Modernism and Muddle: Religious Implications of T. S. Eliot’s Use of the Term by Anna BUDZIAK

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Wendy S. Williams, George Eliot, Poetess by Fabienne Moine

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Amanda Anderson and Harry E. Shaw, eds., A Companion to George Eliot by Eva Loechner

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« To see beyond the horizon of mere selfishness » : l’horizon moral dans les romans de George Eliot by Benjamine Toussaint

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“Memory and Desire”: T.S. Eliot, Reaction, Nostalgia, and Poetic Reserve in The Waste Land by Philippe Birgy

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George Eliot’s ‘Greek Vocabulary’ Notebook (c. 1873) as Commodity and Rare Artefact by Linda K. Hughes

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George Eliot en España durante el franquismo: religión, moral y censura by Caterina Riba, Carme Sanmartí

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George Eliot and Islamic Culture by Dallel Chenni

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Portrait de l’artiste en boule de feu by Geneviève Brisac

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‘How the guineas shone as they came pouring out of the dark leather mouths!’: Shades of Gold in George Eliot’s Silas Marner (1861) by Marie-Laure Massei-Chamayou

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« Preface, or Advertisement (call it which you please) » : les enjeux de l’intitulé de quelques préfaces auctoriales by Maxime Leroy

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Linguistic Potentialities in Eliot's New Idea about the Old Concept “Classic” by Leila Aghayani Chavoshi

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Eliot’s Modernist Manifesto by Viorica Patea

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T. S. Eliot’s Ara Vos Prec: The Maker’s Pages in Order by Michelle Alexis Taylor

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“Inside His Idiom:” E. M. Forster’s T. S. Eliot by Jason FINCH

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Assassinio nella Cattedrale de Pizzetti :le retour du religieux sur la scène musicale italienne des années 1950 by Walter Zidaric

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‘Making audible to one a roar of sound where others find perfect stillness’: Soundscape in George Eliot’s The Lifted Veil and the physiological acoustics by Lilia Miroshnychenko

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“Secret-Service buffoon to the Woman’s Cause”: Mina Loy’s ambivalent commitments by Margaret GILLESPIE

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« Ash-Wednesday » : courants, écrans et valences by André Topia

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La scène internationale : les nouveaux horizons dans Daniel Deronda de George Eliot by Stéphanie Drouet-Richet

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