THE GENESIS OF THE PIANO TRIO by Marta CÎRLEJAN

Subjects: “…piano trio…”
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La restauration du piano de Grétry by Patrick Dheur

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WORKING WITH VISUALLY-IMPAIRED PERFORMERS IN PIANO CLASS by Julia P. Antonova, Vitaliy V. Kalitskiy

“…The article addresses the questions of professional training of performers with sight loss in a specialized piano class. The authors distinguish three main stages, which reveal the specifics of visually impaired pianist training: a stage of familiarization with a musical composition, working on the composition, and stage rehearsals and performances on the concert stage. …”
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VIABILITY OF DIDACTIC PRINCIPLES IN CONTEMPORARY PIANO EDUCATION by Stela DRĂGULIN

“…In the context of our preoccupations and propensity for instrumental didactics, we have formulated the guiding lines and principles for a novel piano technique, from a contemporary perspective. …”
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Sines, transient, noise neural modeling of piano notes by Riccardo Simionato, Stefano Fasciani

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Using Self-Efficacy and Reflection to Improve Piano Learning Performance by Suqi Dong, Genutė Gedvilienė

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Piano Works by Dora Pejačević – A Personal Perspective of an Interpreter by Kyra Steckeweh

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THE MOTHER GOOSE PIANO SUITE - AN AESTHETIC PARADIGM OF RAVEL’S MUSIC by Attila FODOR

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Technological a priori and Communicative Action in Kurt Vonnegut’s Player Piano by Mete Han Arıtürk, Mehmet Büyüktuncay

“…The philosophers of the Frankfurt School, Herbert Marcuse and Jürgen Habermas in particular, have rigorously analyzed the inherently ideological function of technology in late capitalist societies. In Player Piano, Kurt Vonnegut’s critical depiction of the extremely technologized and automated social world in a near future America slightly predates and even heralds the above-mentioned critical theorists’ analyses of the ideological nature of technology under corporate capitalism. …”
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Retracted: Multimedia Recognition of Piano Music Based on the Hidden Markov Model by Advances in Multimedia

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THE ORGANIZATION OF STUDENTS' SELF-STUDY IN PIANO CLASS FOR VARIABLE PROFESSIONAL ACTIVITIES by Veronika S. Korina

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REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL by Şerban MARCU

“… The present study, part of the research grant The artistic and social impact of the contemporary music of the 21st century from the perspective of the relationship composer-performer-audience (project director Assistant Professor Cristian Bence-Muk, D.Mus.) investigates the structural and rhetoric aspects in the poem Spring, for soprano, clarinet and piano, by Carmen Petra-Basacopol, on the verses of poet Mariana Dumitrescu. …”
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Il Piano Programma per Palermo e i PRG per Urbino by Isabella Daidone

“…Un opportuno confronto tra il Piano Programma per il Centro Storico di Palermo e i Piani Regolatori per Urbino potrebbe generare una strategia da sperimentare in altre città con caratteristiche simili. …”
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Retracted: Training Strategy of Music Expression in Piano Teaching and Performance by Intelligent Multimedia Technology by International Transactions on Electrical Energy Systems

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THE INGENUITY OF THE TONAL PLAN OF THE DEVELOPMENT SECTIONS OF THE SONATA FORMS OF PIANO SONATAS BY W. A. MOZART by Gabriela COCA

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An Empirical Analysis of the Role of Piano Performance in Alleviating Psychological Trauma in People with Psychological Isolation Disorder by Xia Cao

“…This paper presents an in-depth analysis and study of the role of piano performance in alleviating psychological trauma in people with psychological isolation disorder. …”
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Antonia Baehr’s My Dog is my Piano and Abecedarium Bestiarium: Theatre of the Bestiary, Bestiaries of Theatre by Esther Köhring

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Long Short-Term Memory Projection Recurrent Neural Network Architectures for Piano’s Continuous Note Recognition by YuKang Jia, Zhicheng Wu, Yanyan Xu, Dengfeng Ke, Kaile Su

“…As LSTM and LSTMP have performed well in pattern recognition, in this paper, we combine them with Connectionist Temporal Classification (CTC) to study piano’s continuous note recognition for robotics. …”
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Im Labyrinth – György Ligetis Étude pour piano Nr. 1 Désordre im Höranalyse-Unterricht by Irmgard Brockmann

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O imaginário romântico nas sonatas para violoncelo e piano de Ludwig van Beethoven by Rodrigo Falson Pinheiro, William Teixeira da Silva

Subjects: “…Sonatas para violoncelo e piano…”
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