Qui s’assoit où ? by Claude Forest

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Representation of Traumatic Memory in the Film Drishyam: A Barthesian Reading by Srilekha B. P., V. Bharathi Harishankar

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Real-Time monitoring of sound levels during school sports events by Aigerim Bakatkaliyevna

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ADAM SMITH’İN AHLAK KURAMINDA HAYAL GÜCÜNÜN ROLÜ by Nil Avcı

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İzleyicilikten Katılımcılığa: Türkiye’de Dijital Yerlilerin İnteraktif Sinemada Yeni Görme Kültürü Üzerine Bir Araştırma by Ferhat Zengin, Uğur Baloğlu, Yıldız Derya Birincioğlu

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Pitt on a Pedestal: Sculpture and Slavery in Late-Eighteenth-Century Charleston by Wendy Bellion

Subjects: “…statue; sculpture; neoclassicism; slavery; enslaved; race; Charleston; South Carolina; Civic Square; London; colonial; empire; place; location; site-specificity; built environment; William Pitt the Elder; Joseph Wilton; spectacle; spectator; Atlantic worl…”
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Chiral Froggatt-Nielsen models, gauge anomalies and flavourful axions by Q. Bonnefoy, E. Dudas, S. Pokorski

“…Such an axion is typically more coupled to matter than in models with spectator fermions.…”
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Avatars de Napalm Girl, June 8, 1972 (Nick Ut) : variations autour d’une icône de la Guerre du Vietnam by Anne LESME

“…The symbolic crucifixion of the naked child is all the more powerful as the spectator, in this decisive moment, is facing horror and is invited to act. …”
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Étude des différents publics du théâtre et du cinéma lors de la généralisation du parlant à Lyon (1929-1932) by Marylin Marignan

“…A social hierarchy becomes established reproducing that of the city where every spectator category’s has its own practices and rites. …”
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ENTERTAINMENT VIOLENCE IN THE LEISURE OF STUDENT YOUTHS by M. I. Zhabskiy, К. A. Tarasov

“…Accruing some sort of magic under their influence, the spectacle of violence deforms the spectator identity among a certain part of students which is fraught with dysfunctional social consequences. …”
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THE ANALYSIS OF DIFFERENCES IN VISUAL PERCEPTION OF AXIAL VELOCITIES OBJECTS AND THEY IMAGES by E. G. Zaytseva, V. V. Nikitin

“…Mathematical functions are given – they allow quantitatively estimate difference between axial velocities image of object as function for spectator and observer. This difference is equal to zero by parameters, that are found.…”
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Resolving active species during the carbon monoxide oxidation over Pt(111) on the microsecond timescale by Calley N. Eads, Weijia Wang, Ulrike Küst, Julia Prumbs, Robert H. Temperton, Mattia Scardamaglia, Joachim Schnadt, Jan Knudsen, Andrey Shavorskiy

“…Abstract Catalytic studies traditionally rely on steady-state conditions resulting in time-averaged datasets that do not differentiate between active and spectator species. This limitation can cause misinterpretations of catalytic function, as the signal of short-lived intermediates responsible for producing desired reaction products is often masked by more intense spectator species. …”
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Violence et vision : The Dynasts de Thomas Hardy by Laurence Estanove

“…Its modernity lies in this hybrid form, but also in its amazing power of visual representation. The « mental spectator » both witnesses the violence of the war and experiences it directly, as Hardy shatters the traditional notions of perspective and point of view in a cinematic and highly innovative way.…”
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Investigation of Fair Play Behaviors of Secondary School Students Participating in School Sports by İbrahim Umran Akdağcık, Ahmet Temel

“…While the fair play behaviors of the students playing football in the spectator dimension of the scale were higher than the athletes interested in individual branches, no significant difference was found in other dimensions. …”
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L’École du spectateur : informatiser la recherche en arts de la scène by Cécile Chantraine-Braillon

“…This article presents the École du spectateur (Spectator School), a research project in the field of digital humanities and performing arts, more particularly in the field of theatre studies. …”
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Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz by Julie Perrin

“…In Walk, Hands, Eyes (a city), choreographer Myriam Lefkowitz invites a spectator to walk in an urban environment, in silence and with eyes closed. …”
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Histoire, mémoire et fiction dans le cinéma américain contemporain by Elie Yazbek

“…However, inducing this topic without a reference to the viewer cannot be as complete as it should be because it neglects the problematical theme of the spectator’s memory, his situation facing a specific event and in front of the image of this event. …”
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“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker by Eléonore Obis

“…The play explores the contamination of humanity by animality and can be defined as a « catastrophic » speculation on the Holocaust, making the reader and spectator experience the absence of meaning or « absolute meaninglessness ». …”
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“We will write it again”: subverted hermeneutics in Tom Stoppard’s Arcadia by Aloysia Rousseau

“…Arcadia thus highlights the unreliability of textual meaning, appealing to the reader/spectator’s vigilance and inviting him to participate in the hermeneutical quest. …”
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Digital Auto-Ethnography by Joanna Neil

“…This enabled me to distance myself from what I was doing by becoming a spectator and experience a new intimacy with my work through seeing and hearing what usually went unnoticed. …”
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