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  1. 81

    Punchdrunk’s Immersive Theatre: From the End to the Edge by Deborah Prudhon

    Published 2018-07-01
    “…This type of theatre questions not only the status of the spectator, redefining his/her place and role, but also the notion of ending. …”
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  2. 82

    INTERPASSIVITY AS A SUBJECTIVE EFFECT OF MODERN MEDIA-CULTURE: TO THE STATEMENT OF PROBLEM by Olena V. Khodus

    Published 2014-06-01
    “…It is proved that in the modern media culture, the subject is not so much a passive spectator, observer, collector information and events to represent relevant interested agents. …”
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  3. 83

    Halifeliğin Kaldırılmasının İngiliz Basınındaki Yansımaları by Şeyma Dinç, Mehmet Fatih Sansar

    Published 2024-09-01
    “…İngiliz basınından The Times, The Foreign Affairs, The Spectator, The Fortnightly Review, The Saturday Review, The New Statesman ve The English Review, The Economist isimli yayınların hilafetin kaldırılması konulu haberlerinin, genel itibariyle Türkiye’nin laik düzene geçişinden rahatsızlık duydukları ve Türkiye aleyhinde bir tavır takındıkları görülmüştür. …”
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  4. 84

    The Imprint of the War in Ford Madox Ford’s Critical Writings by Isabelle BRASME

    Published 2020-06-01
    “…Yet when one examines the chronology of Ford’s non-fictional writing, and indeed of his literary work, one can sense a sharp dividing line that coincides with the moment when Ford enrolled in the British army in 1915, and was no longer a spectator from afar, but a direct witness of the unprecedented mass killing that was taking place on the front. …”
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  5. 85

    Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

    Published 2018-11-01
    “…Neither straightforwardly spectral, nor entirely anchored in an unambiguous dramatic situation, the subject is approached through stereophony as each spectator is confronted to their feelings of empathy and left to negotiate their own hermeneutic path between solo melodies and choral symphonies, between a highly contextualized understanding of the play, and universal reading of the performance. …”
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  6. 86

    New Orleans as the city of misfit women in Jezebel (William Wyler, 1938) and The Flame of New Orleans (René Clair, 1941) by Taïna TUHKUNEN

    Published 2016-12-01
    “…To what extent the leading lady’s emblematic misconduct ultimately triggers the greatest cataclysm in the South before the Civil War (1861-1865)—the outbreak of yellow fever that devastated New Orleans in the 1850s—remains a question mark at the end of Wyler’s melodrama, leading the spectator to ponder over the connections between the calamitous conduct of the female misfit and the mishaps and calamities befalling upon the in/famous Southern city. …”
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  7. 87

    THE PHENOMENON OF AESTHETICAL ANTROPLOGY IN KONTEST OF DEVELOPMENT OF THE UKRAINIAN POETIC CINEMA ФЕНОМЕН ЭСТЕТИЧЕСКОЙ АНТРОПОЛОГИИ В КОНТЕКСТЕ РАЗВИТИЯ УКРАИНСКОГО ПОЭТИЧЕСКОГО КИ... by S. G. Pichenikova

    Published 2012-12-01
    “…In the structure of the poetic cinema aesthetical anthropology will be realized foremost in an author idea, and also by interpretation of cultural sense initiator through the prism of spectator. A question of development of the cinema art in the context of aesthetical anthropology, is actual and from a
 practical side represent «plural» and «many» approaches, in relation to the problems of self - development and self-knowledge of a man.…”
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  8. 88

    Factors associated with time to return to horse racing following a clavicle fracture in jockeys competing in Great Britain: A review and analysis of medical records. by Laura J Newton, Nick Dobbin, Peter Goodwin, Jennifer S Crampton

    Published 2025-01-01
    “…<h4>Purpose</h4>Competitive horse racing is the second largest sport in Great Britain by spectator attendance, employability, and revenue. It is a lucrative yet hazardous sport, with high injury rates, particularly from falls. …”
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  9. 89

    Among the reasons for the importance of sports on holiday by Cenk Temel, Murat Sentuna, Velittin Balcı

