POUND, PICABIA, AND SURREALISM by Daniel Albright

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« Machine sensuelle à fonctionnement symbolique » : l’extraterrestre de Philippe Curval, à la confluence du surréalisme et de la science-fiction. by Simon Bréan

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Les voies de la (re)connaissance. by Eve Gianoncelli

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Passages de frontières et référence surréaliste dans Cette chère humanité by Cédric Chauvin

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Les ors surréalistes de la monnaie gauloise by Raphaël Neuville

Subjects: “…Surrealism…”
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Léo Malet ou le roman noir américain made in France by Crystel Pinçonnat

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„Fiber der Gegenwart“. Walter Benjamins Frankreich by Sofia Cumming

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Title not available by Dilek Zerenler

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Gerçeküstü Kodlar Üzerinden Reha Erdem Sinemasına Bakmak by D. Alper Altunay, Elif Güntürkün

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“Vuelvo y te desconozco”: vocabulario místico y vuelcos espirituales en Báculo de Babel de Blanca Andreu by Lucía Méndez Soria

“…Andreu's writing renews a «vocabulary of mysticism», according to Sylvia Sherno, and creates his own universe of images around the animal, blood and fire, drawing on close affiliations of surrealism and orphism.…”
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Pour une approche organologique de la littérature by Simon Woillet

“…This article aims at establishing a method of comparative reading of Stendhal’s autobiographical texts and the so-called “psychotic” writings, which inspired the writers of the ideophonographic avant-gardes of the 20th century (from Surrealism to Dadaism via Lettrism). To support this comparison, we explore the material causes of this type of literary innovation (notably the industrial development of the poster), while adopting an “organological” and psychoanalytic approach of the literature. …”
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Poética de uma conversão neorromântica: o erotismo religioso de Murilo Mendes by Robson Coelho Tinoco

“…The neoromantic poetics of Murilo Mendes (in O visionário, A poesia em pânico and Poesia liberdade) - also composed of a strong erotic-religious component - relies in spiritual-physical aspects that reveal as much as hide, as marks of a unique surrealism. In this poetics, the woman is especially defined between images and allegories built on a thematic basis on which the catholic altar and its multiple meanings (printed on dogmatic faith) complete itself in the curvilinear design of feminine forms (printed on the physical desire). …”
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Shipwreck Architecture by Simon Weir, Sara Rich

“…Shipwreck Architecture draws a connection between cosmotechnics, surrealism, and object-oriented ontology using an architectural design framework as a departure point. …”
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A Critique of the Literary School of Critical Realism in Iran (Based on the Stories of “Farsi Shekar Ast/Persian is Sugar” and “Gileh Mard”) by Nahid Akbarzadeh, Janolah Karimi Motahhar

“…This literary school was divided into different branches, including magical realism, bourgeois, critical, surrealism, and so on. The traces of this literary school are also evident in the works of Iranian writers. …”
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Anti-linealidad temporal y la realidad de la ficción : el vanguardismo de la revista Crononauta (1964) by David AJ Murrieta Flores

“…Through collage, understood as a mechanism of extraction and appropriation of contexts, and the use of a literary method authored by French writer Raymond Roussel, which produces novelty from repetition and doubles, Crononauta’s avant-gardism poses the disolution of the limits between present, past, and future in the possible transformative continuity between reality and fiction.The purpose of this article is to analyze how the aesthetic elements are intertwined with the political and social project of the magazine, a chaotic and ambiguous proposal with references ranging from Surrealism to the Utopian Socialism of the 19th century. …”
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Tradiția literară și teatrală a absurdului by Mirela Mihaela Doga

“…Ubu-Roi, essential for modern theatre, representatively challenges reality and society as a whole, and anticipates the Dada movement or Surrealism. Later, Guillaume Apollinaire would use miracles and imagination without following any limit, while Antonin Artaud’s metaphysical theatre rediscovers the individual in relation to nature without any social or psychological elements. …”
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De l’effet de sidération et de peur dans les autoportraits d’Andy Warhol by Marie CORDIÉ-LEVY

“…This representation of fear through the medium of photography and serigraphy simultaneously conforms to the tradition of the pictorial expressions of fear such as can be seen in Caravaggio, while also renewing the concept by introducing traits more typical of the American psyche: a close up view of the character and a touch of the surreal, which could be considered as the modern form of eternity.…”
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« Là où on nous attend le moins ». L’animal comme fiction d’investigation architecturale by Dominique Rouillard

“…Developed as part of a long-term research project, this question was introduced as a learning tool for disaccustoming in thinking and theorizing architecture (the city, the territory), as well as an initiation to ecological and environmental issues: the animal as a theoretical and surreal fiction in research.To this end, students were placed in the uncomfortable position of rejecting currently existing hypotheses surrounding the animal in the context of “biodiversity loss”, which have been gradually reaching schools of architecture, and even renouncing the thousand-year history of the relationship between architecture and the animal. …”
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Flann O’Brien’s Anti-Manifestos by Julian HANNA

“…His work is often loosely labelled “surreal” or “absurd.” Yet O’Brien’s work is rarely read as avant-garde per se. …”
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Sowiecki dzikus, cuchnący dorsz i Muza – Władysława Chodasiewicza widzenie Petersburga by Jolanta Brzykcy

“…The cityscape is based on a series of antinomies: past – present, tradition – innovation, spirituality – materiality, sacrum – profanum, the real world – the surreal world, the culture of old Russia – the primitivism of new times. …”
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