NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“…He can be characterized as an integrated musician since his artistic skills reached the highest level in piano performing, orchestra conducting and composing. …”
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Design of a Wearable Exoskeleton Piano Practice Aid Based on Multi-Domain Mapping and Top-Down Process Model by Qiujian Xu, Meihui Li, Guoqiang Chen, Xiubo Ren, Dan Yang, Junrui Li, Xinran Yuan, Siqi Liu, Miaomiao Yang, Mufan Chen, Bo Wang, Peng Zhang, Huiguo Ma

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“JUGGLE” FOR CLARINET AND PIANO BY CRISTIAN MARINA – CHANGING THE SEMANTICS OF CONTEMPORARY MUSICAL CREATION FROM THE POINT OF VIEW OF VARIOUS INSTRUMENTAL VERSIONS by Cristian BENCE-MUK

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HIZLI OKUMA TEKNİKLERİ EĞİTİMİNİN PİYANO DEŞİFRE BECERİSİNE ETKİSİ - EFFECTS OF SPEED READING TECHNIQUES ON PIANO SIGHT READING SKILLS by Mehmet Can Çiftçibaşı, Süleyman Cem Şaktanlı

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El compositor Gerardo Guevara en el nacionalismo musical ecuatoriano. Un análisis de la obra Fiesta para piano by Jorge Campos Serrano

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Benedict Taylor, Towards a Harmonic Grammar of Grieg’s Late Piano Music: Nature and Nationalism (= RMA Monographs, vol. 29), London: Routledge 2017 by Bjørnar Utne-Reitan

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Effekt, Extrem – oder Erfindergeist?. Niels W. Gades Fünfte Sinfonie und der obligate Klavierpart by Lara Nettelmann

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Federico Gerdes en los 150 años de su nacimiento y 70 de su deceso: Una aproximación by Aurelio Tello Malpartida

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Solo Songs by Count Julijan Pejačević in the Našice Local History Museum by Andrea Rakitić

Subjects: “…Julijan Pejačević, Našice, compositional work, solo songs, piano, analysis…”
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Andreas Bernnat, Grundlagen der Formbildung bei Claude Debussy. Ein analytisches Modell für die Klavierwerke von ›Pour le piano‹ bis zu den ›Etudes‹, Tutzing: Schneider 2003 by Hans Aerts

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DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT by Miklós FEKETE

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Johan van Beek, Klangrede am Klavier. Aufführungspraxis im 18. und 19. Jahrhundert, Kassel: Bärenreiter 2016 by Kilian Sprau

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Philipp Teriete / Derek Remeš (Hg.), Das Universalinstrument. »Angewandtes Klavierspiel« aus historischer und zeitgenössischer Perspektive (The Universal Instrument. Historical and Contemporary Perspectives on ”Applied Piano“), Hildesheim / Zürich / New York: Olms 2020 by Reinhard Schäfertöns

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UMWERTUNGEN IN LISZTS WASSER-MUSIK by Márta-Adrienne ELEKES

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Delphi in Schwarz und Weiß.. Bilder der Antike in Claude Debussys Klaviermusik by Tihomir Popović

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DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

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Música, circulación y poesía en las canciones de Pedro Ximénez Abrill Tirado by José Manuel Izquierdo König

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›Subthematische Arbeit‹. Komponieren mit mehrstimmigen Satzmodellen bei Mozart by Hans-Ulrich Fuss

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Effective metric descriptions of quantum black holes by Manuel Del Piano, Stefan Hohenegger, Francesco Sannino

“…Abstract In a recent work (Del Piano et al. in Phys Rev D 109(2):024045, 2024), we have described spherically symmetric and static quantum black holes as deformations of the classical Schwarzschild metric that depend on the physical distance to the horizon. …”
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Wolfgang Böhmer, Versuche machen, verbessern, wagen. Kompositionsstrategien und musikalisches Denken bei Joseph Haydn, Würzburg: Königshausen & Neumann 2021 by Michael Spors

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