    Published 2015-03-01
    “…Suggestions presented to the participants “to attend any sporting event as a spectator” 73 people (25.9%) never, “as a participant to participate in any sporting activity” 75 people (26.6%) rarely and “to participate in extreme sports” of 112 people (39.7) always responded. …”
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  10. 90

    The Effect of the First Goal on the Score of the Match and Home Advantage in Football: Analysis of Turkish Super League and 1st League in Pre-Pandemic and Pandemic Period by Serdar Yıldırım, Gökhan Hadi, Kemal Göral

    Published 2021-12-01
    “…However, it is considered that the spectator factor plays an important role in the home advantage in football based on the fact that the home advantage values of the football teams decreased in the season played with spectators compared to the values in the games played in the season without spectators.…”
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  11. 91

    Les textiles dans les tombes gauloises à dépôt de crémation en vase métallique : usages pratiques, mises en scène et perspectives anthropologiques (seconde moitié du vie s.-ve s. a... by Elsa Desplanques

    Published 2022-12-01
    “…The funeral spectator thus possesses both the literal and metaphorical vision, since by truly witnessing the action of death, they apprehend it, know it and master it. …”
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  12. 92

    FILOSOFAVIMAS KAIP PASIRUOŠIMAS MIRČIAI by Skirmantas Jankauskas

    Published 2004-01-01
    “…That is why he can only be a passive spectator of the conflict between the two different kinds of thinking, that of everyday life thinking and philosophizing. …”
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  13. 93

    FILOSOFAVIMAS KAIP PASIRUOŠIMAS MIRČIAI by Skirmantas Jankauskas

    Published 2004-01-01
    “…That is why he can only be a passive spectator of the conflict between the two different kinds of thinking, that of everyday life thinking and philosophizing. …”
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  14. 94

    Mega-events and the climate: what’s the game? by David Gogishvili, Martin Müller

    Published 2025-01-01
    “…Emissions are primarily driven by venue construction and spectator travel, highlighting the urgent need for systemic reductions. …”
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  15. 95

    L’Art du détour selon Shakespeare : les déviations de Troilus and Cressida, d’Othello et de The Tempest by Sophie Alatorre

    Published 2008-03-01
    “…Keeping in mind that “to discourse” first meant “to run, move, or travel over a space”, today’s readers and spectators can still examine the twists and turns of seductive Shakespearean discourses pervaded by irregularities, amplification, irony and perversion. …”
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  16. 96

    Dynamitage cocasse de l’anthropomorphisme dans quelques satires contemporaines by Laetitia Pasquet

    Published 2016-07-01
    “…The satirical prism is thus replaced by an uncanny, awkward form of comedy that no longer claims to convey a meaning and cause spectators to smile reassuringly, for spectators are no longer at the top of God’s creation. …”
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  17. 97

    Dynamic Guidance Strategy for Pedestrian Travel in Large-Scale Activity under Harsh Environment by Wenbo Huang, Yanyan Chen, Shushan Chai, Huibo Bi

    Published 2022-01-01
    “…Therefore, the research can provide theoretical foundation and data support for managers to guide passenger flows and improve the spectating experience.…”
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  18. 98

    Les catastrophes futures ou les futurs de la catastrophe : les désastres à venir dans Jouer le Paradis et Let Them Eat Money by Eliane Beaufils

    Published 2022-06-01
    “…By its poetic writing the play also invites the spectators to deal with sorrow and grieving.…”
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  19. 99

    Sport sponsorship from perspective of great industrial companies’ managers by İman Mırzaeı, Abdolrahman Mehdıpour, Tahereh Azmsha

    Published 2016-12-01
    “…These factors were “economic-marketing”, “media”, “legal and juridical” and finally “sport teams and spectators”. According to the final results of path analysis, media factor gained the first rank among 4 recommended total factors. …”
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  20. 100

    Fidèles au spectacle by Mélisande Leventopoulos

    Published 2012-04-01
    “…Thus, answering the call of the Church, catholic missionary spectators appeared in the diocese of Paris. Cinemagoers were taught how to view different types of film and this initiation led, at the end of the 1930s, to the emergence of a catholic audience per se in Paris.…”
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