Keith F. Davis, Jane L. Aspinwall, The Origins of American Photography, 1839-1885. From Daguerreotype to Dry-Plate by François Brunet

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Dans un Etat proche de l’Ohio : IOWA de Nancy Rexroth by Jean-Marc Victor

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The American Landscape: from an Ideological to an Ecological Object in Oxbow Archive by Joel Sternfeld by Helena Lamouliatte

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Une « Laine d’Albâtre » : Quelques cas de surexposition dans la photographie américaine by Jean-Marc Victor

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Fantômes de l’écrit chez Ralph Eugene Meatyard by Jean-Marc Victor

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Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition? by Bruno Chalifour

Subjects: “…Black and white photography; color photography; George Eastman Museum; Nathan Lyons; photography; photo-book; photography; American photography; exhibition; retrospective; Rochester; sequence; series; social landscape; Visual Studies Workshop.…”
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Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller by Marie Cordié-Levy

“…This self-portrait which acts as a signature gave full power and independence to American photography for the next hundred years. Shadows in Lake (1916) corresponds to Stieglitz’s return to anonymity and privacy. …”
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