Figurations of Attachment in Sylvia Plath and Halina Poświatowska by Agnieszka Pantuchowicz

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Fear and Disillusionment: The EcoGothic in the Poetry of Sylvia Plath by Colin BANCROFT

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Sylvia Plath’s October 1962 Poems: “Things Are Resolving” by Gary LEISING

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“The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence by Alice BRAUN

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Sylvia Plath’in Mona Lisa Gülümsemesi: Çarpıtılmış Gerçekliğin Yıkımı by Esin Kumlu

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Taïna Tuhkunen-Couzic - Sylvia Plath : Une écriture embryonnaire by Axel NESME

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“I felt I’d come home”: Sylvia Plath and France by Julie IRIGARAY

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Behind the Iron Curtain: Sylvia Plath and Hungary during the Cold War by Dorka TAMÁS

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The Freudian Muse: Psychoanalysis and the Problem of Self-Revelation in Sylvia Plath’s “Daddy” and “Medusa” by Laure DE NERVAUX

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Écrire la différence : une relecture politique des nouvelles de Sylvia Plath by Federica DORIA

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Sylvia Plath’s Poetry in Multiple Versions: A Case Study of UK School Anthologies by Julie Blake

“…This paper illustrates how two poems that are commonly featured in school poetry anthologies, Sylvia Plath’s “You’re” and “Morning Song,” encode a historical rationale for their material form in their bibliographic practices. …”
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“And I have no face, I have wanted to efface myself” Sylvia Plath’s Autothanatography or Death Writing by Nicolas Pierre BOILEAU

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“If only you could see me now”: Autoportrait et théâtralité dans les lettres de Sylvia Plath à sa mère by Laure DE NERVAUX-GAVOTY

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The Bell Jar : Troubles dans le genre by Angélique THOMINE-RAPP

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“Being an Instance of the Norm”: Women, Surveillance and Guilt in Richard Yates’s Revolutionary Road by Vavotici Francesca

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¿Por qué el suicidio, por qué no? Aportes a una mirada ética y estética by Felipe Zúñiga Herranz

“…En particular, se analiza la producción intelectual del filósofo Philipp Mainländer y la poetisa Sylvia Plath, a modo de ejemplo del citado engrane entre obra y biografía. …”
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Contemporary British Women Poets (1985-2005): A new legislature by Marc PORÉE

“…Résolument affranchies de l’empire du masculin, mais aussi de l’emprise d’une certaine représentation de « la » poète, écorchée vive et suicidaire, à l’image de Sylvia Plath, les poètes femmes sont prêtes à relever quelques uns des défis majeurs du vingt-et-unième siècle.…”
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