Enhancing Public Space Experiences: Evaluating Perception of Digital and Digitized Sculptures in Augmented Reality by Isidora Đurić, Saša Medić, Dejan Ecet, Stanislav Grgić, Jelena Atanacković Jeličić

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Negative spaces of Mumuye figure sculpture—style and ethnicity by Richard Fardon

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Agustín Cárdenas y las formas del silencio by Nancy Morejón

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Un corpus de sculptures sur pierre du haut Moyen Âge (Ve-Xe s.) en Gaule du Nord by Laure-Anne Finoulst

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The Sacred and the Sensual by Swetha Vijayakumar

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La sculpture de l’Antiquité tardive et du haut Moyen Âge en péninsule Ibérique, une révision nécessaire by Gisela Ripoll

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Erzurum’un Şenkaya İlçesine Bağlı Ormanlı Köyünde Bulunan Erken Dönem Türk Kültürüne Ait İnsan Biçimli Taş Heykeller ve Balballar by Yavuz GÜNAŞDI, Ahmet Cüneydi HAS, Burak BİNGÖL

Subjects: “…human shaped stone sculptures…”
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Pre-Mongolian Medieval Nomadic Monuments from the Saratov Region by Aleksey B. Malyshev, Aleksey I. Rakushin

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Saint John at Calvary: technical and material study of a polychrome wood sculpture by Helena Pereira

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Le corpus de la sculpture de Cluny by Neil Stratford

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Étude et restauration du Christ des Rameaux du musée de l’Œuvre Notre-Dame de Strasbourg by Manon Joubert

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Mais je ne suis pas un monument ! by Muriel Prieur

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Le Corpus of Anglo-Saxon Stone Sculpture in England : Constitution, documentation numérique et enjeux by Celia Orsini, Sarah Semple

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Des images en montages : les chapiteaux du cloître de Sant Pau del Camp à Barcelone (xiie-xiiie siècles) by Aline Benvegnú dos Santos

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“SONATA FOR CLARINET SOLO” BY TIBERIU OLAH by Răzvan METEA

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Collectivism and continuity: a ceramic composition as a metaphorical persuasion for extended family cohesion by Charles Dogbeda Melos Vicku, Samuel Nii Adamah Sampah, Robert Amoanyi, Ebenezer Fiifi Mensah, Ansah-Asiedu Jnr

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Le cercle d’Autun. Les sources de la statuaire dans la Bourgogne romane by Nadia Bertoni Cren

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La méthode stratigraphique appliquée à l’étude de la sculpture médiévale. La fiche d’unité stratigraphique pour la documentation de la polychromie du crucifix de Forni di Sopra (Ud... by Nadia Bertoni Cren

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O cruzeiro medieval de Tavira by Daniel Santana, Marco Sousa Santos

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Les calcaires de Lorraine dans l’architecture et la sculpture gothiques de la région mosane. Origine, utilisation et diffusion d’un matériau au Moyen Âge. by David Morel, Emmanuel Bodart, Frédéric Boulvain, Alain Dierckens, Laure-Anne Finoulst, Gilles Fronteau, Johan Yans, Jean-Marie Yante, Mathieu Piavaux

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