ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

Subjects: “…vocal-symphonic…”
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Music and the perception of the mountains through the symphonic poems of Liszt, Franck and Strauss by Adrià San José Plana, Jordi Martí-Henneberg, Justino Losada Gómez

“…In particular, we present the ways in which symphonic music has helped to incorporate the high mountains into the known and inhabited space. …”
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Factors influencing the holding of Ilia Slatin’s Symphonic Concerts in Kharkiv in the 1870s–1880s by Lichuan Zhang

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Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance by Jason Julliot

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Effekt, Extrem – oder Erfindergeist?. Niels W. Gades Fünfte Sinfonie und der obligate Klavierpart by Lara Nettelmann

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MOZART’S MINUET by Ecaterina BANCIU

“…In Mozart’s work, the minuet can be found in the symphonic genre, in concerts, in opera and in the chamber music. …”
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Zur Deutung von Dokumenten kompositorischen und analytischen Denkens. Béla Bartóks Arbeit mit zyklischen Themen by László Vikárius

“…Works from the three essentially different periods of Bartók’s œuvre, the early symphonic poem Kossuth (1903), the first Violin Concerto (1907/08) together with closely related compositions as well as the Music for Strings, Percussion and Celesta (1936), are considered from the perspectives of the compositional process and motivic-thematic relationships.…”
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The Hypertextual Process of Rewriting a Plurimedial Work: Joan Fuster and Vicent Garcés’ Ballet Marinada by Xavier Hernàndez i Garcia

“…Although this project will never come to fruition, it will lay the foundations of a friendship that will crystallise in Fuster’s only literary collaboration on a musical composition: the symphonic ballet Marinada, which was written in the late 1940s, during a stay of Garcés’ in Paris and premiered in València in 1957. …”
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Le corps au cœur de la sémiose dans l’action didactique conjointe. Illustration en éducation musicale à l’école primaire au sein du dispositif DEMOS by Maël Le Paven Jarno, Marianne Nillès

“…This study focuses on semiosis (production and decoding of signs) in teacher / students and students / students joint action in fourth grade during musical education courses followed within the DEMOS device (Dispositif d'Education Musicale et Orchestrale à vocation Sociale), aimed at opening access to musical learning and practice in a symphonic orchestra to students from neighbourhoods under the city's policy or from rural areas with few cultural institutions. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…In an aesthetics of trauma, debbie tucker green gives voice to marginalized and politically minor voices which she directs in her writing as one would a symphonic orchestra. Her texts, which draw simultaneously from poetry, song lyric writing and musical score, question the nature of theatre. …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…In a special chapter, entitled Documenta, this volume contains the facsimile of the manuscript of the orchestra score of the vocal-symphonic work The Altar of Putna Monastery by Ciprian Porumbescu. …”
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Quality of life and clinical correlates in cognitively-able autistic adults: A special focus on sensory characteristics and perceived parental support by Chun-Yi Lin, Yi-Lun Wu, Yi-Ling Chien, Susan Shur-Fen Gau

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Oltre il sinfonismo musicale čajkovskiano. Note di studio sui processi compositivi di Petipa ne “La bella addormentata” by Marta Mele

“…According to the scholar Tim Scholl, this version had revealed the limits of Soviet dance and in particular «the failure of its central dogma, symphonism». After having retraced the history of this ballet and after having reread the studies on Pyotr Tchaikovsky's musical symphonism, the author of the essay aims to delve deeper into the substance of the purely choreographic symphonism created by Marius Petipa. …”
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