Blurring boundaries: early Sinhala cinema as another Adam’s Bridge between Ceylon and India (1948-1968) by Vilasnee TAMPOE-HAUTIN

“…But while cinema blurred conventional frontiers and enhanced social and cultural flows across borders during the colonial era, the opposite is true of the post-independent period of the 1950s when movements for the political hegemony of the Sinhala people would rapidly spill over the cinema industry. …”
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