Keith F. Davis, Jane L. Aspinwall, The Origins of American Photography, 1839-1885. From Daguerreotype to Dry-Plate by François Brunet

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Dans un Etat proche de l’Ohio : IOWA de Nancy Rexroth by Jean-Marc Victor

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The American Landscape: from an Ideological to an Ecological Object in Oxbow Archive by Joel Sternfeld by Helena Lamouliatte

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Les frères Courret : reconstruction d’un parcours familial entre la France et le Pérou au XIXe siècle by Isabelle Tauzin Castellanos

Subjects: “…history of Latin American photography…”
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Une « Laine d’Albâtre » : Quelques cas de surexposition dans la photographie américaine by Jean-Marc Victor

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Fantômes de l’écrit chez Ralph Eugene Meatyard by Jean-Marc Victor

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Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition? by Bruno Chalifour

Subjects: “…Black and white photography; color photography; George Eastman Museum; Nathan Lyons; photography; photo-book; photography; American photography; exhibition; retrospective; Rochester; sequence; series; social landscape; Visual Studies Workshop.…”
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L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938) by François BRUNET

“…This article examines the meanings and uses of “social history” and “historical value” in Robert Taft’s Photography and the American Scene, A Social History 1839-1889 (1938), a classic text still received as a major reference on 19th-century American photography and yet rarely questioned in its own right as a historical enterprise. …”
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Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller by Marie Cordié-Levy

“…This self-portrait which acts as a signature gave full power and independence to American photography for the next hundred years. Shadows in Lake (1916) corresponds to Stieglitz’s return to anonymity and privacy. …”
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