AI vs. Human in Screenwriting: Is AI the Future Screenwriter? by Kemal Çelik

“…This research paper investigates the challenge of discerning between content generated by humans and AI language models across various screenwriting elements. The study presents loglines, treatments, synopses, and dialogue examples to a group of 24 participants. …”
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Improvement of Story-telling Advertisement According to Screenwriting Techniques by Daiki Uehara, Hiromitsu Shimakawa, Fumiko Harada

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Screenwriting: A Strategy for the Improvement of Writing Instructional Practices by Hernán Amado

Subjects: “…Screenwriting…”
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Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies by Dagmar Brunow

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Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis. by Shapiro, B.

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Scenariusz filmowy i jego odmiany: Studium przedmiotu. by Marek Hendrykowski

Subjects: “…screenwriting…”
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From Cinema to Sufism: The Artistic and Mystical Life of Turkish Screenwriter Ayşe Şasa (1941–2014) by Büşra Çakmaktaş

“…This article examines the contributions of Turkish screenwriter Ayşe Şasa (1941–2014) to Turkish cinema and visual culture through her engagement with Sufism and metaphysical themes. …”
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THE PRIMARY STAGE OF SCREENWRITING AND DIRECTING TANDEM WORK OF Y. SOLNTSEVA AND М. VINIARSKYI ON THE FILM «THE VISUN REPUBLIC» by Oleksandr Bezruchko

“…The purpose of the article is to reconstruct the primary stage of screenwriting and directing collaboration between Y. …”
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„Ci, co pomarli, widzą nas, widzą nasze grzechy i nasze cierpienia”, czyli o Głosie z tamtego świata Stanisława Różewicza by Piotr Śmiałowski

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Scenariusz filmowy jako inspiracja by Marek Hendrykowski

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L’implant narratif (planting and payoff) au cinéma : une nécessité scénaristique ? by Toufic El-Khoury

Subjects: “…planting and payoff – screenwriting – cinema – storytelling – cognitive narratology – Edmund Husserl – narrative film.…”
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« La càmera és un ull que mira. » Josep Palau i Fabre et le cinéma by Sergi Ramos Alquezar

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Voiceover Narration in Screen Works of Documentary and Television Journalism by Baryshnikov, K.B.

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Borderline communities: aesthetic and authorial thresholds in the postcolonial script and film adaptations of Jhumpa Lahiri’s The Namesake by Rebecca Anastasi

“…To this end, this article takes a contrapuntal approach – tearing down the boundaries between the disciplines of postcolonial, adaptation and screenwriting studies – to analyse the representation of the diaspora, the “borderline community of migration” (Bhabha 1994, 9), in the script and film adaptations of Jhumpa Lahiri’s The Namesake (2006). …”
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Le manuel pour faire court : les normes d’un format d’écriture scénaristique marginalisé dans la théorie by Adrien Gaillard

“…Considering these factors, the author proposes to explore short film scriptwriting through the study of screenwriting manuals dedicated to this format. Based on corpus of scriptwriting manuals in French and English, the study explores how these books present objective norms (industrial and descriptive) and subjective norms (prescriptive and creative) that shape the writing process. …”
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Genre Features of Professional Screenplays in Russia in 1910s: Theory and Practice by A. G. Plotnikova

“…The study suggests that the genre of screenwriting in silent cinema fundamentally differs from subsequent eras and tends towards the epic rather than the dramatic genre. …”
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Analyse de l’expérience d’enseignants-chercheurs stagiaires dans un dispositif de vidéo-formation à la pédagogie universitaire by Cyrille Gaudin

“…The results also confirm the importance of screenwriting and the fact of respecting the principle of creating video training, such as accompaniment, individualization and progressivity. …”
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De la simulation à la simulation participative : apporter une vision intégrée de la rénovation urbaine aux aménageurs publics, à travers une démarche expérimentale by Anaïs Berry, Nicolas Becu, Onil Goubier, Nikolaos Papoulias, Nathalie Long, Didier Vye

“…The transposition of this model into a participatory simulation is designed as a numeric modeling whose participatory use is envisaged through the integration of game mechanics and a screenwriting to be experiment with the participatory simulation. …”
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GENRE PALETTE OF UKRAINIAN ADVENTURE PROSE OF THE FIRST THIRD OF THE 20TH CENTURY by Lyudmyla M. Kulakevych

“…A defining feature of the Ukrainian literary process of the 20-30s of the twentieth century is its intensive interaction with cinema, which affected primarily the topics and the genre-style system of literature (borrowing cinematic plots, typical motifs, typecasting, screenwriting techniques, editing, etc.). Writers, aiming to «shake up» the established literary genres, deliberately developed their works on a script structure, using montage techniques, close-ups, multi-episodes, spatio-temporal shifts. …”
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