Christina Lord, Reimagining the Human in Modern French Science Fiction by Simon Bréan

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Sonja Fritzsche, The Liverpool Companion to World Science Fiction Film by Alice Ray

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Tringham N. R., Science Fiction Video Games (2014) by Pierre-Yves Houlmont

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Utiliser la science-fiction pour partager les sciences by Roland Lehoucq

“…This article describes the evolution of authors’ practices in his use of science fiction to popularise scientific culture. The first stage consists of analysing science fiction from a scientific point of view and questioning the relationship between science and the imagination. …”
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Étudier la science-fiction en France aujourd’hui by Irène Langlet

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Ursula K. Le Guin : Science-fiction et féminismes by Magali Nachtergael, Valérie Stiénon

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Passé et avenir du théâtre de science-fiction by Susan Gray, Christos Callow Jr.

“…The article focuses on the past history and future developments of science fiction theatre. It reports that science fiction theatre has existed unofficially since the 19th century and discusses several theatrical plays including R.U.R, Back to Methuselah, and Endgame. …”
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“The Legacies of Ursula K. Le Guin: Science, Fiction and Ethics for the Anthropocene” /“Héritages d’Ursula Le Guin : Science, fiction et éthique pour l’Anthropocène” by David Creuze

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Répertoires visuels, matrices narratives : spéculations astronomiques et science-fiction  by Irène Langlet

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Les nombreuses morts de la science-fiction : une polémique by Roger Luckhurst

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Les Compagnons de la théorie (de la science-fiction) by Irène Langlet

Subjects: “…science fiction studies…”
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L’érudition de science-fiction en France : repères bibliographiques by Simon Bréan

Subjects: “…science fiction studies…”
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Cinéma/Science-fiction : vers un changement de paradigme critique ? by Simon Bréan

“…First of all, it seems essential to take into account the change of scale, correlated to the change of status, of science fiction cinema, since the 1980s. It would thus be necessary to measure the impact of the globalized diffusion of cinematographic productions on the conception of the works, by questioning in particular the articulation of the megatext of science fiction to its various national macrotexts. …”
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Virtual Immersive Models for Viewing Social Science Fiction in European Cinema by Federico O. Oppedisano, Daniele Rossi

“…In particular the study focuses on the enhancement of some European sociological science fiction movies. In this sense, immersive virtual reality, experimentally, has been used to realize and explore models capable of representing the quality of the space and emotional conditions present in the selected movies. …”
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Tendances contemporaines en critique de science-fiction, 1980-1999 by Veronica Hollinger

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Blockbuster de science-fiction : étendue, extension, morcellement du territoire by Gaspard Delon

“…Since the late 1970s, Hollywood science fiction blockbusters have been an attractive but random investment. …”
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Les univers partagés de science-fiction : pour une transauctorialité by Margot Châtelet

“…This article proposes the concept of transauthoriality applicable in shared universes of science fiction. To do so, it draws on Saint-Gelais’ concept of transfictionality (2011) and Wolf’s transauthor in Building Imaginary Worlds. …”
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« Enseigner avec la science-fiction » : quelques jalons pour une histoire récente de l’enseignement de la science-fiction en France (1970-2020) by Philippe Clermont

“…The aim of this article is to provide some answers to the question of the use and content of science fiction (SF) in the teaching of literature, from the historical perspective of French secondary education. …”
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Rhétorique de la futurité : scénarios, design fiction, prototypes et autres modalités évaporées de la science-fiction by Paul Graham Raven

Subjects: “…science fiction rhetorics…”
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