Rimes de malandrins : du narcocorrido au narco rap by Enrique Flores

“…: artistic and criminal performance; reality as the kingdom of insane violence; Dante’s hell and Rimbaud’s “time of assassins”; jails, drug and misery; Pancho Villa’s mural; Caballeros águila and body painting; outlaw culture and “warriors of the drug” –from the Brazilian jails to the neighborhoods of Los Angeles; “Reynosa la maldosa”; Marcola, Tiger and Subway 3; “Big Word” and “Murderers Artists”; Gangsta rap; narcopoetry and hallucination; poetics of the crime; “Crime pays: rhyme pays”.…”
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