

    Constitution is not identity: On equivalence relations in translation of performance and translation for performance by Sarah Maitland

    Published 2025-01-01
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  11. 271
    Voix soufflées, voix volées, voix intervocales

    Voix soufflées, voix volées, voix intervocales by Helga Finter

    Published 2013-06-01
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  12. 272
    Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage

    Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage by Vicky Angelaki

    Published 2013-07-01
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  13. 273
    Créer des formes, inventer des faires

    Créer des formes, inventer des faires by Fabienne Wateau

    Published 2024-12-01
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  14. 274
    On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell

    On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell by Emeline Jouve

    Published 2010-09-01
    Subjects: “…théâtre américain…”
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  15. 275
    Shakespeare During Covid-19: Expanding Our Theatrical Horizons

    Shakespeare During Covid-19: Expanding Our Theatrical Horizons by Méline Dumot

    Published 2023-11-01
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  16. 276
    Mechanisms of co-presence in repetitive drama studio performances

    Mechanisms of co-presence in repetitive drama studio performances by Željka Flegar, Grozdana Lajić Horvat

    Published 2024-12-01
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  17. 277
    Salas de cine en Bogotá (1897-1940): la arquitectura como símbolo de modernización del espacio urbano

    Salas de cine en Bogotá (1897-1940): la arquitectura como símbolo de modernización del espacio urbano by Andrés Avila Gómez, Alfredo Montaño Bello

    Published 2015-06-01
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  18. 278
    'n Genre-omlyning van die chanson

    'n Genre-omlyning van die chanson by Elisabeth Snyman

    Published 2022-11-01
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  19. 279
    Quel appareil théâtral ?

    Quel appareil théâtral ? by Stéphane Poliakov

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  20. 280
    Le “Written Speech” yeatsien et ses expressions scéniques

    Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

    Published 2013-06-01
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