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Fidèles au spectacle
Published 2012-04-01“…Thus, answering the call of the Church, catholic missionary spectators appeared in the diocese of Paris. Cinemagoers were taught how to view different types of film and this initiation led, at the end of the 1930s, to the emergence of a catholic audience per se in Paris.…”
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Conducting a Successful Livestock Show for Youth
Published 2011-12-01“…Make sure the entire event is as stress-free as possible for the livestock, youth exhibitors, their families, and show management, and as educational as possible for youth exhibitors, their families, and all public spectators. Consider the recommendations in this 4-page fact sheet written by Chad Carr, Justin Crosswhite, Jennifer Shike, and Heather Shultz, and published by the UF Department of Animal Science, December 2011. …”
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Conducting a Successful Livestock Show for Youth
Published 2011-12-01“…Make sure the entire event is as stress-free as possible for the livestock, youth exhibitors, their families, and show management, and as educational as possible for youth exhibitors, their families, and all public spectators. Consider the recommendations in this 4-page fact sheet written by Chad Carr, Justin Crosswhite, Jennifer Shike, and Heather Shultz, and published by the UF Department of Animal Science, December 2011. …”
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Pourquoi filmer sa culture ? Rituel et patrimonialisation en Amazonie brésilienne
Published 2017-12-01“…The article examines the reasons for the choice of particular rituals as the incarnation of culture; the political and symbolic implications of the performance of culture; the modalities through which films are produced; the choice of spectators for this culture-on-film and the play of revelation and concealment of ritual knowledge which the filmic media enables. …”
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Risk Management for 4-H Youth Development Work: Large Animals—Livestock
Published 2016-02-01“… Most people involved in youth livestock exhibition are familiar with the physical risks of handling and transporting livestock, but public spectators generally need more instruction and supervision to ensure their safety and health. …”
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Risk Management for 4-H Youth Development Work: Large Animals—Livestock
Published 2016-02-01“… Most people involved in youth livestock exhibition are familiar with the physical risks of handling and transporting livestock, but public spectators generally need more instruction and supervision to ensure their safety and health. …”
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O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
Published 2012-01-01“…Singular snapshots showing us, readers/spectators, their only pos- sible face: an unnatural portrait.…”
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Foule et public
Published 2012-04-01“…Is this conception suitable to the reality of the spectators practice at that time? Is it possible to consider the cinema audience as a whole, as it seems if we use the idea of crowd? …”
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O discurso de vereadores de um município do Estado de Minas Gerais: aproximações com a representação teatral e distanciamento da dialogicidade
Published 2011-01-01“…It uses the notion of political representation as staging, or as political theater or social theater, in which elected politicians end up assuming the role of decision makers, instead of the citizens, and the latter, in turn, end up assuming the role of spectators. The purpose of the performance by the aldermen is to direct and regulate the impression that the citizens might make of them, through the control of expression. …”
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Une éducation sentimentale ou le roman d’amour de Salammbô
Published 2010-09-01“…The study of an unpublished passage such as that of the dancer reveals the novelist’s will to create a seductive and active character. The warriors are spectators of the characteristic “hero” epiphany clearly expressed by the lyric singing and the esoteric dance. …”
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Cinéma et lien : une enquête intime auprès d'une famille italienne en Lorraine
Published 2012-04-01“…Our article will consist of continuing their research by interviewing members of the same family whose culture is essentially audiovisual in order to re-create their memory as spectators and as members of the Italian community from the 70's to the present. …”
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