Performance, Hybridity and Convergence in the Poetry of Alice Oswald and Kae Tempest by Bastien Goursaud

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The use of human tissue surrogates in anatomical modeling for gunshot wounds simulations: an overview about “how to do” experimental terminal ballistics by Lucas Meciano Pereira dos Santos, Marcelo Rodrigues da Cunha, Carlos Henrique Bertoni Reis, Daniela Vieira Buchaim, Daniela Vieira Buchaim, Ana Paula Bernardes da Rosa, Leandro Moreira Tempest, José Augusto Parola da Cruz, Rogério Leone Buchaim, Rogério Leone Buchaim, João Paulo Mardegan Issa, João Paulo Mardegan Issa

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Obrazy światłem malowane w filmach Dereka Jarmana by Konrad Chmielecki

“… Artykuł jest próbą analizy estetyki światła w filmach Dereka Jarmana: The Tempest (1979), Caravaggio (1986), War Requiem (1989), Edward II (1991) i Wittgenstein (1992). …”
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« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch by Virginie Yvernault

“…Written and performed separately between 2003 and 2012, I, Malvolio; I, Banquo; I, Caliban; I, Peaseblossom; I, Cinna (The Poet) give voice to characters from Twelfth Night, or What you will, Macbeth, The Tempest, A Midsummer Night’s Dream and Julius Caesar. …”
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A Division of Character: From Fernando de Rojas’s Celestina to Shakespearean Protagonists by Bogdan Groza

“…This article takes into account Fernando de Rojas’s La Celestina and compare some of the core features of the homonymous protagonist with some Shakespearean characters, examples mainly taken from The Tempest and A Midsummer’s Night Dream. Although a century divides the two authors and there is no recorded evidence of a connection between them, a comparative analysis is still feasible. …”
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A SNEAK PEEK INTO LIGETI'S MAILBOX: "IL ME FERA GRAND PLAISIR D’ÉCRIRE UN QUATUOR À CORDES POUR LES ARDITTI. MAIS QUAND? ..." by Bianca ŢIPLEA TEMEŞ

“…Remaining an unrealised dream, along with other works, such as the operas Alice's Adventures in Wonderland, The Tempest and the orchestra piece Labyrinth, the String Quartets Nos.3 and 4 represent a window into Ligeti’s laboratory, allowing us to glimpse, through fragmentary clues, the author’s secret ingredients, ideas and creative mechanisms. …”
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Das Menschliche in der Musik . August Halms prozessuale Metaphorik im Brennpunkt analysetheoretischer Fragestellungen by Astrid Bolay

“…To justify his formal-aesthetic position, however, he is forced in his analysis of the Tempest Sonata – in contrast to a content-focused aesthetic interpretation of the same piece by Paul Bekker – to define the boundary between a “permissible” and a “no longer permissible,” overly “humanising” metaphor. …”
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