La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs by Anne-Bénédicte Mérel-Brandenburg

Subjects: “…sculpture…”
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Romanesque polychrome wood sculptures in Italy: towards a Corpus and a comparative analysis of the data from art-historical and technical studies by Grazia Maria Fachechi, Susanna Bracci

Subjects: “…Romanesque Italian wood sculpture…”
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La sculpture de l’Antiquité tardive et du haut Moyen Âge en péninsule Ibérique, une révision nécessaire by Gisela Ripoll

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New research findings on 11th-early 13th-century polychrome wood sculpture at the Royal Institute for Cultural Heritage, Brussels by Emmanuelle Mercier

Subjects: “…11th- to early 13th-century medieval sculpture…”
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Replace or remake ? A work in progress by Marie-Hélène Breuil

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Le jardin comme dispositif de vision du temps by Aline Gheysens

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Polychromie et décors moulés et appliqués by Sophie Guillot de Suduirot

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Un lugar repleto de dioses. Nota preliminar sobre el programa escultórico de la Subestructura II C de Calakmul, Campeche, México by Daniel Salazar Lama

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Art et réforme clunisienne : le porche sculpté de Beaulieu-sur-Dordogne by Barbara Franzé

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The triumphal cross of the cathedral of Nevers: painting technique and examination by Nadia Bertoni Cren, Stéphane Cren

Subjects: “…Sculpture…”
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Twelfth and early thirteenth century polychromy at the northernmost edge of Europe: past analyses and future research by Kaja Kollandsrud, Unn Plahter

Subjects: “…Sculpture…”
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Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ? by Pierre-Yves Le Pogam

“…Since the sculptures of Late Antiquity and the Early Middle Ages were discovered during the modern period, they have given rise to contradictory judgements. …”
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Le musée de Sculpture comparée au prisme de la collection de cartes postales éditées par les frères Neurdein (1904-1915) by Dominique Jarrassé, Emmanuelle Polack

“…In putting together a collection that would comprise 1,606 postcards, the Neurdein brothers were responding to a request by the Musée de Sculpture Comparée which attested that, beyond its tourist function, the postcard was envisaged by the director, Camille Enlart, as a real instrument for the diffusion of knowledge and the management of the cast collection, or even as a miniature encyclopedia of the history of sculpture. …”
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La sculpture sur le bout des doigts. Retour sur l’élaboration d’une salle pédagogique et tactile au musée Bourdelle by Colin Lemoine, Amélie Simier

“…How is a sculpture born? A sculpture is not the work of a single hand. …”
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"[T]he rising silhouette of the city" : une poétique des choses urbaines dans "Coming, Aphrodite !" et "The Diamond Mine" de Willa Cather by Céline Manresa

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Réflexion et méthodologie: autour d’une prise d’empreinte en papier by Cyril Benoît, Florence Lagger, Noé Terrapon

Subjects: “…sculpture…”
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L’iconographie de la croix sur les sarcophages du haut Moyen Âge en Gaule by Anne Flammin

Subjects: “…sculpture…”
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Art d’aujourd’hui, patrimoine de demain. Conservation et restauration des œuvres contemporaines by Muriel Verbeeck-Boutin

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Même et autre : de White Rock Line (1990) à White Rock Line (1990, remade 2014) by Anne Cadenet

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