Strategic tool to estimate the consumption patterns of non-residents spectators at sporting events (Liga NOS): Adaptation to Portuguese reality by Gonçalo Quintal, Gustavo Paipe, José Luis Felipe, Maria José Carvalho

“…As main conclusions, the adapted version can be used to analyse the profile and consumption patterns of non-residents spectators, which will help to define marketing strategies more effective and efficient for clubs and host cities, thus contributing to improving offer and more quality in the services provided for spectators of such events.…”
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En Inde, dans les salles de cinéma, les spectateurs sont-ils acteurs ou simples spectateurs ? by Wendy Cutler

Subjects: “…spectator…”
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De Masaccio à Stalker: pour une esthétique du seuil et de son franchissement  by Sylvie Castets

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Deux ou trois choses que nous savons d’eux : publics de cinéma by Myriam Juan, Christophe Trebuil

Subjects: “…spectator…”
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La programmation cinématographique parisienne au cours de la saison 1929/1930 : vers une appréhension des habitudes spectatorielles by Valentin Stimpfl

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Qui s’assoit où ? by Claude Forest

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Chiral Froggatt-Nielsen models, gauge anomalies and flavourful axions by Q. Bonnefoy, E. Dudas, S. Pokorski

“…Such an axion is typically more coupled to matter than in models with spectator fermions.…”
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Étude des différents publics du théâtre et du cinéma lors de la généralisation du parlant à Lyon (1929-1932) by Marylin Marignan

“…A social hierarchy becomes established reproducing that of the city where every spectator category’s has its own practices and rites. …”
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Histoire, mémoire et fiction dans le cinéma américain contemporain by Elie Yazbek

“…However, inducing this topic without a reference to the viewer cannot be as complete as it should be because it neglects the problematical theme of the spectator’s memory, his situation facing a specific event and in front of the image of this event. …”
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La volonté politique de commémoration des morts appartient aux vivants by Audrey Rousseau

“…It also involves taking into account cultural transmission and memory process which engage the subject-spectator to the time of interpretation. Thus to reflect on the specific context of memorials, we propose an empirical study of three "counter-monumental" works (1986 ; 1993 ; 1996) undertaken by German artist Jochen Gerz. …”
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Generalising axion-like particle as the curvaton: sourcing primordial density perturbation and non-Gaussianities by Anish Ghoshal, Abhishek Naskar

“…The ALP is a spectator field during inflation but it starts to oscillate and dominates the energy density of the universe after inflation ends, thereby sourcing isocurvature perturbations, while standard curvature fluctuations from the inflaton are assumed to be sub-dominant. …”
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The Masquerade in the Marketplace: dele jegede's Introspections and Reflections In Colors and Lines by Toyin Falola

“…In each of the tiers, dele jegede comes across variously as a committed art­ist, a spectator, an interrogator, an advocate, an environmentalist, and much more. …”
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Le désert des héros : récits de vies solitaires dans les séries américaines de fiction by Joseph Belletante

“…In a post-critic perspective, this article offers a portrait of human “states of mind” that will restitute the spectator his symbolic autonomy, through singular solitudes or the loneliness of a group as is shown by four television series that are no longer in production (Friends, The Sopranos, The West Wing and Ally McBeal) in order to allow a global interpretation and that correspond to the main genres of fiction broadcasted by the American network (comedy, drama, and dramedy).…”
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Miroir, miroir joli… : l’eau dans le jardin paysage by Ilona Woronow

“…In fact, this ignorance seems deliberate, since the assuming of the visitor’s reflection would then make him both an actor and a spectator, and would thus shed some light on the theatrical convention mining the natural of the promenade.…”
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« L'État de tous les spectateurs » by Irina Tcherneva

“…The movie theatres’ and the studios’ financial plans are based on the absolute number of spectators and screenings. So they try to redefine the figure of the Soviet spectator in comparison with Western cinema public. …”
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Au son d’un savoir impossible : Bouvard et Pécuchet à la télévision, avec la musique de Michel Portal by Dario Cecchi

“…On the contrary, Portal works at realizing a sound dimension that affects the spectator with the incommensurability between the ideal of total knowledge characterizing Flaubert’s characters and their actual ‘idiocy’ in the realization of this ideal. …”
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VERDI AND WAGNER IN EARLY VICTORIAN LONDON: THE VIEWPOINT OF “THE MUSICAL WORLD” by Massimo ZICARI

“…Notwithstanding this disparity, a first glance at the reviews that appeared in The Times, The Musical World, The Athenaeum, The Sunday Times and The Spectator, and that were then reproduced in the columns of The Musical World, shows the extent to which, between 1845 and 1855, both composers became object of severe critical scrutiny. …”
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La recolocación de monumentos dentro del juego de pelota como mecanismo de activación ritual durante el periodo Clásico maya by Octavio Quetzalcóatl Esparza Olguín, Rogelio Valencia Rivera

“…The reuse of stelae, located at special positions inside this architectonic context, mainly at the corners of the ballcourts and visible to the spectator, indicates that this relocation did not have a random or economical reason, such as reuse of these highly valuable materials as simple construction elements. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…The action that unfolds before the spectator thus becomes a projection of his imaginary landscape, the “music of the lost kingdom” of memory, brought forth by the power of utterance. …”
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Les textiles dans les tombes gauloises à dépôt de crémation en vase métallique : usages pratiques, mises en scène et perspectives anthropologiques (seconde moitié du vie s.-ve s. a... by Elsa Desplanques

“…The funeral spectator thus possesses both the literal and metaphorical vision, since by truly witnessing the action of death, they apprehend it, know it and master it. …”
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