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    Donald Barthelme’s The King: The Manifold Guises of (an) American(’s) Memory by Aurélie Delevallée

    Published 2017-04-01
    “…It also argues that despite the extensive cultural library that goes into the book’s making and the prominence of the English protagonist and setting, Barthelme fashions an American novel from the myth of King Arthur and the Knights of the Round Table by featuring emblematic American texts: a metafictional illustration of Pierre Nora’s argument that memory is both collective and individual.…”
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  3. 363

    Emerging Themes in the Ecology and Management of North American Forests by Terry L. Sharik, William Adair, Fred A. Baker, Michael Battaglia, Emily J. Comfort, Anthony W. D'Amato, Craig Delong, R. Justin DeRose, Mark J. Ducey, Mark Harmon, Louise Levy, Jesse A. Logan, Joseph O'Brien, Brian J. Palik, Scott D. Roberts, Paul C. Rogers, Douglas J. Shinneman, Thomas Spies, Sarah L. Taylor, Christopher Woodall, Andrew Youngblood

    Published 2010-01-01
    “…The 7th North American Forest Ecology Workshop, consisting of 149 presentations in 16 oral sessions and a poster session, reflected a broad range of topical areas currently under investigation in forest ecology and management. …”
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  4. 364

    Ground Zero(3): Inside the New American Home by Louise LACHAPELLE

    Published 2011-09-01
    “…These collections and exhibitions produce a distance that lifts the ban to see or show the ruins, the remains, and contribute to recreate boundaries, as well as a familiar space, “the space of (safe) viewing” (Lilie Chouliaraki 2004), at the centre of a newly “secured” national and symbolic periphery, the space of “safe” living, “Inside the New American Home.”Inside the New American Home also continues to develop a critique of culture and of the ritual sense of art (Walter Benjamin, Écrits français 1940). …”
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    The “Frustrated Hawks,” Tet 1968, and the Transformation of American Politics by Patrick Hagopian

    Published 2008-12-01
    “…European Journal of American Studies…”
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    Dickens and the American Millennium: The Uniformitarian Argument of Martin Chuzzlewit by Nancy Aycock Metz

    Published 2012-01-01
    “…Dickens makes these ideas part of a nationalist argument in deconstructing the American historical narrative. Americans found the closest analogue for their democratic experiment in the favourite example of the catastrophists—the Biblical deluge. …”
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    Introduction to Dossier. Latin American and Caribbean Social Thought by David Cortez, Gabriel Orozco, Santiago Castro-Gómez

    Published 2017-01-01
    “…Introduction to Dossier "Latin American and Caribbean Social Thought"…”
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  13. 373

    Extending West's analogy royce, mead, and american philosophy by Claudio Marcelo Viale

    Published 2008-01-01
    “…En The American Evasion of Philosophy Cornell West traza una comparación entre los desarrollos de las filosofías europea y norteamericana. …”
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    The Artistic Commitment of Kenyon Cox: An American Neoclassical Artist by Marc S. SMITH

    Published 2016-06-01
    “…This led to an alteration of the urban social fabric and to a repositioning of the country on the international scene.Since the 1870s, the American Renaissance had been a vehicle for the diffusion of new values and new concepts. …”
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    The Doomsday Project, Deep Events, and the Shrinking of American Democracy by Peter Dale Scott

    Published 2011-01-01
    “…The second, closely related, is the progressive shrinking of public politics and the rule of law as they are subordinated, even domestically, to the requirements of covert U.S. operations abroad.The third, also closely related, is the important and increasingly deleterious impact on American history and the global extension of American power, of what I have called deep events. …”
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  20. 380

    The West and the Western as grounds for reconciliation in the American Civil War by Juliette Bourdin

    Published 2018-07-01
    “…It also aims to show how and to what extent the Western genre proved to be a convenient means to sustain the tale of national reconciliation in the American Civil War. These films reveal that the genre simply drew on preexisting codes and past trends to represent both the war and Southerners, but also used what the West had to offer, notably stock enemies and a neutral territory, to bring about the national reunification.…”
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