Extension du champ télécinématographique de la science-fiction. The Mandalorian (Disney+) by Hannedouche Cédric

“…Adopting short formats renewed by broadcasting in streaming channels, these two series opt for a strong narrative identity, even unprecedented in terms of production. Science fiction is being developed, questioned or more massively rewritten here from other popular genres (western, soap, family comedy, etc.). …”
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Gestes de lecture numérique et lecture immersive de science-fiction by Emmanuelle Lescouet

“…Digital literature, meanwhile, offers science fiction a range of forms and gestures of reading that allow us to rethink immersion (Ryan 2001; Triclot 2017). …”
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L’archéologue dans la bande dessinée de science-fiction francophone by Rémi Auvertin

“…Archaeologists are a recurrent and popular motif of science fiction, particularly in literature or cinema : they actively contribute to spatial and temporal exploration or the discovery of lost civilizations. …”
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Le paysage spatial dans la bande dessinée de science-fiction by Irène Langlet

“…It refers less to referents (although imaginary) than to the iconic series of a genre, that of science fiction. However, the spatial landscape of SF is nourished by serious representations of astronomy, a major discipline of popular science. …”
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Pour un usage externe des théories de la science-fiction by Simon Bréan

“…Science fiction puts into play a whole range of dynamic processes, organized around a central principle, the construction of a world openly distinct from ours, but that the text gives us to enjoy and feel as plausible. …”
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Edward James & Farah Mendlesohn, eds. The Cambridge Companion to Science Fiction by Isabelle BAUDINO

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Imaginaire informatique et science-fiction, du cyberpunk à nos jours by Cédric Chauvin, Eric Villagordo

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Gendered Cartographies in Melissa Scott’s Science Fiction: Queering Shadow Man (1995) by Beatriz Hermida Ramos

Subjects: “…science fiction…”
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Enjeux textuels d’une lecture féministe de la science-fiction by Richard Saint‑Gelais

“…Can literary theory, and specifically theories of science fiction, teach us something about feminist readings of science fiction? …”
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La tradition populaire de la critique de science-fiction, 1926-1980 by Gary Westfahl

Subjects: “…science fiction studies…”
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La science‑fiction institutionnelle chez Julian Bleecker et Brian David Johnson by Thomas Michaud

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Jeu vidéo et science-fiction >> de mode texte en code texte  by Estelle Dalleu

“…Video games and science-fiction, however, have unique links, for example in representations based entirely on the text mode. …”
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Le « roman scientifique » en Chine : prémices d’une science-fiction instrumentalisée by Loïc Aloisio

“…This paper aims to explain, through an historical review, how the science fiction genre was introduced in China, which role has been given to it from the very beginning, in order to understand the place of this literary genre in the Chinese society from the late Qing period (1860-1911) to nowadays. …”
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Toi, cyborg ? L’hybridation prothétique dans la nouvelle de science-fiction by Dominique Kunz Westerhoff

“…While science fiction has disseminated the Cyborg’s concept in an vein of epic heroism, its literary history, from Cordwainer Smith to Martin Caitlin and Frederik Pohl, shows that it challenges constantly its ideal of continuity. …”
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Ian Campbell (dir.), Science Fiction in Translation : Perspectives on the Global Theory and Practice of Translation by Alice Ray

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Une constellation nommée Argo – L’errance dans la science-fiction vidéoludique by Jean-Charles Ray, Simon Laperrière

“…To study wandering thus allows to reflect on the intimate links between science-fiction and video games and the ever-furthering frontier of virtual and futuristic worlds.…”
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Que voulons-nous dire quand nous parlons de « science-fiction mondiale » ? by Istvan Csicsery-Ronay (Jr.)

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Lemmings : le récit de science-fiction et le « vice de forme »  by Jean Nimis

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Les réseaux de personnages de science-fiction : échantillons de lectures intermédiaires by Yannick Rochat, Mathieu Triclot

“…This paper introduces a way of studying science fiction works using mathematical methods grounded in graph theory. …”
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Les pionniers universitaires de la critique de science-fiction, 1940-1980 by Donald M. Hassler

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