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    The Myth of Don Juan Onstage up to and through Victorian Times by Rocío G. Sumillera

    Published 2017-11-01
    “…Shadwell had not read Tirso de Molina’s El burlador de Sevilla, but instead, his inspiration came from France, specifically from Le nouveau festin de pierre ou l'athée foudroyé by Claude La Rose, Sieur de Rosimond, which in turn revealed unquestionable borrowings from Dorimon’s, Villiers’s and Molière’s versions of the theme (Le festin de Pierre ou le fils criminel and Dom Juan ou le Festin de Pierre). …”
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