Published 2023-11-01
“…This essay analyzes images of both movement and immobility in Nina Bunjevac’s Fatherland, a Canadian graphic memoir in which the author/illustrator traces her father’s involvement in a
Serbian nationalist terrorist cell. Although, as scholars such as Mihaela Precup have convincingly argued, Bunjevac depicts her father as trapped by historical circumstances he cannot control—and her larger family as “frozen in disbelief, anger, and sadness” (220)—I maintain that such immobility is paradoxically the consequence of constant movement. …”
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