Politiques de valorisation patrimoniale et figuration des habitants en banlieue parisienne (Plaine Commune) by Sébastien Jacquot

“…For a long time a classical type of heritage is valorized, as a testimony of national history. During the 1990s, a new conception of local heritage emerges and is promoted, that reflects the popular and industrial history of the territory. …”
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Die ontwikkeling van 'n strategiese gemeentelike ekklesiologie - op pad na 'n missionerende bedieningspraxis by G. Smit

“…In addition, these markers function on three levels: First, the level of God as the origin of the church; Secondly, the level of the church that recreates community with God through a life of gratitude and spiritual disciplines in the context of a family while functioning as a body of Christ; Thirdly, the level of the church’s relationship with God to the world by means of worship, gift-based ministry and testimony. …”
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La description du Grand Temple de Mexico par Bernardino de Sahagún (Codex de Florence, annexe du Livre II) by Aurélie Couvreur

“…This paper proposes a detailed analysis of Sahagún’s testimony in order to underline its internal coherence as well as the sometimes completely new nature of the information it contains, notably concerning unknown gods and minor rituals. …”
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Faire face à la crise écologique : l’ethnoécologie comme pratique de connaissance engagée by Julien Blanc

“…This text is a testimony; that of a university member, an ethnoecologist, wondering about the implications of the growing ecological emergency on his research practices. …”
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De l’Anjou à la Bohême : le double portrait équestre de Pierre de Rohan-Gié by Jeanne Alis

“…The presence of these artistic models is a precious testimony to the family history, as they come from works that adorned the Château du Verger at the very end of the Middle Ages and disappeared in the eighteenth century, a hundred years before they were reused at Sychrov. …”
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L’Art de voler et L’Aile brisée, d’Antonio Altarriba et Kim, sont-ils des récits mémoriels historiques en bande dessinée ? by Isabelle Delorme

“…To do so, he uses family sources as well as his father's oral testimony and uses photography to attest to the truthfulness of his statements, practices characteristic of authors of historical graphic memoirs. …”
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Des lieux pour un « non-lieu » : Le camp algérien Paul-Cazelles et Hocine Kahouadji, militant FLN by Susan Slyomovics

“…The focus is on the oral testimony of Hocine Kahouadji, FLN militant.…”
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Die belydenis van die kerk by J. Buitendag

“…Scripture is therefore primarily not revelation as such, but testimony of the revelation in Christ. The article ends with the three major Afrikaans-speaking reformed churches’ official declarations on their views regarding the relationship between Scripture and doctrine. …”
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Astrotheology as a prophetic wormhole that relates spacetime to eschatological transformation by A.C. Pieterse

“… One of the peculiarities that comes to the fore in reflecting on Scripture and the behaviour of fundamentals in the natural world is the way space and time mutually interact and the scriptural testimony about the essence of the resurrected Christ relating to time and space as found in 1 John 1:2. …”
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Qu’imite-t-on dans une traduction ? by Camille Fort

“…The translator will not attempt to delete what, in the text, constitutes a testimony to or dialogue with the linguistic and literary conventions of the time, but they will bring the text into a certain present – that of the aesthetic event. …”
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Vestiges de collections by Margaux Dumas

“…While the objects, through their materiality and presence, may then be considered witnesses to the past, their absence also constitutes a testimony of sorts.…”
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Les lieux d’origine du devoir de mémoire by Sébastien Ledoux

“…Questions surrounding its starting point have produced a certain amount of scientific literature centered on the origins of the term, which it associates with the testimony of concentration camp survivors. This association was furthered by a discursive memory of the term which, during the 1990s, primarily designated things referring to the memory of the Holocaust. …”
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Répression et résurgence du judaïsme dans Daniel Deronda : les voies de la masculinité sont-elles impénétrables ? by Gilbert Pham-Thanh

“…George Eliot’s Daniel Deronda constitutes an inspiring testimony to 19th-century patriarchal society. It explores the fault lines of the British androcentric system through the diegetic itinerary of its eponymous hero and his compatriots, who cut unremarkable figures of respectability. …”
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L’intimité, la fiabilité et les paroles des femmes : quand les violences conjugales rencontrent les institutions by Alessandra Gribaldo

“…Self-governance and reflexivity make testimony intelligible and legally significant and make women reliable victims. …”
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Lire et être lu. Littérature et catastrophe dans le Journal d’Hélène Berr by Zoé Egelman

“…Reading the texts in Berr’s bookshelf alongside the diary deepens the impact of Berr’s testimony by illuminating some of Berr’s most complex thoughts and transforms the meaning of literary works in the context of the Occupation and Jewish persecution in Paris. …”
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Edward Jurgens i Karol Ruprecht. Polacy z wyboru wobec polskich ruchów niepodległościowych w XIX wieku by Tadeusz Stegner

“…Their attitudes were a testimony to the changes in the attitude of the newcomers from Germany towards their new homeland. …”
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Tourism and writers’ houses, in between places and literature by Aurore Bonniot-Mirloup

“…In particular, the writer’s house, this meaningful place of memory, already invested by the history and literature specialists, also resonates with local authorities, which consider it as a heritage to be promoted, and a way to reinforce their territory’s attractiveness.As a testimony to the past, as a renowned as well as private house, the writer’s house merges times and spaces, imaginaries and private memories. …”
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La Madonna della Clemenza, l’incidence de la réintégration picturale sur le maintien des fonctions portées par l’œuvre restaurée by Stéphanie Ricordeau

“…This painting, still an object of worship and devotion, has emerged as a major work of the Christian Occident, both by its beautiful realization and  by the historical testimony that it represents. The restoration, done at the Istituto Centrale di Restauro directed at the time by Cesare Brandi, confronted the restorers to intervention options that appear as fundamental methodological problems.Among the many questions which emerged, the choice of pictorial reintegration of this highly lacunar work occupies a special place. …”
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New research findings on 11th-early 13th-century polychrome wood sculpture at the Royal Institute for Cultural Heritage, Brussels by Emmanuelle Mercier

“…11th- to early 13th-century medieval polychrome sculptures can be considered as ancestral testimony of knowledge, practices, and the exchange of carving and painting techniques in the Middle Ages. …”
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