‘Larks in Season’: The Comic Almanack (1835–54) by Brian Maidment

“…One response to such reformist impulses was the comic or travesty almanac, and this essay centrally forms a study of the longest lasting and most successful satirical almanac, The Comic Almanack, which ran from 1835 until 1854. …”
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Babuinare by Joana Antunes

“…Among the various protagonists of these margins of medieval art, and particularly from the 13th century on, apes stand out as a satirical and moralising simile of mankind, and, therefore, as the main actors of a topsy-turvy world that finds their natural place in the margins. …”
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Église et scandales : Trollope ou la condamnation de l’excès by Hervé Picton

“…Until the end of his life he relentlessly inveighed against the abuses of the « high and dry, » that worldly type of clergy he satirized mercilessly, and denounced corruption, idleness and nepotism, along with the shameless exploitation of poor curates. …”
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Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music by Elham Omomi, Morteza Rashidi Ashjerdi, Mehrdad Chatraei

“…This article deals with the aesthetic analysis of three important stylistic dimensions (language, meaning, and music) in Rofūzehā (The Failed Ones), the satirical poetry collection of Abolfazl Zarūī Nasrābād. …”
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Legal Disputes of Emigrant Periodical Publishers from the End of the 19th Century to 1904 by Remigijus Misiūnas

“…Evaluating the causes of the cases, it is possible to discuss the complicated perception of the satirical genre within the emigrant community of that time. …”
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DİYARBAKIR ZİYA GÖKALP YAZMA ESER KÜTÜPHANESİNDEKİ SARFA DAİR YAZMA ESERLER BİBLİYOGRAFYASI / MORPHOLOGY MANUSCRIPTS BIBLIOGRAPHY IN DIYARBAKIR ZIYA GOKALP MANUSCRIPT LIBRARY... by Rıfat IŞIK

“…Bunlara ek olarak bu çalışma, bahsi geçen kütüphanedeki sarf ilmine dair eserlerin müelliflerinin isimleri, bu müelliflerin yaşadığı yüzyıl, içerik olarak benzer nüshaların tekrarı, kütüphane demirbaş numaraları, boyutları, kullanılan kâğıt türü, yazı çeşidi, satır ve sayfa sayıları hususunda bilgiler içermektedir.…”
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La « science-fiction bouffe » de Maïakovski. Autour de Mystère-Bouffe, La Punaise, Les Bains et de leur réception par le metteur en scène Antoine Vitez by Flore Garcin-Marrou

“…The last three plays are in line with Jules Verne and HG Wells' time travels: some characters are frozen and come resurrected in 1979, others have the opportunity to ride in a time machine that takes them 2030. These satires denounce what is is going on in political Russia: the transformation of revolutionary utopia into state realism - an authoritarian and repressive reality that will characterize the Stalinist era. …”
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İsmihan ve Mezid’in Hikâyesi: Osmanlı Toplumunda Mahremin Kamusal Alana Taşınma Biçimi Hakkında Bir Değerlendirme by Bayram Ürekli, Muhammed Özler

“…Bu tanımlara ulaşmak için ise şer’iye sicili olarak bilinen, kadılar tarafından tutulan ve mahkeme tutanakları olarak ifade edilen kayıtların satır aralarına bakmak gerekir. Mahkeme tutanakları bireyin gündelik yaşamının ipuçlarını yansıtması ve toplumun sesinin en çok duyulduğu metinleri içinde barındırması bakımından mahrem ve kamusal alan kavramlarının açıklanmasında oldukça kullanışlı kaynaklar olarak değerlendirilebilir. …”
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Revisión y reivindicación de las poesías de José Iglesias de la Casa publicadas en la prensa: el caso del Diario de las musas by Noelia López-Souto

“…In particular, the article focuses on the case of Iglesias de la Casa, a Spanish author from the late 18th century and famous for his Poesías póstumas (1793), although towards the end of his life he had already published, some of those anacreontic, amorous-pastoral, and satirical poems in periodical format. By means of a critical methodology and newspaper archival research, this work reviews Iglesias' poetic work in the press and, specifically, his poetic corpus published during his lifetime, as well as his characterization according to the conditions that the medium required. …”
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Thematic Preoccupations of D. A. Ọbasá and Ṣóbọ̀ Aróbíodù on Religion and Colonialism by Ìyábọ̀dé Baliquis Alága, Luqman Abísọ́lá Kíaríbẹ̀ẹ́

“…Also, Ṣóbọ̀ Aróbíodù’s comments on religion are basically to commend Christianity as introduced in Nigeria by the European missionaries, while Ọbasá’s poetry usually satirizes or lampoons Islamic and traditional religions. …”
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Cheesecake Manor, Californie : Raymond Chandler entre roman à énigme et roman hard-boiled by Isabelle Boof-Vermesse

