Themes of U.S. Wine Advertising and the Use of Geography and Place to Market Wine by John P. Tiefenbacher

“…This paper describes and discusses the role of geography in the advertising of wine in a popular American wine magazine, The Wine Spectator. Systematic assessment of the visual and textual contents of 764 advertisements that appeared in 30 issues (2 years of the publication) reveals that approximately 66% of advertisements contained geographical components that clearly suggest that place is important in the production and quality of wine. …”
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Aural Attunement is a form of performative writing used to write about nonhuman affective relations in Emma Bennett’s Slideshow Birdshow (2013) by Rebecca Collins

“…Embodied knowledge harnessed in the writing aims to emulate the experience of being a listening-spectator at Slideshow Birdshow (2013), a solo contemporary performance piece by Emma Bennett. …”
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Patrimonialisation de la nature et dynamiques touristiques : spécificités et singularités d’un « modèle » chinois contemporain by Sylvine Pickel Chevalier, Benjamin Taunay , Philippe Violier

“…The reason is the importance of the external non-utilitarian gaze of the spectator, which is contemporary of the birth of a new way of travelling: the pleasure trip. …”
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Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton by Clotilde Thouret

“…It is not a question of placing the spectator behind the scenes as in Shakespeare's tragedy; nor is it a question of constructing a critical relationship to the historical narrative that is written, but of constructing a critical relationship to the history that is being made. …”
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Photokinetics of Photothermal Reactions by Mounir Maafi

“…It was then used to describe and quantify several situations of photothermal reactions, such as the effects of initial concentration, spectator molecules, and incident radiation intensity, and the impact of the latter on the photonic yield. …”
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L’important n’est pas la destination, mais les seuils que l’on franchit. L’exemple des mondes possibles dans Fringe by Elaine Després

“…All TV series serialize the thresholds of fiction, since the spectator enters and leaves the fictional universe each week to go back to his empirical world, but science-fiction series stand out in that they thematize and formalize them, using among other devices « mises en abyme ». …”
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Réécritures du mythe d’Orphée et enjeux esthétiques, philosophiques et formels dans The Mask of Orpheus de Harrison Birtwistle by Jean-Philippe Heberlé

“…They do not present the spectator with the key elements of the story in a linear way but simultaneously. …”
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Du dépouillement surgit le silence : une adaptation sous couvert de minimalisme audiovisuel by Louis Daubresse

“…Taking up the cause of Cormac McCarthy’s rigorously ascetic style in No Country for Old Men, the Coen brothers’ adaptation offers several sequences where, due to the absence of words, the economy of extradiegetic music and the rarefaction of noises, the spectator finds himself confronted with a (relative) cinematographic silence in which the slightest sound, usually imperceptible, is likely to become intelligible. …”
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Title not available by Aslıhan ERMAN ASLANOĞLU, Ömer Kutlu

“…Furthermore, a relationship at 0.72 level was found between the marks which the students who made presentations were given by the class teachers and the marks they took from the first semester science lesson; as well as a relationship at 0.49 level between the points the spectator students gave for the presentations and the first semester science lesson marks of the students who made presentations.The results of survey stated that the teachers and the students believe that the use of rubric brings contribution to education…”
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L’Appel du vide : l’espace vide de Peter Brook et l’épuisement beckettien by Sophie MARUÉJOULS-KOCH

“…The aim is to follow that trace through Brook’s and Beckett’s work in order to draw its contours and to see in what way exactly the work of the two Post-War artists meet, how emptiness and exhaustion allow them to create a form beyond language that reaches the spectator, placing her face to face with the mystery of life, with something beyond that is all contained within the image of the face.…”
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Effect of stadium service quality on the club value perceived by the supporter: sample of Konyaspor Büyükşehir Torku Arena by Ali Sevılmıs, Erkan Faruk Sırın

“…As a result of regression analysis made, while the linear effects of the dimensions of physical environment quality, interaction quality, and core service quality on the club value, perceived by the spectator was identified, it was found that the dimension, whose the effect of core service quality was the most, was stadium service quality.…”
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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies by Greg Hainge

“…Indeed, ultimately this article suggests that Under the Skin can be read as a commentary on the viewing subject required by (and forms of subjectivity produced by) post-cinematic media forms that at first seem to operate according to a different logic to the cinematic syntax of classical cinema, but which may in fact require us to reconsider some of our assumptions with regard to all forms of cinematic subjectivity produced in the relations between spectator and screen.…”
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Charmless Quasi-Two-Body B Decays in Perturbative QCD Approach: Taking B⟶KR⟶K+K− as Examples by Wen-Feng Liu, Zhi-Tian Zou, Ying Li

“…By keeping the transverse momenta, all possible diagrams including the hard spectator diagrams and annihilation ones can be calculated in PQCD approach. …”
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VERDI AND WAGNER IN EARLY VICTORIAN LONDON: THE VIEWPOINT OF “THE MUSICAL WORLD” by Massimo ZICARI

“…Notwithstanding this disparity, a first glance at the reviews that appeared in The Times, The Musical World, The Athenaeum, The Sunday Times and The Spectator, and that were then reproduced in the columns of The Musical World, shows the extent to which, between 1845 and 1855, both composers became object of severe critical scrutiny. …”
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La recolocación de monumentos dentro del juego de pelota como mecanismo de activación ritual durante el periodo Clásico maya by Octavio Quetzalcóatl Esparza Olguín, Rogelio Valencia Rivera

“…The reuse of stelae, located at special positions inside this architectonic context, mainly at the corners of the ballcourts and visible to the spectator, indicates that this relocation did not have a random or economical reason, such as reuse of these highly valuable materials as simple construction elements. …”
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Socio-cultural development of Omsk region districts as one of indicators of social sphere of modern Russia by I. A. Kostyuk

“…It is in this aspect of socio-cultural activity generates social and cultural space, with the activity of the subject as a carrier and Creator of cultural values who can compete with cultural activities when all participants were predetermined by the passive role of spectator and participant in the best case, not a collective of the Creator of what is happening. …”
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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…This disjunction is very enjoyable for the spectator, but it also raises poetical, political and existential questions. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…The action that unfolds before the spectator thus becomes a projection of his imaginary landscape, the “music of the lost kingdom” of memory, brought forth by the power of utterance. …”
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Masques et mascarades dans Romola par George Eliot : la traversée des apparences by Stéphanie Richet

“…It proceeds of a trick or an alternate game of presence and absence.Identifying the mask so as to make it fall, revealing the invisible mask so as to turn it into a recognizable object, contribute to reestablishing the dramatic illusion and the awareness of the interplay between reality and fiction. The spectator must then be on the lookout for cracks in falsely transparent surfaces so as to unmask the traitor. …”
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INTERPASSIVITY AS A SUBJECTIVE EFFECT OF MODERN MEDIA-CULTURE: TO THE STATEMENT OF PROBLEM by Olena V. Khodus

“…It is proved that in the modern media culture, the subject is not so much a passive spectator, observer, collector information and events to represent relevant interested agents. …”
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