Reframing the filter bubble through diverse scale effects in online music consumption by Dougal Shakespeare, Victor Chareyron, Camille Roth

Get full text

Dialogic theology of missions as a response to the global refugee phenomenon by Shakespeare Sigamoney, Samuel K.B. Nkrumah-Pobi

Get full text

Nontyphi Salmonella Empyema with Bronchopleural Fistula in a Patient with Human Immunodeficiency Virus by Douglas Bretzing, Tasnim Lat, Andrew Shakespeare, Mary Lee, Salim Surani, Shekhar Ghamande

Get full text

Improved Outcomes with Intensity Modulated Radiation Therapy Combined with Temozolomide for Newly Diagnosed Glioblastoma Multiforme by Noel J. Aherne, Linus C. Benjamin, Patrick J. Horsley, Thomaz Silva, Shea Wilcox, Julan Amalaseelan, Patrick Dwyer, Abdul M. R. Tahir, Jacques Hill, Andrew Last, Carmen Hansen, Craig S. McLachlan, Yvonne L. Lee, Michael J. McKay, Thomas P. Shakespeare

Get full text

Sword of heaven by Richard Wilson

“…Yet, textual research has established Measure for Measure beyond question as a ‘posthumous collaboration’, and ensured we can never go back to the sovereign Shakespeare. It was Middleton’s tampering with Shakespeare’s text that transformed it from a drama of demonic substitution, focused on the ‘outward-sainted deputy’ [3.1.93] into an allegory of divine sovereignty, idealizing the monarch as a deus ex machina. …”
Get full text

Sword of Heaven : Political Theology in Measure for Measure by Richard Wilson

“…Yet, textual research has established Measure for Measure beyond question as a ‘posthumous collaboration’, and ensured we can never go back to the sovereign Shakespeare. It was Middleton’s tampering with Shakespeare’s text that transformed it from a drama of demonic substitution, focused on the ‘outward-sainted deputy’ [3.1.93] into an allegory of divine sovereignty, idealizing the monarch as a deus ex machina. …”
Get full text

« Parlez-vous franglais ? » La galimafrée des langues dans Henry V  by Jean-Michel Déprats

“…Henry V is Shakespeare’s most polyglot play. Translators have often resorted to regional dialects (such as Alsatian, Occitan variants, Breton language, Creole…) to render the Irish, Scottish and Welsh accents of Shakespeare’s Captains in the play. …”
Get full text

Mères et fils dans le théâtre de la Renaissance anglaise by Marie-Hélène Besnault

“…Mothers are generally reduced to deplorations of sons’ deaths. Shakespeare brilliantly puts an end to this scarcity of dialogues between mothers and sons with plays like Richard III, Coriolanus, and, above all, Hamlet, which this short study eludes. …”
Get full text

Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream by Mathilde La Cassagnère

“…This paper aims to explore the strategies—whether rooted in the Elizabethan worldview, or amazingly modern—through which Shakespeare stages this inward confrontation, while involving us in vertiginous reflexions on the theatre.…”
Get full text

“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception by Pierre Iselin

“…Through direct staging or indirect report, Shakespeare creates theatrical epiphany, but also offers quasi-phenomenological commentaries on wonder. …”
Get full text

Les enjeux de la citation dans deux préfaces métatraductives d’André Gide by Joanna Jakubowska

“…These are the foreword to Pushkin’s La Dame de Pique retranslation (1923) and the foreword to Shakespeare’s Théâtre published in French by Gallimard in 1938. …”
Get full text

Royale Absence by Henri Justin

“…The moving force at the centre of “The Purloined Letter” is the spectral presence of the King, but a close reading of “The Purloined Letter” and “William Wilson” as rewritings of Hamlet reveals how much the play by Shakespeare partakes of the structure of the doppelgänger tale. …”
Get full text

Mel et sal. Suavité et sévérité de la voix dans Twelfth Night by François Laroque

“…In Twelfth Night, the characters’ voices, now acerbic, now suave, turn language into a real chamber of echoes when the sounds and songs of carnival, charivari, buffoonery and folly are alternately heard besides the sweet musical strains. Shakespeare’s comedy thus presents itself like an acoustic maze where identities and genres get blurred. …”
Get full text

“O’er-dyed blacks” (1.2.131) : les couleurs dans Le Conte d’hiver by Sophie Chiari

“…In this paper, I intend an in-depth examination of the highly symbolical universe of colours in Shakespeare’s The Winter’s Tale against the background of the Reformation, which gave pride of place to dark and sad dyes. …”
Get full text

Truth's a Dog Must to Kennel by Tim Crouch by Yeliz Biber Vangölü

“…This review is based on the stage production of the play at York St John Creative Art Centre as a part of York International Shakespeare Festival in 2023.…”
Get full text

Poétique/Politique de l'artifice dans Richard II by Pierre Iselin

“…With its chiasmic architecture of inversion, Shakespeare’s play can be seen not only as the mannerist treatment of a medieval diptych, but also as a study in perspective, where meaning and reception are instable, roles liable to reversibility — a poetic reflection on the theatre of politics.…”
Get full text

“He'll rail in his rope/robe tricks” : l'injure comme feu d'artifices dans The Taming of the Shrew by Nathalie Vienne-Guerrin

“…Reading this scene in the light of Grumio's commentary and notably the words “ropetricks”, “figures“ and “disfigures”, we show that behind the artifice, behind the comic trick and farce of this scene of insult, Shakespeare presents us with a disfigured Kate, a puppet that is moved by a ventriloquist, Petruchio. …”
Get full text

10 Questions for Professor David Crystal by David Crystal, Thomas Tinnefeld

“…His discourse encompasses a broad range of topics, including the practical implications of linguistics, the internet and online communication platforms, language death, English as a global lingua franca, language-related challenges in education, language play and creativity, the importance of Shakespeare for our present lives, and linguistics as an interdisciplinary science, to name but a few. …”
Get full text

“All shadow and silence in it” (3.1.247-48): Reticence in Measure for Measure by Denis Lagae-Devoldere

“…The bed-trick, one of the play’s central episodes – in both senses of its plot-related importance and its significant structural position – may be construed as a powerful marker of the interplay between silence and discourse, redeployed in specific stage terms. Shakespeare’s last comedy may thus be seen as an exploitation and exploration of aposiopesis in all its varied structural, dramatic, linguistic, political or philosophical nuances or “measures.” …”
Get full text