FABL TÜRÜNÜN 7. SINIF ÖĞRENCİLERİNİN GÖRSEL SANAT ÇALIŞMALARINA ETKİSİ - THE EFFECT OF FABLE GENRE ON VİSUAL ART STUDİES OF 7th CLASS STUDENTS by Muhammet İnceağaç, Meliha Yılmaz

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Empirical insights into traditional and AI-enhanced interactive narratives based on children’s fables by Świerczyńska-Kaczor Urszula

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Pamela’s Fables: Aesopian writing and political implication in Samuel Richardson and Sir Roger L’Estrange by Tom Keymer

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Choix moraux, éthique et jeux vidéos by Antoine Rocipon

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Des esclaves et des bêtes : fables de la sauvagerie en Amérique dans Letters from an American Farmer, de St John de Crèvecoeur by Agnès Derail-Imbert

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“Where Does My Hope Come From?”: P. D. James’s The Children of Men (1992) as a Christian Dystopia in the Context of the Late 20th Century Demographic Crisis by Suzanne Bray

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Raconter sans inventer. Córdoba de los Omeyas d’Antonio Muñoz Molina by Geneviève Champeau

“…This hybrid narrative, whose subject is the Muslim Cordoba at his height, may be considered as a fable about our current political concerns, which are also at the center of the articles Muñoz Molina wrote in various newspapers.…”
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Modernism’s Zoo (Pet and Pen in Virginia Woolf’s Flush) by Frédéric Regard

“…By going back to the fundamental categories of Aristotelian philosophy and supporting his argument with detailed narratological analyses of the narrative, the author suggests that this canine biography should be read, precisely, not as an auto/biography – where the anthropological machine would still be running at full speed – but as a fable of the Modernist artist’s discovery of her own linguistic infancy. …”
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LÜKSLE VE LÜKSE KARŞI: İSKOÇ AYDINLANMASINDA LÜKS ÜZERİNE DÜŞÜNCELER by Işıl Çeşmeli

“…18.yüzyılda lüks tartışmalarına François Fénelon’un The Adventures of Telemachus ve Bernard Mandeville’in The Fable of the Bees adlı eserlerindeki görüşleri yön vermiştir. …”
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Incorporating Environmental Education in English Language Teaching through Bloom’s Revised Taxonomy by Defne Erdem Mete

“…Our Iceberg is Melting: Changing and Succeding Under Any Conditions (2005), written by John Kotter and Holger Rathgeber as a fable, has been chosen as the sample authentic text. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…The figure of the past coming to haunt the present thus plays as pivotal a role in the fable as the form in which the writing unfolds. On the one hand, everything in the play is a return, as the events of the Easter Rising re-enact, from the other end of historical time, the event which gave rise to the oppression resulting from the betrayal of the royal couple, Diarmuid and Devorgilla when, dispossessed of their kingdom, they sought the assistance of the Anglo-Normans to reclaim it. …”
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Obraz starých Řeků v Carionově kronice. Příspěvek k dějinám recepce antiky by Matěj Novotný

“…In comparison with the preceding world German chronicles, as that of Schedel, Nauclerus or Franck, it is obvious that Melanchthon, in view of his concept of history, deliberately excludes all the fantastic elements, for example Amazones, a fable folk of warlike women, to which other chronicles pay much attention, for in Melanchthon's view history should be a collection of good and bad examples. …”
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L’autre scène dans The Three Birds de Joanna Laurens (2000) : enjeux dramatiques de la réécriture d’un mythe by Solange Ayache

“…Departing from Ovid’s poem which is itself a reworking of the original fable, as well as from the feminist takes on the story during the second half of the twentieth century, Laurens’ dramatic writing offers a new approach to the language and figure of the Barbarian, a traditional paradigm of the Other. …”
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TEXTURE OF THE GENRE “VÈ” by Triều Nguyên

“…At the same time, the author of this paper also compares the structure of “Vè” to that of some other types of narrative folklore (such as poetry, “Trạng” stories, fables, etc.). Today, there is limited research about “Vè”, so the problem that this paper addresses will be quite useful, and it is important to learn more about this genre.…”
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Néotène, Hybrides et Chimères by Marika Moisseeff

“…It is from this perspective that the author explores one such account, Les fables de l’Humpur, which chronicles the end of humanity following a rebellion of the chimeras produced to relieve “true” or “pure” humans from thankless drudgery.…”
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La topographie légendaire des itinéraires de la navette by Xavière Lanéelle

“…Social practices and memory reinvest places and sometimes invent them. That's how a fabled topography is being built which sometimes confirms this mythical apprehension of the route, sometimes invents it.…”
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Translating and publishing antiquity literary works in Lithuanian by Vanda Stonienė

“…The translation of antiquity literature into Lithuanian began with the publication of Aesop's fables in Königsberg in 1706. During the 19th century, Lithuanian enlighteners (especially S. …”
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Ars Demones *2022* Manifesto by Agnieszka Anna Wołodźko

“…For Stiegler, the knowledge of mystagogy, because of its risky and excessive character, enables to learn and practice care, and it is through the work of art that we can experience of what degrees of care such an excess of another plane need. Through fables of three bodies as experienced through the work of three artists, Ars Daemones will braid material narratives of care. …”
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Słowo - obraz - pamięć w labiryntach komiksu by Grażyna Gajewska

“…In the UK it won juvenile audience with its simple jokes, genre scenes and shortened and abridged versions o f fables. In the United States, in turn, crude science fiction, horror or joke graphic stories were most popular. …”
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