Showing 321 - 340 results of 489 for search '"Sillages Critiques"', query time: 0.03s Refine Results
  1. 321
    Ecriture et possession

    Ecriture et possession by Catherine Bernard

    Published 2005-04-01
    “…Sillages Critiques…”
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  2. 322
    Mina Loy’s Surrealist Strategies of Renewal

    Mina Loy’s Surrealist Strategies of Renewal by Diane Drouin

    Published 2024-12-01
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  3. 323
    An Eye for an Eye: Brian Evenson’s Merciless Art of Exposure

    An Eye for an Eye: Brian Evenson’s Merciless Art of Exposure by Jean-Yves Pellegrin

    Published 2014-01-01
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  4. 324
    Twists and Turns in Crime Fiction—Peter Lovesey’s “Youdunnit” and Max Dorra’s “Thou shalt kill”

    Twists and Turns in Crime Fiction—Peter Lovesey’s “Youdunnit” and Max Dorra’s “Thou shalt kill” by François Gallix

    Published 2004-12-01
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  5. 325
    Dans l’excès de visibilité : jeu du montrer / cacher dans les photographies de Lorna Simpson

    Dans l’excès de visibilité : jeu du montrer / cacher dans les photographies de Lorna Simpson by Claudine Armand

    Published 2013-12-01
    “…Sillages Critiques…”
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  6. 326
    Le Désert comme scène de l’avoir lieu : Robert Smithson et Noah Purifoy

    Le Désert comme scène de l’avoir lieu : Robert Smithson et Noah Purifoy by Antonia Rigaud

    Published 2019-12-01
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  7. 327
    “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception

    “As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception by Pierre Iselin

    Published 2011-12-01
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  8. 328
    THE SEARCH FOR “PRIME WORDS”:EZRA POUND AS NOMINALIST

    THE SEARCH FOR “PRIME WORDS”:EZRA POUND AS NOMINALIST by Marjorie Perloff

    Published 2003-12-01
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  9. 329
    Voir l’espace et dire le temps : le grand écart du discours esthétique victorien

    Voir l’espace et dire le temps : le grand écart du discours esthétique victorien by Laurent Bury

    Published 2011-12-01
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  10. 330
    Claudia Rankine’s Citizen: A Network-Text

    Claudia Rankine’s Citizen: A Network-Text by Michael Hinds

    Published 2022-12-01
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  11. 331
    Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream

    Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream by Mathilde La Cassagnère

    Published 2016-06-01
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  12. 332
    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing

    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing by Dan Rebellato

    Published 2017-03-01
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  13. 333
    Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss

    Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

    Published 2013-06-01
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  14. 334
    Was Ezra Pound a Radical Agrarian? “Fascism is an Integral Part of the History of Our Century”1

    Was Ezra Pound a Radical Agrarian? “Fascism is an Integral Part of the History of Our Century”1 by Philip Grover

    Published 2003-12-01
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  15. 335
    Performance, Hybridity and Convergence in the Poetry of Alice Oswald and Kae Tempest

    Performance, Hybridity and Convergence in the Poetry of Alice Oswald and Kae Tempest by Bastien Goursaud

    Published 2022-11-01
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  16. 336
     Du même à l’autre : la problématique du portrait chez Oscar Wilde

     Du même à l’autre : la problématique du portrait chez Oscar Wilde by Pascal Aquien

    Published 2001-01-01
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  17. 337
    Écriture et trauma dans “The Giant Wistaria” : Quand Charlotte Perkins Gilman revisite le gothique

    Écriture et trauma dans “The Giant Wistaria” : Quand Charlotte Perkins Gilman revisite le gothique by Paule Lévy

    Published 2015-10-01
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  18. 338
    Introduction

    Introduction by Stephen Collis, Xavier Kalck, James Maynard, Clément Oudart

    Published 2020-12-01
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  19. 339
    Introduction

    Introduction by Bastien Goursaud, Elsa Lorphelin, Deborah Prudhon

    Published 2018-12-01
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  20. 340
    Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ?

    Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

    Published 2009-12-01
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