“Enfoncer une porte ouverte”. Madame Bovary sounds as music by Roberto Doati

Get full text

Analysis of Music Art Learning on Material Recognizing the Shape and Sound of Musical Instruments in Elementary Schools by Dinda Rizki Lestari, Resa Respati, Pidi Mohamad Setiadi

“…Analysis of music art learning on material recognizing the shape and sound of musical instruments in elementary schools aims to find out how the implementation of learning recognizes the shape and distinguishes the sound of musical instruments in elementary schools. …”
Get full text

THE HEALING POWER OF MUSIC. MUSIC IN PRACTICE by Szilvia TÖRÖK

“…Their knowledge is indispensable in order to be able to approach the psychology of hearing, of sound and music psychology. The brain research conducted in the second half of the 20th century has demonstrated the fact that the right hemisphere is the one responsible for music: it has the functions of recognizing melody, while the left one to identify rhythm. …”
Get full text

Gothic Sounds and the Foreshadowing of Victorian Soundscapes by Lucie Ratail

“…Pre-Victorian Britain, as a transitory period from the Enlightenment to the Age of Industrialisation, witnessed shifts in understandings of ‘noise’, ‘sound’ and ‘music’ and growing interest in acoustics and other sound studies. …”
Get full text

Being ‘excluded from the world of sound’: Deafness, Invalidism and Resilience in Harriet Martineau’s Writings (1834–1855) by Manuela D’Amore

“…In fact, she immediately started from the feelings that she associated with the pleasures of sound and music. Before she lost her hearing as a young adolescent, she enjoyed singing and ‘was never out of tune’: it was only after she became fully aware of her disability that she urged her ‘fellow sufferers’ to trust even experimental science to gain ‘every breath of sound’ and play an active role in the public sphere. …”
Get full text

The Mismatch Negativity: An Indicator of Perception of Regularities in Music by Xide Yu, Tao Liu, Dingguo Gao

“…In this vein, we firstly reviewed the evolution of MMN from sound to music and then mainly compared the differences of MMN features between musicians and nonmusicians, followed by the discussion of the potential roles of the training effect and the natural exposure in MMN. …”
Get full text