“…In a series of parodic variations on preterition, Chandler the essayist claims to demonstrate the vacuous ineptitude of the rival form, but in doing so he reveals inadvertently a secret longing of Chandler the novelist. The satirical impulse is directed against the American imitation of the British form rather than its original version, revealing Chandler’s strategy to avoid the dead end of imitation. …”
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"Recalling-ls-Greatest": Personal Memory and Lyricism in Toyin Falola's A Mouth Sweeter than Salt and Counting the Tiger's Teeth by Felicia Ohwovoriole

“…We have memorial songs, songs of rebellion, songs of sexuality and sa­tirical songs which mock teachers, the police and government officials. …”
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Le procès Bruno Dey, un nouveau procès à la cage de verre by Bérénice Zunino

“…Like a kaleidoscope, the images of Dey, monster and ordinary man at the same time, fit into multiple iconographic traditions in terms of media representations of Nazi criminals. Whether narrative, satirical or documentary, the images produced by the two press organs seek either the truth or the scandal. …”
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An Artist among the Puritans:Challenging a Cultural Image in Hawthorne’s The Scarlet Letter by Michèle BONNET

“…This essay about The Scarlet Letter explores from a textual and cultural perspective the place of the artist in New England culture, both that of Puritan seventeenth-century Boston and of the nineteenth-century Salem satirized in « The Custom-House ». It shows how, in his typically ironic style, Hawthorne covertly subverts New England’s critical view of the artist who, rather than being an alleged agent of social disruption, turns out to be the cement of the community, indeed a « necessary » element. …”
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« C’est eux contre nous » ou « Qui a peur de qui ? » : la rhétorique post-11 septembre de l’administration américaine vue par la caricature de presse by Dominique CADINOT

“…However, despite the context, on December 15th, three months after the attacks, Atlanta’s major daily newspaper, TheAtlanta Journal-Constitution, ran an editorial cartoon drawn by Mike Luckovich questioning John Ashcroft’s management of the USA PATRIOT Act.The apparent purpose of the caricature is to satirize the way the Arab or Muslim communities are stigmatized as “enemies within” and to critique the artificial dichotomy used by the administration: “Us versus them”.However, the decision to depict John Ashcroft, leader of the domestic war-on-terror apparatus and prominent evangelist, indicates that what is at stake here is the thorny issue of the relations between state power and religion.Since cartoons may provide scholars with a glimpse of the political debate or public opinion surrounding past events, this essay will seek to highlight and reflect on the feelings of millions of Americans who, a few months after the implementation of the national security strategy, initiated a response to those confounding patriotism and bigotry.…”
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BİST İMALAT SANAYİ SEKTÖRÜNDE FAALİYET GÖSTEREN İŞLETMELERİN NAKİT AKIŞ PROFİLLERİNİN İNCELENMESİ by Mustafa Kısakürek, Haluk Satır

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Didacticism and Philosophical Tenets in Ọbasa’s Poetry by Arinpe Adejumo

“…It is also revealed that satirical elements, especially humor are used to project Yoruba philosophical belief in order to imbue the reader with moral rectitude. …”
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Fossils and Theories of Evolution in Gustave Flaubert’s Bouvard et Pécuchet by Anthony Zielonka

“…This paper proposes a close textual analysis of Chapter III of the masterpiece of comic and satirical fiction that is Gustave Flaubert’s last novel, Bouvard et Pécuchet (1881). …”
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HİKMETİN İZİNDE BİR FİZİKÇİ: SCHRÖDINGER VE ANLAM KRİZİ by Mehmet Zahit Sezer

“…Biz bu yazıda onun muhtelif zamanlarda halka açık ders dizilerinin bir araya getirilmesi ile vücuda gelen "Doğa ve Yunanlar & Bilim ve Hümanizm" adlı eserini, Schrödinger'i doğa bilimi krizi ve anlam krizi ile yüzleşen bir filozof olarak konumlandırmak sureti ile inceleyeceğiz ve metnin satır aralarına inerek Schrödinger'in varlık ve bilgide yeniden bir birlik tesis etme arzusu üzerinden aslında nasıl bir hikmet talibi olduğunu göstermeye çalışacağız.…”
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Adaptation of Bakhtin's carnival characteristics in Persian "parody" based on the principles of contemporary criticism by Ahmad Goli, Yadollah Nasrollahi, Fereshteh Ahikhteh

“…The most significant theorization in this field is Bakhtin's dialogism, which is based on the language play he names as heteroglossia. after the concept has been discussed in the study of novel and other discourses of social and literary satires such as "Carnival,"  "parody," and so on.‌‌ …”
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