Themes of U.S. Wine Advertising and the Use of Geography and Place to Market Wine by John P. Tiefenbacher

“…This paper describes and discusses the role of geography in the advertising of wine in a popular American wine magazine, The Wine Spectator. Systematic assessment of the visual and textual contents of 764 advertisements that appeared in 30 issues (2 years of the publication) reveals that approximately 66% of advertisements contained geographical components that clearly suggest that place is important in the production and quality of wine. …”
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Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton by Clotilde Thouret

“…It is not a question of placing the spectator behind the scenes as in Shakespeare's tragedy; nor is it a question of constructing a critical relationship to the historical narrative that is written, but of constructing a critical relationship to the history that is being made. …”
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Photokinetics of Photothermal Reactions by Mounir Maafi

“…It was then used to describe and quantify several situations of photothermal reactions, such as the effects of initial concentration, spectator molecules, and incident radiation intensity, and the impact of the latter on the photonic yield. …”
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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies by Greg Hainge

“…Indeed, ultimately this article suggests that Under the Skin can be read as a commentary on the viewing subject required by (and forms of subjectivity produced by) post-cinematic media forms that at first seem to operate according to a different logic to the cinematic syntax of classical cinema, but which may in fact require us to reconsider some of our assumptions with regard to all forms of cinematic subjectivity produced in the relations between spectator and screen.…”
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Charmless Quasi-Two-Body B Decays in Perturbative QCD Approach: Taking B⟶KR⟶K+K− as Examples by Wen-Feng Liu, Zhi-Tian Zou, Ying Li

“…By keeping the transverse momenta, all possible diagrams including the hard spectator diagrams and annihilation ones can be calculated in PQCD approach. …”
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VERDI AND WAGNER IN EARLY VICTORIAN LONDON: THE VIEWPOINT OF “THE MUSICAL WORLD” by Massimo ZICARI

“…Notwithstanding this disparity, a first glance at the reviews that appeared in The Times, The Musical World, The Athenaeum, The Sunday Times and The Spectator, and that were then reproduced in the columns of The Musical World, shows the extent to which, between 1845 and 1855, both composers became object of severe critical scrutiny. …”
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La recolocación de monumentos dentro del juego de pelota como mecanismo de activación ritual durante el periodo Clásico maya by Octavio Quetzalcóatl Esparza Olguín, Rogelio Valencia Rivera

“…The reuse of stelae, located at special positions inside this architectonic context, mainly at the corners of the ballcourts and visible to the spectator, indicates that this relocation did not have a random or economical reason, such as reuse of these highly valuable materials as simple construction elements. …”
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Socio-cultural development of Omsk region districts as one of indicators of social sphere of modern Russia by I. A. Kostyuk

“…It is in this aspect of socio-cultural activity generates social and cultural space, with the activity of the subject as a carrier and Creator of cultural values who can compete with cultural activities when all participants were predetermined by the passive role of spectator and participant in the best case, not a collective of the Creator of what is happening. …”
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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…This disjunction is very enjoyable for the spectator, but it also raises poetical, political and existential questions. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…The action that unfolds before the spectator thus becomes a projection of his imaginary landscape, the “music of the lost kingdom” of memory, brought forth by the power of utterance. …”
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Masques et mascarades dans Romola par George Eliot : la traversée des apparences by Stéphanie Richet

“…It proceeds of a trick or an alternate game of presence and absence.Identifying the mask so as to make it fall, revealing the invisible mask so as to turn it into a recognizable object, contribute to reestablishing the dramatic illusion and the awareness of the interplay between reality and fiction. The spectator must then be on the lookout for cracks in falsely transparent surfaces so as to unmask the traitor. …”
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INTERPASSIVITY AS A SUBJECTIVE EFFECT OF MODERN MEDIA-CULTURE: TO THE STATEMENT OF PROBLEM by Olena V. Khodus

“…It is proved that in the modern media culture, the subject is not so much a passive spectator, observer, collector information and events to represent relevant interested agents. …”
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Punchdrunk’s Immersive Theatre: From the End to the Edge by Deborah Prudhon

“…This type of theatre questions not only the status of the spectator, redefining his/her place and role, but also the notion of ending. …”
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INTERPASSIVITY AS A SUBJECTIVE EFFECT OF MODERN MEDIA-CULTURE: TO THE STATEMENT OF PROBLEM by Olena V. Khodus

“…It is proved that in the modern media culture, the subject is not so much a passive spectator, observer, collector information and events to represent relevant interested agents. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Neither straightforwardly spectral, nor entirely anchored in an unambiguous dramatic situation, the subject is approached through stereophony as each spectator is confronted to their feelings of empathy and left to negotiate their own hermeneutic path between solo melodies and choral symphonies, between a highly contextualized understanding of the play, and universal reading of the performance. …”
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THE PHENOMENON OF AESTHETICAL ANTROPLOGY IN KONTEST OF DEVELOPMENT OF THE UKRAINIAN POETIC CINEMA ФЕНОМЕН ЭСТЕТИЧЕСКОЙ АНТРОПОЛОГИИ В КОНТЕКСТЕ РАЗВИТИЯ УКРАИНСКОГО ПОЭТИЧЕСКОГО КИ... by S. G. Pichenikova

“…In the structure of the poetic cinema aesthetical anthropology will be realized foremost in an author idea, and also by interpretation of cultural sense initiator through the prism of spectator. A question of development of the cinema art in the context of aesthetical anthropology, is actual and from a
 practical side represent «plural» and «many» approaches, in relation to the problems of self - development and self-knowledge of a man.…”
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Factors associated with time to return to horse racing following a clavicle fracture in jockeys competing in Great Britain: A review and analysis of medical records. by Laura J Newton, Nick Dobbin, Peter Goodwin, Jennifer S Crampton

“…<h4>Purpose</h4>Competitive horse racing is the second largest sport in Great Britain by spectator attendance, employability, and revenue. It is a lucrative yet hazardous sport, with high injury rates, particularly from falls. …”
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The Effect of the First Goal on the Score of the Match and Home Advantage in Football: Analysis of Turkish Super League and 1st League in Pre-Pandemic and Pandemic Period by Serdar Yıldırım, Gökhan Hadi, Kemal Göral

“…However, it is considered that the spectator factor plays an important role in the home advantage in football based on the fact that the home advantage values of the football teams decreased in the season played with spectators compared to the values in the games played in the season without spectators.…”
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Les textiles dans les tombes gauloises à dépôt de crémation en vase métallique : usages pratiques, mises en scène et perspectives anthropologiques (seconde moitié du vie s.-ve s. a... by Elsa Desplanques

“…The funeral spectator thus possesses both the literal and metaphorical vision, since by truly witnessing the action of death, they apprehend it, know it and master it. …”
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FILOSOFAVIMAS KAIP PASIRUOŠIMAS MIRČIAI by Skirmantas Jankauskas

“…That is why he can only be a passive spectator of the conflict between the two different kinds of thinking, that of everyday life thinking and philosophizing. …”
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